The Project Gutenberg eBook of The Ambassador's Pet, by Alexander Blade
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws of the
country where you are located before using this eBook.
Title: The Ambassador's Pet
Author: Alexander Blade
Release Date: May 15, 2021 [eBook #65343]
Language: English
Character set encoding: UTF-8
Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK THE AMBASSADOR'S PET ***
This diplomat had to be treated with kid
gloves; my orders were clear on that. Trouble
was my instructions from Earth didn't cover—
The Ambassador's Pet
By Alexander Blade
[Transcriber's Note: This etext was produced from
Imagination Stories of Science and Fantasy
October 1957
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
I picked up sealed orders at the Routing Desk of Space Service. They
were addressed to Captain Johnny Martin of the spaceship 13-XV-1, which
is my name and my ship.
They said:
Proceed to Aldebaran VII at once. You are to pick up an Aldebaranian
ambassador and transfer him to Earth for high-level diplomatic talks.
You are to treat him with utmost courtesy. Relations between Earth and
Aldebaran VII are in a very delicate state at this time.
The ambassador informs us he plans to bring a pet with him to Earth.
Pets, huh? I snorted a little and folded the orders away in my pocket.
Well, I supposed it came in the line of duty. If they ordered me to
ferry Aldebaranian pets, I'd ferry Aldebaranian pets. All in a day's
work, I told myself.
I stopped off and had a couple of beers before returning to the ship.
Meersal, my First Officer, was waiting for me.
"Well? Pick up the orders?"
I nodded. "Yep. Got 'em right here." I unfolded them and handed them
over to him.
He ran his eyes over them quizzically. "Hokay," he said. "I guess we go
to Aldebaran, huh?"
Our instructions came in detail a little while later. We were to hover
over Aldebaran VII and give a special signal; a transfer-tug would come
up to us from the surface and hand the Ambassador and his pet over to
us. Under no conditions were we to land on Aldebaran VII itself; the
natives would regard it as a breach of the truce that currently existed
between their world and ours.
Okay, I thought. I didn't care.
I gave the orders to the crew at nightfall and we left Earth a little
past midnight. Meersal had already instructed the astrogator about our
next destination and he had whipped up the course.
We did some hundred thousand miles on ion-drive and then, safely clear
of the Earth's grav-field, converted over and popped into warp.
Aldebaran lay three weeks ahead of us through hyperspace.
Earth and Aldebaran had first contact about 10 years before. I didn't
know anything particular about the planet or its people—there are
enough worlds in the galaxy so you don't get to know each type of
alien there is. We had a special cabin ready aboard the ship for the
Aldebaranian ambassador and his pet. Instructions told us to prepare a
special fluorine atmosphere, which meant the Aldebaranians couldn't be
much like us.
But they had agreed to negotiate a treaty of friendship with Earth and
were sending an ambassador. That was good news, I thought.
We popped out of warp right on schedule and there was the giant hazy
red sun that was Aldebaran, staring us right in the face. It seemed to
fill the entire sky.
Our astrogator plotted a course rapidly for Aldebaran VII, which was
then at perihelion and a good ways across the heavens from where we
were. The Aldebaran system is a huge one—31 planets spread out over
six or seven billion miles of space.
Most of them were dead worlds, though. It was only Aldebaran VII that
had any sort of intelligent life, or so our survey teams reported.
It took three days more to get within hailing distance of the seventh
planet. It spun beneath us, a pretty blue-green ball about the size of
Earth.
We came within about a million miles and set up an orbit as per
instructions. No sooner had we done that than we found ourselves
surrounded by a flock of alien warships.
I went to the radio room and made contact.
"State name and object here," I was ordered in a crisp, business-like
voice.
"I'm Johnny Martin, Captain of the Terran vessel 13-XV-1, with no
hostile intent. We're here to pick up an ambassador from Aldebaran to
Earth, along with his pet."
I heard some hasty conferring going on and then someone said, "Hold on,
Terran ship. We'll check with the home planet."
Five tense minutes passed—minutes in which I half expected to be
blown out of the sky by a sudden attack. You never can tell with
aliens. They're likely to do almost anything; their psychologies are
unpredictable in Terran terms—as, I guess, ours are in theirs.
But finally my receiver crackled and the alien voice said, "Everything
is clear, 13-XV-1. Remain in orbit and ambassador will be transferred
to your ship. Any suspicious move on your part will bring immediate
attack by our defense fleet."
"Don't worry. I'm not going any place. I'll wait right here."
I watched in the viewscope as a small ship bellied upward from the
blue-green world below and approached us. They matched velocities with
us, airlock to airlock.
"Get that fluorine room ready," I ordered my men. "The Ambassador's
coming aboard."
The two ships hung side by side in space. Of course, there was no
apparent relative motion since we had the same velocity. It was
possible to walk back and forth from their ship to ours.
"Prepare to receive Ambassador," came the message from the other ship.
"His excellency, Quelf Tharkol, Minister Plenipotenitiary—and his pet."
"I'm ready," I said. "Our airlock's open."
Slowly the lock of the other ship slid back and two space-suited
figures appeared—the Ambassador, Quelf Tharkol, and his pet. The
Ambassador was invisible within his spacesuit but he stood upright and
looked to be about the size of a man. I was happy about that; it's
always a lot easier to negotiate with a humanoids-type alien than with
something totally bizarre.
I chuckled when I saw the space-suited cat—for so I thought of it.
It was cat-size, in a little form-fitting spacesuit, and it scampered
after its master on four legs, space-suited tail wagging behind. It was
sort of a cute little thing, I thought; no wonder its master didn't
care to leave it behind.
"Everything all set?" I asked.
"Transfer is completed," said the captain of the other ship. He closed
his lock, and pulled away from us.
"Close the lock!" I ordered.
I gestured to a crewman standing by. "Show the Ambassador to his room,"
I said.
When the Ambassador and his pet were in their special fluorinated
stateroom I called them on the special television hookup I had set up
between them.
They had taken their spacesuits off and were lying sprawled out in
their green murky atmosphere, the Ambassador in his bunk and the pet
in his. I could hardly see into the room over my circuit but I could
see that the Ambassador was very human and that the pet was pretty much
like a cat, except that he had sharp-clawed fingers instead of the soft
little pads a cat has.
"Everything all right in there?" I asked.
"Fine, just fine. How long will it take to get to Earth?"
"About three weeks," I said. "We'll be going into warp any minute."
"Very well," came the reply.
I didn't expect to have many dealings with the Ambassador. I had
been told that he would have his own food supply and naturally he was
confined to his fluorinated stateroom. So we settled down to a pleasant
return trip.
But on the second day of warp I was awakened from sweet dreams by
Whitey Durbin, the Night Engineer. He shoved me around in my bunk until
I opened one eye and said "Whatsamatter?"
"It's the cat, Chief!"
"Cat? What cat? You crazy, Whitey? Lemme go back to sleep."
But he was obstinate. "The Ambassador's pet. It's out of its room."
"Huh? But it can't breathe—"
"It's wearing a spacesuit. And it's wandering all over the ship,
snooping around. I caught it in the drive section and up front with the
charts. I don't like it, Chief."
"No. Neither do I." I was wide awake all at once. There had been
something fishy about this pet business all along and now I was
suspicious. Suppose the pet were a little smarter than a cat? Suppose
it was snooping around innocently enough—and actually soaking up vital
secret information about the workings of a Terran spaceship?
But I didn't know what to do. My orders stressed the fact that I had to
handle the Ambassador with kid gloves—but on the other hand, was I
supposed to let that creature roam all over the ship?
"Get me a hookup with Home Base," I said. "And in the meantime keep an
eye on that cat. Don't let it catch wise but try to follow it around.
And don't stop it from roaming. These aliens may be touchy about the
funniest things."
I got in touch with Home Base in jig time. Commander Mahoney was the
man I spoke to.
"How's that Ambassador, Martin?"
"That's why I'm calling, sir. You see—the Ambassador's pet is creeping
all around the ship. It's sort of a cat but I wonder whether maybe it's
doing a very neat job of spying on us."
"Have you taken any action yet?"
"No. I wanted to check with Home Base."
Mahoney thought for a moment. "I suppose it would be all right to
speak to the Ambassador about this and tactfully request that he keep
the creature in his own quarters. But be tactful about it, Martin.
Remember, we don't want to offend these aliens."
It was the middle of the "night" aboard ship, so I didn't think it
would be particularly tactful to call the Ambassador just then.
I waited until morning, by which time my men reported that the cat had
completed its survey and had promptly returned to the Ambassador's room.
When the television came on, the Ambassador and his pet were again
reclining leisurely on their bunks.
"Sorry if I'm disturbing you," I said hesitantly.
"That's quite all right. What can I do for you?"
"A matter of shipboard procedure I'd like to point out. It seems last
night your pet left your cabin and explored the ship, or so some of
my men reported. I'd appreciate it if you'd restrain the animal to
quarters from now on. It upsets shipboard routine—and, besides, my
instructions request that I keep the operating sections of the ship
under security wrap."
There was silence for a moment. I held my breath, hoping I hadn't
said something wrong, some thing that might foul up the delicate
Earth-Aldebaran negotiations in progress.
Finally came the reply. "I understand fully. I'm sorry about the
exploration trip—it was mere curiosity. It won't be repeated. But
you're mistaken about one thing."
"What's that?" I asked somewhat puzzledly.
"My pet remained in the cabin all night. I was the one who explored
the ship." There was a sneer in his voice.
"You? But—"
My mouth clammed shut. And then I understood. I couldn't keep the flush
of embarrassment from my face and he saw it over the screen. It seemed
to please him. Pretty damned clever, I thought. Smart psychology for
the aliens to bring a "human" as a pet, putting our diplomats on the
defensive right from the start. The Ambassador must have known what I
was thinking for the sneer grew on his face.
Then suddenly I grinned. It seemed to surprise him. This, he hadn't
expected.
"Captain, something strikes you as humorous?" There was uncertainty in
his tone. Plus a little annoyance.
My grin widened. "Just a little private joke, Ambassador," I said. I
was thinking that this joker was in for a shock. Two planets could play
at this game and I would have plenty of time to tip off Home Base.
After all, we have pets too....
*** END OF THE PROJECT GUTENBERG EBOOK THE AMBASSADOR'S PET ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility:
www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.