The Project Gutenberg EBook of Myth and Science, by Tito Vignoli

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Myth and Science
       An Essay

Author: Tito Vignoli

Release Date: February 19, 2006 [EBook #17802]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK MYTH AND SCIENCE ***




Produced by R. Cedron, Janet Blenkinship and the Online
Distributed Proofreaders Europe at http://dp.rastko.net









THE INTERNATIONAL SCIENTIFIC SERIES.

VOL. XXXVIII.




MYTH AND SCIENCE

AN ESSAY

BY

TITO VIGNOLI




THIRD EDITION


LONDON
KEGAN PAUL, TRENCH & CO., 1 PATERNOSTER SQU.
1885




  CONTENTS.


  ON IDEAS AND SOURCES OF MYTH                                         1

  ANIMAL SENSATION AND PERCEPTION                                     48

  HUMAN SENSATION AND PERCEPTION                                      68

  THE STATEMENT OF THE PROBLEM                                       104

  THE ANIMAL AND HUMAN EXERCISE OF THE INTELLECT
  ON THE PERCEPTION OF THINGS                                        116

  INTRINSIC LAW OF THE FACULTY OF APPREHENSION                       135

  THE HISTORICAL EVOLUTION OF MYTH AND SCIENCE                       155

  ON DREAMS, ILLUSIONS, NORMAL AND ABNORMAL HALLUCINATIONS, DELIRIUM,
  AND MADNESS--CONCLUSION                                            241




MYTH AND SCIENCE.




CHAPTER I.

THE IDEAS AND SOURCES OF MYTH.


Myth, as it is understood by us, and as It will be developed and
explained in this work, cannot be defined in summary terms, since its
multiform and comprehensive nature embraces and includes all primitive
action, as well as much which is consecutive and historical in the
intelligence and feelings of man, with respect to the immediate and the
reflex interpretation of the world, of the Individual, and of the
society in which our common life is passed.

We hold that myth is, in its most general and comprehensive nature, the
spontaneous and imaginative form in which the human intelligence and
human emotions conceive and represent themselves and things in general;
it is the psychical and physical mode in which man projects himself into
all those phenomena which he is able to apprehend and perceive.[1]

We do not propose to consider in this treatise the myths peculiar to one
people, nor to one race; we do not seek to estimate the intrinsic value
of myths at the time when they were already developed among various
peoples, and constituted into an Olympus, or special religion; we do not
wish to determine the special and historical cause of their
manifestations in the life of any one people, since we now refrain from
entering on the field of comparative mythology. It is the scope and
object of our modest researches to trace the strictly primitive origin
of the human myths as a whole; to reach the ultimate fact, and the
causes of this fact, whence myth, in its necessary and universal form,
is evolved and has its origin.

We must therefore seek to discover whether, in addition to the various
causes assigned for myth in earlier ages, and still more in modern times
by our great philologists, ethnologists, and philosophers of every
school--causes which are for the most part extrinsic--there be not a
reason more deeply seated in our nature, which is first manifested as a
necessary and spontaneous function of the intelligence, and which is
therefore intrinsic and inevitable.

In this case myth will appear to us, not as an accident in the life of
primitive peoples varying in intensity and extent, not as a vague
conception of things due to the erroneous interpretation of words and
phrases, nor again as the fanciful creation of ignorant minds; but it
will appear to be a special faculty of the human mind, inspired by
emotions which accompany and animate its products. Since this innate
faculty of myth is indigenous and common to all men, it will not only be
the portion of all peoples, but of each individual in every age, in
every race, whatever may be their respective conditions.

Myth, therefore, will not be resolved by us into a manifestation of an
obsolete age, or of peoples still in a barbarous and savage state, nor
as part of the cycle through which nations and individuals have,
respectively passed, or have nearly passed; but it remains to this day,
in spite of the prevailing civilisation which has greatly increased and
is still increasing, it still persists as a mode of physical and
intellectual force in the organic elements which constitute it.

Nor, let it be observed, do I say that such a mythical faculty persists
as such only among the ignorant masses in town or country, in the form
of those very ancient superstitions which have been collected with
immense labour by learned mythologists and ethnologists; on the
contrary, I maintain that the mythical faculty still exists in all men,
independently of this survival of old superstitions, to whatever people
and class they may belong; and it will continue to exist as an innate
function of the intelligence, if not with respect to the substance,
which may alter, at any rate in the mode of its acts and proceedings.

I fear that this opinion will appear at first sight to be paradoxical
and chimerical, since it is well known that the mythical conception of
the world and its origin is gradually disappearing among civilized
nations, and it is supposed to be altogether extinct among men of
culture and intelligence. Yet I flatter myself, perhaps too rashly, that
by the time he reaches the end of this work, the reader will be
convinced of the truth of my assertion, since it is proved by so many
facts, and the psychical law from, which it results is so clear.

It must not, however, be forgotten that, in addition to the mythical
faculty of our minds, there exists the scientific faculty, the other
factor of a perfect intellectual life; the latter is most powerful in
certain races, and must in time prevail over the former, which in its
objective form precedes it; yet they are subjectively combined in
practice and are indissolubly united through life.

Undoubtedly neither the mythical nor the scientific faculty is equal and
identical in all peoples, any more than they are equal and identical in
individuals; but they subsist together, while varying in intensity and
degree, since they are both necessary functions of the intelligence.

Whether we content ourselves with studying the mental and social
conditions in the lower types of modern peoples, or go back to the
earliest times, we find men everywhere and always possessed of the power
of speech, and holding mythical superstitions, it may be of the rudest
and most elementary kind; so also do we find men possessed of rational
ideas, although they may be very simple and empirical. They have some
knowledge of the causes of things, of periods in the phenomena of
nature, which they know how to apply to the habits and necessities of
their social and individual lives.

No one, for example, would deny that many mythical superstitions, and
fanciful beliefs in invisible powers, existed among the now extinct
Tasmanians, and are now found among the Andaman islanders, the Fuegians,
the Australians, the Cingalese Veddahs, and other rude and uncultured
savages. On the other hand, those who are acquainted with their mode of
life find that savages are not absolutely devoid of intellectual
activity of an empirical kind, since they partly understand the natural
causes of some phenomena, and are able, in a rational, not an arbitrary
manner, to ascribe to laws and the necessities of things many facts
relating to the individual and to society. They are, therefore, not
without the scientific as well as the mythical faculty making due
allowance for their intellectual condition; and these primitive and
natural instincts are due to the physical and intellectual organism of
human nature.

In order to pursue this important inquiry into the first and final cause
of the origin of myth, it is evidently not enough to make a laborious
and varied collection of myths, and of the primitive superstitions of
all peoples, so as to exhaust the immense field of modern ethnography.
Nor is it enough to consider the various normal and abnormal conditions
of psychical phenomena, nor to undertake the comparative study of
languages, to ascertain how far their speech will reveal the primitive
beliefs of various races, and the obscure metaphorical sayings which
gave birth to many myths. It is also necessary to subject to careful
examination the simplest elementary acts of the mind, in their physical
and psychical complexity, in order to discover in their spontaneous
action the transcendental fact which inevitably involves the genesis of
the same myth, the primary source whence it is diffused by subsequent
reflex efforts in various times and varying forms.

In speaking of the transcendental fact, it must not be supposed that I
allude to certain well-known _a priori_ speculations, which are opposed
to my temper of mind and to my mode of teaching. I only use the term
transcendental because this is actually the primitive condition of the
fact in its inevitable beginning, whatever form the mythical
representation may subsequently take. This fact is not peculiar to any
individual, people, or race, but it is manifested as an essential
organism of the human character, which is in all cases universal,
permanent, and uniform.

In order to give a clear explanation of my estimate of the _a priori_
idea, which also takes its place as the factor of experimental and
positive teaching, I must observe that for those who belong to the
historical and evolutionary school, _a priori_, so far as respects any
organism, habit, and psychological constitution in the whole animal
kingdom, in which man is also included, signifies whatever in them is
fixed and permanently organized; whatever is perpetuated by the
indefinite repetition of habits, organs, and functions, by means of the
heredity of ages. The whole history of organisms abounds with positive
and repeated proofs of this fact, which no one can doubt who is not
absolutely ignorant of elementary science. Every day adds to the number
of these proofs, demonstrating one of those truths which become the
common property of nations.

_A priori_ is therefore reduced by us to the modification of organs in
their physical and psychical constitution, as it has ultimately taken
place in the organism by the successive evolutions of forms which have
gradually become permanent, and are perpetuated by embryogenic
reproduction. This reproduction is in its turn the absolute condition of
psychical and organic facts, which are thus manifested as primitive
facts in the new life of the individual. By this law, the psychical
facts, whether elementary or complex, as they occur in the individual up
to the point of their evolution, have the necessary conditions of
possibility, and may therefore be termed a _priori_ with respect to the
laws of evolution, and to the hereditary permanence of acts performed in
the former environment of the organism at the time when they appeared.

This conception of a _priori_ is, it must be admitted, very different
from that of transcendental philosophers, who seek to prove either that
an independent artificer has not only produced the various organic forms
in their present complexity, and has specially provided the spiritual
subject with its category of thought, independently of all experience;
or else they assert the intrinsic existence of such forms in the spirit,
from the beginning of time.

In this way, as we have already said, we must not only collect the facts
which abound in history and ethnology respecting the general teaching of
myths, but we must also observe introspectively, and by pursuing the
experimental method, the primitive and fundamental psychical facts, so
as to discover the a priori conditions of the myth itself. We must
ascertain, from a careful psychological examination, the absolutely
primitive origin of all mythical representations, and how these are in
their turn the actual historical result of the same conditions, as they
existed prior to their manifestations.

It must not be supposed that in this primary fact, and in these _a
priori_ psychical and organic conditions, we shall find the ulterior
cause of the various and manifold forms, or of the successive evolution
of myths. This would be a grave mistake, equal to that of
transcendentalists, who imagine that the laws which actually exist, and
the order of cosmic and historic phenomena may be determined from the
independent exercise of their own thoughts, although such laws and order
can only be traced and discovered by experience and the observation of
facts. In the _a priori_ conditions of the psychical and organic nature,
and in the elementary acts which outwardly result from them, we shall
only trace the origin and necessary source of myth, not the variable
forms of its successive evolution.

The ulterior form, so far as the substance of the myth and its various
modifications are concerned, is in great part the reflex work of man;
its aspect changes in accordance with the attitude and force of the
faculties of individuals, peoples and races, and it depends on an energy
to which the _a priori_ conditions, as we have just defined them, do not
strictly apply so far as the determinate form is concerned.

It is precisely in this ulterior work of the evolution of myth, which in
the elementary fact of its primitive essence had its origin in the
predisposition of mind and body, that we may discern the interchangeable
germ and origin both of myth and science. If, therefore; the rationale
of science cannot be found in the general form of mythical
representations, the matter which serves to exercise the mind; yet the
mode of its exercise, and of the logical and psychical faculty, and the
spontaneous method pursued, are identical: the two mythical and
scientific faculties are, in fact, considered in themselves, fused into
one.

As far as the origin of myth is concerned, the mode of considering its
evolution, and its organic connection with science, we differ from other
mythologists as to the sources to which they trace this immense
elaboration of the human intelligence. We may be mistaken, but we are in
any case entering on unexplored ways, and if we go astray, the boldness
of an enterprise which we undertake with diffidence pleads for
indulgence.

Omitting to notice the well-known opinions on the origin of myth which
were current in classic antiquity, in the Græco-Latin world, or in
India,[2] we restrict our inquiry to modern times subsequent to
Creuzer's learned and extensive labours. In a more scientific method,
and divested of prejudice, we propose to trace the sources of myth in
general, and among various peoples in particular.

The science of languages, or comparative philology, is the chief
instrument required in such researches, and much light has been acquired
in our days, which has led to surprising results, at least within the
sphere of the special races to which it has been applied. The names of
Kuhn, Weber, Sonne, Benfey, Grimm, Schwartz, Hanusch, Maury, Bréal,
Pictet, l'Ascoli, De Gubernatis, and many others, are well known for
their marvellous discoveries in this new and arduous field. They have
not only fused into one ancient and primitive image the various myths
scattered in different forms among the Aryan races, but they have
revealed the original conception, as it existed in the earliest meaning
of words before their dispersion. Hence came the multiplicity of myths,
developed in brilliant anthropomorphic groups in different theologies,
gradually becoming more simple as time went on, then uniting in the
vague primitive personification of the winds, the storms, the sun, the
dawn; in short, of astral and meteorological phenomena.

On the other hand, Max Müller, whose theory of original myths is
peculiar to himself, has made use of this philological instrument to
prove that the Aryan myths may at any rate be referred to a single
source, namely to metaphor, or to the double meaning of words, due to
the poverty of primitive languages. He calls this double meaning the
infirmity of speech.

I do not deny that many conclusions to which some or other of the great
authorities just mentioned have arrived may be as true as they are
surprising. I also admit that this may be a certain method of
distinguishing the various mythical representations in their early
beginnings from their subsequent and complex forms. But in all the facts
which have been ascertained, or which may hereafter be ascertained, from
the comparative study of the languages of different races, no
explanation is afforded of the fact that into the natural and primitive
phenomena of myth, or, as Müller holds, into its various metaphors, man
has so far infused his own life, that they have, like man himself, a
subjective and deliberate consciousness and force. It seems to me that
this problem has not yet been solved by scholars; they have stopped
short after establishing the primary fact, and are content to affirm
that such is human nature, which projects itself on external things.[3]

This explanation establishes a true and universal fact, but it is not
the explanation of the fact itself; yet it is not, as we shall see,
incapable of solution, and it appears to me that the ultimate source
whence myths really proceed has not been reached.

Again, if such an opinion and such a method can give us the key to the
polytheistic origin of the respective Olympuses of classic Greece and
Rome, it leaves unexplained the numerous and manifold superstitions
which philology itself proves to have existed prior to the origin of
cosmic myths. These superstitions can by no means be referred to a
common source, to the astral and meteorological myths, some of which
were prior, while others were subsequent to these superstitions.

Taking, therefore, the general and more important opinions which are now
current respecting the origin of myth, it may be said that in addition
to the systems already mentioned, two others are presented to us with
the weight of authority and knowledge; these, while they do not renounce
the appliances and linguistic analyses of the former, try to unite all
the mythical sources of mankind in general into a single head, whence
all myths, beliefs, superstitions, and religions have their origin.
While France and Germany and some other nations have achieved
distinction in this field, England has been especially remarkable for
the nature of her attempts, and the vastness of her achievements in
every direction. We pass over many great minds which were first in the
field in order to dwell on the two men who, as it seems to me, have
summed up the knowledge of others, and have formulated a theory in great
measure peculiar to themselves.

Tylor's well known name will at once suggest itself, and that of Herbert
Spencer; the former, in his great work on the "Early History of Mankind
and of Civilization," and other writings, the latter, in the first
volume of his "Sociology," and in his earlier works, have respectively
established the doctrine of the universal origin of myths on the basis
of ethnography, on the psychological examination of the primary facts of
the intelligence, and on the conception of the evolution of the general
phenomena of nature.

It would, indeed, be difficult to excel the great mind, the acute
genius, and the universal learning of Herbert Spencer, who has been
termed the modern Aristotle by a learned writer; and this is high praise
when we remember how much knowledge is necessary in our times, and in
the present conditions of science, before any one can be deemed worthy
of such a comparison. But with due respect to so great a man, and with
the diffidence of one who is only his disciple, I venture to think that
Herbert Spencer's attempt to revive, at any rate in part, Evemero's
theory of the origin of myths will not be successful, and it may prove
injurious to science. First, because all myths cannot be reduced, to
personal or historical facts; and next, because the primitive value of
many of them is so clear and distinct in their mode of expression that
it is not possible to derive them from any source but the direct
personification of natural phenomena. Nor does it appear to me to be
always and altogether certain that the origin of myths, also caused by
the double personality discerned in the shadow of the body itself, in
the images reflected by liquid substances, in echoes and visions of the
night, can be all ascribed to the worship of the dead.

The worship of the dead is undoubtedly universal. There is no people,
ancient or modern, civilized or savage, by whom it has not been
practised; the fact is proved by history, philology and ethnography. But
if the worship of the dead is a constant form, manifested everywhere, it
flourishes and is interwoven with a multitude of other mythical forms
and superstitious beliefs which cannot in any way be reduced to this
single form of worship, nor be derived from it. This worship is
undoubtedly one of the most abundant sources of myth, and Spencer, with
his profound knowledge and keen discernment, was able to discuss the
hypothesis as it deserves; whence his book, even from this point of
view, is a masterpiece of analysis, like all those which issue from his
powerful mind.

Yet even if the truth of this doctrine should be in great measure
proved, the question must still be asked how it happens that man
vivifies and personifies his own image in duplicate, or else the
apparitions of dreams or their reflections, and the echoes of nature,
and ultimately the spirits of the dead.

Tylor developed his theory more distinctly and at greater length, and he
brought to bear upon it great genius, extraordinary knowledge, and a
sound critical faculty, so that his work must be regarded as one of the
most remarkable in the history of human thought. He belongs to the
school of evolution, and his book strongly confirms the truths of that
theory; since from the primitive germs of myth, from the various and
most simple forms of fetishes among all races, he gradually evolves
these rude images into more, complex and anthropomorphic forms, until he
attains the limits of natural and positive science. He admits that there
are in mankind various normal and abnormal sources of myth, but he comes
to the ultimate conclusion that they all depend on man's peculiar and
spontaneous tendency to _animate_ all things, whence his general
principle has taken the name of _animism_. It is unnecessary to say much
in praise of this learned work, since it is known to all, and cannot be
too much studied by those who wish for instruction on such subjects.

But while assenting to his general principle, which remains as the sole
ultimate source of all mythical representation, I repeat the usual
inquiry; what causes man to animate all the objects which surround him,
and what is the cause of this established and universal fact? The
marvellous ethnographic learning of the author, and his profound
analysis, do not answer this question, and the problem still remains
unsolved.

It is evident from what we have said, that the theory of the origin of
myth has of late made real and important progress in different
directions; it has been constituted by fitting methods, and with
dispassionate research, laying aside fanciful hypotheses and systems
more or less prompted by a desire to support or confute principles which
have no connection with science. We have now in great measure arrived at
the fundamental facts whence myth is derived, although, if I do not
deceive myself, the ultimate fact, and the cause of this fact, have not
yet been ascertained; namely, for what reason man personifies all
phenomena, first vaguely projecting himself into them, and then
exercising a distinct purpose of anthropomorphism, until in this way he
has gradually modified the world according to his own image.

If we are able to solve this difficult problem, a fact most important to
science and to the advancement of these special studies must result from
it: the assimilation and concentration of all the sources of myth into a
single act, whether normal or abnormal to humanity. To say that animism
is the general principle of myth does not reduce the different sources
whence it proceeds to a single psychical and organic act, since they
remain distinct and separate in their respective orbits. To attain our
object, it is necessary that the direct personification of natural
phenomena, as well as the indirect personification of metaphor; the
infusion of life into a man's own shadow, into reflex images and dreams;
the belief in the reality of normal illusions, as well as of the
abnormal hallucinations of delirium, of madness, and of all forms of
nervous affections; all these things must be resolved into a single
generating act which explains and includes them. It must be shown how
and why there is found in man the possibility of modifying all these
mythical forms into an image supposed to be external to himself, living
and personal. For if we are enabled to reply scientifically to such
inquiries, we shall not only have concentrated in a single fact all the
most diverse normal and abnormal forms of myth peculiar to man, but we
shall also have given an ulterior and analytic explanation of this fact.

I certainly do not presume to declare myself competent to effect so
much, and I am more conscious than my critics how far I fall short of my
high aim; but the modest attempt, made with the resolution to accept all
criticism offered with courtesy and good faith, does not imply culpable
presumption nor excessive vanity.

I regret to say that it is not on this point only that my theory of myth
differs from that of others; I shall not be satisfied if I only succeed
in discovering in man the primitive act which issues the general
animism of things, which becomes the substance of the ulterior myths in
their intellectual and historical evolution. It is evident, at least to
those who do not cling obstinately to old traditions, that man is
evolved from the animal kingdom. The comparative anatomy, physiology,
and psychology of man and other animals distinctly show their intimate
connection in conformation, tissues, organs, and functions, and above
all, in consciousness and intelligence. This truth, deduced from simple
observation and experiment, must lead to the conviction that all issued
from the same germ, and had the same genesis.

For those who do not cherish pedantic and sectarian prejudices, this
hypothesis is changed into assurance by modern discoveries; it is shown
in the transformations and transitions of paleontological forms; in the
embryogenic evolution of so many animals, man included, which, according
to their various species, reveals the lower types whence they issued; in
the successive forms taken by the foetus; in the powerful and
indisputable laws of selection; in the modifications by adaptation of
the different organisms, and in the effects of isolation. This is the
only rational explanation, confirmed as it is by fresh facts every day,
of the multiplicity and variety of organic forms in the lapse of time;
unless, indeed, we ascribe such variety to a miracle, even more
difficult to accept than the difficulties of the opposite-theory.

I admit that evidence for the complete demonstration of this theory is
sometimes wanting; the gaps between the fossil fauna and flora and those
of modern times are neither few nor unimportant; but on the other hand,
such proofs are accumulating, and the gaps are filled up every day, so
that we may almost assert that in some way or other, by means somewhat
different from those on which we now rely, the great rational principle
of evolution will be successfully and permanently established.

It is more than twenty years since, in ways and by study peculiar to
ourselves, we first devoted ourselves to this theory, and while we gave
a conscientious consideration to opposite theories, so as to estimate
with sincerity their importance and value, we could not relinquish our
conviction that every advance in physical, biological, and social
science served to confirm the theory of evolution.

It must not be supposed that I make any dogmatic assertion, which might
possibly be erroneous, when I say that the evidence of facts does not
contradict the assumptions of modern science. Sincere convictions should
offend no one, nor do they indicate an a priori conflict with other
beliefs. Every one is justified in thinking his own thoughts when he
speaks with moderation and supports his peculiar opinions with a certain
amount of learning.

It is not denied, even by those who oppose modern theories respecting
the genesis of organisms, that there are, excluding some psychical
elements, many and important points of resemblance between man and
animals in the exercise of their consciousness, intelligence, and
emotions, if indeed they are not identically the same. The comparative
psychology of man and animals plainly shows that the perceptions, both
in their respective organs and in their mode of action, act in the same
way, especially in the higher animals; and the origin, movements, and
associations of the imagination and the emotions are likewise identical.
Nor will it be disputed that we find in animals implicit memory,
judgment, and reasoning, the inductions and deductions from one special
fact to another, the passions, the physiological language of gestures,
expressive of internal emotions, and even, in the case of gregarious
animals, the combined action to effect certain purposes; so that, as far
as their higher orders are concerned, animals may be regarded as a
simple and undeveloped form of man, while man, by his later psychical
and organic evolution, has become a developed and complex animal.[4]

In my book on the fundamental law of intelligence in the animal kingdom,
I attempted to show this great truth, and to formulate a principle
common to all animals in the exercise of their psychical emotions, by
setting forth the essential elements as they are generally displayed. I
think I was not far from the truth in establishing a law which seems
indubitable; although, while some men whose opinion is worthy of esteem
have accepted it, other very competent judges have objected to some
parts of my theory, but without convincing me of error. I repeat my
conclusions here, since they are necessary to the theory of the genesis
of myth, which I propose to explain in this work. I hold the complete
identity between man and animals to be established by the adequate
consideration of the faculties, the psychical elements of consciousness
and intelligence, and the mode of their spontaneous exercise; and I
believe the superiority of man to consist not so much in new faculties
as in the reflex effect upon themselves of those he possesses in common
with the animals. The old adage confirms this theory: _Homo duplex_.

No one now doubts that animals feel, hear, remember, and the like, while
man is able to exercise his will, to feel, to remember, deliberately to
consider all his actions and functions, because he not only possesses
the direct and spontaneous intuition with respect to himself and things
in general which he has in common with animals, but he has an intuitive
knowledge of that intuition itself, and in this way he multiplies within
himself the exercise of his whole psychical life. We find the ultimate
cause of this return upon himself, and his intuition of things, in his
deliberate will, which does not only immediately command his body and
his manifold relative functions, but also the complex range of his
psychical acts. This fact, which as I believe has not been observed
before, is of great importance. It is manifest that the difference
between man and other animals does not consist in the diversity or
discrepancy of the elements of the intelligence, but in its reflex
action on itself; an action which certainly has its conditions fixed by
the organic and physiological composition of the brain.

If it should be said that the traditional opinion of science, as well as
the general sentence of mankind, have always regarded reflection as the
basis of the difference between animals and man, so that there is no
novelty in our principle, the assertion is erroneous. Reflection, as an
inward psychical fact, has certainly been observed by psychologists and
philosophers in all civilized times, and instinctively by every one; nor
could it be otherwise, since reflection is one of the facts most evident
to human consciousness. But although the fact, or the intrinsic and
characteristic action of human thought has been observed, and has often
been discussed and analyzed in some of its elements, yet its genesis has
not been declared, nor has its ultimate cause been discovered. We
propose to discover this ultimate cause, and we refer it to the exercise
of the will over all the elements and acts which constitute human
intelligence; an intelligence only differing from that of animals by
this inward and deliberate fact, which enables man to consider and
examine all his acts, thus logically doubling their range. This
intelligence has in animals a simple and direct influence on their
bodies and on the external world, in proportion to their diverse forms
and inherited instincts; while in man, owing to his commanding attitude,
it falls back upon itself, and gives rise to the inquiring and
reflective habit of science.

We do not, therefore, divide man from other animals, but rather assert
that many proofs and subtle analyses show the identity of their
intelligence in its fundamental elements, while the difference is only
the result of a reaction of the same intelligence on itself. Such a
theory does not in any way interrupt the natural evolution and genesis
of the animal kingdom, while the distinctive peculiarity of man is shown
in an act which, as I believe, clearly explains the new faculty of
reason acquired by him.

I must admit that in speaking of the psychical faculty as a force which
possesses laws peculiar to itself, it has appeared to a learned and
competent judge that I have conceded a real existence to this faculty,
independently of the physiological conditions through which it manifests
itself, which might be called a mythical personality in the constitution
of the world. If I had really made such an assertion, it would be an
error which I am perhaps more ready than others to repudiate, as it
will appear in the present work. I am far from blaming the courteous
critics who allege such objections to my theory, and indeed I am
honoured by their notice. I must blame myself for not having, in my
desire to be brief, sufficiently defined my conception.

I hold the psychical manifestation to be not only conditioned by the
organism, to speak scientifically, and to be rendered physiologically
possible by these conditions, but I consider it to be of the same nature
as the other so-called forces of the universe; such, for example, as the
manifestations of light, of electricity, of magnetism, and the like.
When physicists speak of these forces--if the necessities of language
and the brevity of the explanation constrain us to adopt the term
forces, as though they were real substances--they certainly do not
believe, nor wish others to believe, that they are really such. It is
well known that such expressions are used to signify the appearance
under certain circumstances of some special phenomena which group
themselves by their mode and power of manifestation into one generic
conception as a summary of the whole. They always take place, relatively
to these circumstances, in the same mode and with the same power, so
that they may at once be experimentally distinguished from others which
have been grouped together in like manner.

Such manifestations do not imply a real cosmic entity of these forces,
as if they were independent of the matter whence they issue; they are
simply determinate and determinate modes of motions, of actions, and
reactions in the elements of the world. For if magnetism appears to
reveal itself in determinate elements, its modes of manifestation are
peculiar to itself, and its efficacy with respect to other forces is
also peculiar; yet it by no means follows that it possesses a
substantial entity, or, as it were, displays personal activity among
phenomena; it rather indicates that the elements of the world will,
under given circumstances, act reciprocally in such a manner that we
perceive phenomena which group themselves together and which we call
magnetic or magnetism. And this explanation applies to other cases.

I therefore, speaking of psychical force in general, used the same
terms; I certainly did not wish to constitute it into a personal and
material entity of the universe, but I intended to assert that among the
manifestations of the various forces of the world, defined as above,
there is also this psychical force, characterized by phenomena and laws
peculiar to itself, and which, as I have shown, is when exercised one of
the greatest factors of the world. I repeat that if this force varies
with the greater or less perfection of the organisms in which, it is
manifested, yet it possesses a law and fundamental elements by which it
is so constituted that the same results will ensue in the simplest as
in the most complex form. This is the case with all the other forces of
nature; they may be modified by existing circumstances, and yet they
have laws and definite elements to distinguish them from all others.
These forces, however, while they are distinct in their peculiar
manifestations, and take effect through special qualities, quantities,
and rhythmic movements, are all fused together in the infinite and
eternal unity which constitutes the life of the universe. Neither here
nor in my former work is there any question of that most difficult
problem, the individual personality of man.[5]

Since there is between man and animals a relationship and a psychical
identity, as well as a genetic continuity of evolution, it is impossible
to deny that there is also in some degree a like continuity in the
products and acts of the consciousness, the emotions, and the
intelligence. This is asserted or admitted even by those who do not like
to hear of the genetic continuity of evolution, nor is there now any
school of thought which impugns such a truth. If this be true, as it
undoubtedly is, and since we are treating of the genesis of myth in its
earliest beginning, we will endeavour, with daring prompted by the
theory of evolution, to discover if the first germ of these
representations may not have already existed in the animal kingdom
before it was evolved in man in the fetishtic and anthropomorphic form.
This is an arduous but necessary inquiry, to which I am impelled by the
doctrine of evolution, as it is properly understood, as well as by the
universal logic of nature.

If I were to consider myth as it has ultimately been developed in man,
it would be a strange and absurd attempt to trace out any points of
resemblance with animals, who are altogether devoid of the logical
faculty which leads to such development. But if, on the contrary, we
endeavour to trace the earliest, spontaneous, and direct elements of
myth as a product of animal emotions and implicit intelligence, such
research becomes not only legitimate but necessary; since the instrument
is the same, the effects ought also to be the same.

We have already said that the fact has been observed and generally
admitted that the primary origin of myth in its essential elements
consists in the personification or animation of all extrinsic phenomena,
as well as of the dreams, illusions, and hallucinations which are
intrinsic. It is agreed that this animation is not the reflex and
deliberate act of man, but that it is the spontaneous and immediate act
of the human intelligence in its elementary consciousness and emotions.
It must therefore be evident that this vague and continual animation of
things ought to be found also in animals, especially in those of the
higher types, in whom consciousness, the emotions, and the intelligence
are implicitly identical with those of man. Consequently, that which is
at first sight absurd becomes obvious and natural, and the fact is only
strange and inexplicable to those who have not carefully considered it.

We must, however, declare that this primary fact is not irreducible, and
that science ought not to be content to stop there, but should endeavour
to explain and resolve it into its elements, so as to be able to say we
have reached the point at which the genesis of myth really begins. This
aim can only be attained by the decomposition by analysis of the
primitive fact. Since intelligence in its essential elements, and in its
innate and implicit exercise, appears to be the same in man and in
animals, it is necessary to reduce the analysis of animal nature to a
primary psychical fact, in order to see whether by this fact, which is
identical also in man, the generating element of myth is really
revealed.

I propose to show that this research will reveal truths hitherto
unattained, and explain the general law, not merely of the extrinsic
process of science and of myth, but also of civilization.

Starting from this wide basis, we must trace, step by step, the dawn,
development, and gradual disappearance of myth. Since it is our
business to consider science as well as myth, and their respective
relations in the evolution common to both, we must, as briefly as
possible in the present work, pause to consider these two factors of the
human mind, observing the beginnings, conditions, and modes in which the
one arose and gradually disappeared, while the other advanced and
triumphed. We must not only regard the progress and transformation of
religions, but also of science, as it is revealed in the philosophic
systems of every age, in the partial or complete discoveries of genius,
and in the great and stupendous achievements of modern experimental
science. It would require a long treatise to fill so wide a field, which
we must restrict to the limits of a few pages. Since our readers are now
generally acquainted with the course pursued by human thought, and with
the progress of peoples, but few landmarks or formulas are necessary to
enable them to clear away obscurity and estimate facts at their just
value, so as to understand what civilization and science have to do with
the evolution of myth, and of science itself.

A great corollary also ensues from studies undertaken with the aid of
sociology, that is, the genesis, form, and gradual evolution of human
societies. These vary in character, in attitude, in power, form and
duration, with the different characters of races, and thus fulfil in
various ways the cycle of myth and science of which they are capable. It
would indeed be difficult to attain to a clear and adequate conception
of the universal evolution of myth and science, but for the existence of
a privileged race distinguished for its psychical and organic power,
which from its beginning until now, although subject to many partial
eclipses, has on the whole maintained its position in the world so as to
present to us the long historical drama of its evolutions. Other races,
peoples, or tribes have disappeared in the struggle for existence, or
have remained essentially incapable of further progress even in a
relatively inferior degree, so as to afford no aid in following the
successive development of myth and science; while the Aryan family, a
race to which I believe that the Semitic originally belonged,[6]
furnishes the unbroken sequence of events and the stages of such complex
evolution. Nor certainly is there any signs of the disappearance of this
race, since every day its intellectual and territorial achievements,
added to the instruments of a powerful material civilization, invigorate
its strength and presage its indefinite duration in forms we are not
able to foresee, unless indeed fatal astral or telluric catastrophes
should hinder its progress or bring it to an end.

If we compare this race with itself at different epochs, and in the many
different peoples into which it was severed, and if at the same time we
confront it with the types of other peoples at various stages, from the
rudest to the most civilized, it becomes possible to form a clear
conception of the genesis and successive evolution of myth and science
of which the human race is capable, and in this way we may understand
the general law which governs such evolutions. This study also teaches
us that humanity, whether we agree with monogenists or poligenists, is
physically and psychically in all respects the same in its essential
elements; in all peoples without distinction, as ethnography teaches us,
the origin and genesis of myth, the implicit exercise of reason and its
development, are, at all events up to a given point, absolutely
identical. All start from the same manifestations and mythical
creations, and these are afterwards developed according to the logical
or scientific canons of thought, which are applied to their
classification. Both among fetish-worshippers and polytheists there was
a tendency towards monotheism, although sometimes it could only be
discerned in a vague and confused manner.

If myth is, as I have said, to be considered from another point of view,
as the spontaneous effect of the intelligence, and a necessary function,
relatively to the primary act from which it begins, it might appear that
myth would never cease to be, and that humanity, even as it is
represented by the elect and enduring race, must always remain in this
original illusion; so that every man would have to begin again for
himself in his own peculiar cycle of myth. But history shows that this
is not the case, and that the mythic faculty gradually wanes and becomes
weaker, even if it does not altogether cease to exist, a result which
would not occur if myth were a necessary function of the intelligence.

I shall presently reply to such an objection; in the meanwhile,
regarding the question superficially, I need only say that if the mythic
faculty diminishes in one direction, and with respect to some forms and
their corresponding substance, it has certainly not ceased to appear in
another, exerting itself, as we shall see, in other forms and other
substance. The common people, both urban and rural, do for the most part
adhere to primitive and very ancient superstitions, as every one may
know from his own experience, as well as from the writings of well known
authors of nearly all the civilized nations of Europe. In fact, every
man in the early period of his life constructs a heaven for himself, as
those who study the ways of children are aware, and this has given rise
to a new science of infantine psychology, set forth in the writings of
Taine, Darwin, Perez, and others.

We also propose to show that the scientific faculty, which gathers
strength and is developed from the mythical faculty, is in the first
instance identical and confounded with it, but that science corrects and
controls the primitive function, just as reason corrects and explains
the errors and illusions of the senses; so that the truly rational man
issues, like the foetus from its embryonic covering, out of its
primitive mythical covering into the light of truth.

Every one must perceive that the study of the origin of myths has an
important bearing on the clear and positive knowledge of mankind. In
modern times biological science, such as ethnography and anthropology,
have not only thrown much light on the genesis of organic bodies, of
animals and of man, but they have afforded very important aid to
psychological research, on account of the close connection between
psychology and the general physical laws of the world. The mythical
faculty in man, and its results, have received much light from these
sciences, since the modifications induced in individuals and in peoples
by many natural causes, organic or climatological, are based upon their
physiological conditions. In the first chapters of Herbert Spencer's
book on Sociology, there is a masterly investigation into the changes
produced by climate, with its accidents and organic products, on the
peculiar temperament of different peoples and races, and we must refer
our readers to his admirable summary.

We avail ourselves of the aid afforded by all these branches of science
in order to comprehend the true nature of man, and the place which he
really occupies in the animal creation. Man should be estimated as all
other products and phenomena of nature are estimated, according to his
absolute value, divested, as in the case of all other physical and
organic sciences, of preconceived ideas or prejudices in favour of the
supernatural. He should be studied as in physics we study bodies and the
laws which govern them, or as the laws of their motions and combinations
are studied in chemistry, allowance always being made for their
reciprocal relations, and for their appearance as a whole. For if there
be in the universe a distinction of modes, there is no absolute
separation of laws and phenomena.

The various branches of science are only subjective necessities,
consequent on the successive and gradual order of our comprehension of
things; they are classifications of method, with no special reference to
the undivided personality of nature. All are parts of the whole, and so
also the whole is revealed in its several parts. They come to be in
thought, as well as in reality, reciprocal conditions of each other; and
he who is able to solve the problem of the world correctly in a simple
movement of an atom, would be able to explain all laws and all
phenomena, since every thing may ultimately be reduced to this movement.
It is precisely this which has been attained by certain laws, so that
the study of man must not be dissociated from this conception. It is
necessary to regard him as a product of the forces of nature, with which
he has certain properties in common. Although man may appear to be a
special and peculiar subject, yet he is connected with the universal
system in which he lives by the elements, phenomena, and forces of which
he consists.

It must not be supposed, as it is asserted with ever-increasing clamour,
that such a method and theory can ever destroy the civilized basis of
society, and the morality and dignity with which it should be informed,
as if we were again reducing man to the condition of a beast. Such an
outcry is in itself a plain and striking proof that we have not yet
emerged from the mythical age of thought, since it is precisely a
mythical belief which prompts this angry protest against the noble and
independent research after truth.

It is impossible that the results of positive and rational science
should in any way destroy the necessary conditions of civilized life and
of the high standard of goodness which should form, elevate, and bring
it to perfection. We must, however, remember that it was not rational
science, nor the ethics of law, which established the _a priori_ rules
of a just and free society, but the necessities of society itself led to
the _a posteriori_ formulation of laws. Theoretic science subsequently
explained these laws, and perfected their form and organism, infusing
into them a nobler purpose; but it was the necessities of nature which
first dictated the balance, system, and harmony of the alliances and
associations of materials and phenomena as they now exist, which
rendered possible the first nucleus of human society, and which, in
course of time, brought the component parts into definite relations with
each other. It was subsequently the reflex and fitting work of thought
to raise upon the foundation laid by nature a rational system of
society, and then to bring its rules and forms to perfection.

Hence it follows that it was not man, nor some extrinsic mythical power
which arbitrarily dictated the code of private and social life, but this
presented itself to man as a spontaneous result of the world's law,
relatively to the conditions possible for social life. For if, as in
fact is the case, and as the progress of knowledge and, of human
civilization will abundantly show, the true and eternal laws which make
society possible, and consequently its standard of righteousness, are
innate and genuine results of universal laws, it is impossible for
science to destroy the inevitable order of things, and to reduce mankind
to a hideous chaos.

It must be allowed that great truths, not fully understood by incapable
preachers, who sometimes from ignoble motives foment the turbid
instincts of the ignorant multitude, may bring about, as they have done
of old, grave evils and even crimes in some places and for a short time.
But there is no one so foolish or so ignorant of history as to believe
that all things happen in the best possible way, and in a logical
sequence. Such evils do not invalidate or destroy the force of our
assertion that social order is derived from and is based upon the order
of nature. Although savage passions, excited by an imperfect
understanding of the truth, do from time to time cause the overthrow of
given societies, and arouse the horror and alarm of pessimist votaries
of myth, nature is not thereby overcome; she still triumphs, and
restores the order which has been interrupted, so far as the instinct of
conservatism and the hereditary impulse to that special form of
association to which each people are accustomed are opposed to the
revolutionary spirit, and in this way the balance which has been
disturbed is re-established.

When men, having brought their intellectual, and consequently their
moral sense to perfection, are enabled to understand this natural order
of laws and social facts, divested of extrinsic mythical beliefs, they
will find in it so much reciprocal benefit, and will have such a deep
sense of their personal dignity, since they are intellectually their own
artificers, that they will be able to understand how the highest good
has ensued and will ensue from the sacrifices or achievements made by a
few for the benefit of all. We are undoubtedly still a long way from
such happy conditions, either socially or as individuals, but every day
brings them nearer, and it is to this end that our civilization plainly
tends, in spite of all the complaints, the fears, and sometimes even the
malevolence of men.

As I have already said, the study of the beginnings and of, the
anthropological conditions of the various myths is necessary to enable
us to understand their psychical phenomena, together with the hidden
laws of the exercise of thought. The learned and illustrious Ribot has
justly said that psychology, dissociated from physiology and cognate
sciences, is extinct, and that in order to bring it to life it is
necessary to follow the progress and methods of all other contemporary
sciences.[7] The genesis of myth, its development, the specification and
integration of its beliefs, as well as the several intrinsic and
extrinsic sources whence it proceeds, will assign to it a clearer place
among the obscure recesses of psychical facts; they will reveal to us
the connection between the facts of consciousness and their antecedents,
between the world and our normal and abnormal physiological conditions;
they will show what a complex drama is performed by the action and
reaction between ourselves and the things within us, and also will
declare the nature of the laws which govern the various and manifold
creation of forms, imaginations, and ideas, and the artificial world of
phantasms derived from these. In this way myth will appear to be not
merely due to the direct animation of things, varying in our waking
state with the nature of the exciting cause; but it also arises from the
normal images and illusions of dreams, and from the morbid
hallucinations of madness, both subjectively in the case of the person
affected by them, and objectively for those who observe the extrinsic
effects in gesture and speech, and the whole bearing of the sufferer.

Every one must admit that all these phenomena, and the beliefs which
arise from them, must tend to make the observation of psychical life
more easy, just as morbid psychical phenomena often explain the natural
action of such life under normal conditions. These phenomena, so closely
connected with physiological disturbances which are beyond the control
of our personal will, will inform us of the biological relations between
consciousness and thought on the one side, and our organism on the
other.

The mythical faculty, as we shall see in the following chapters,
combined with physiological excitements, both normal and abnormal,
generally assumes constant forms in the various and manifold world of
its creation; constant forms which conversely also reveal those of the
scientific faculty. In this way the development, composition, and
integration of a myth, into which others are fused by assimilation, may
be said to explain to us the mode in which systems of philosophy are
constituted, and to manifest to us in a fanciful way the underlying mode
in which human thought is exercised.

Nor do the effects and importance of these studies end here; they are
also the necessary foundation of true and rational sociology. In fact,
the relations of the individual to the world, the manifold conditions
caused by the relations of persons to each other, the constitution of
all social order, and the various modifications of that order; all these
are resolved into the primitive thought, and into the emotional impulses
of mythical prejudices and fancies, and in these they have also their
natural sanction, and the cardinal point on which they rest and revolve.
There is no society, however rude and primitive, in which all these
relations, both to the individual and to society at large, are not
apparent, and these are based on superstitious and mythical beliefs.
Take the Tasmanians, for example, one of the peoples which has recently
become extinct, and regarded as one of the most debased in the social
scale, and we have in a small compass a picture of the acts and beliefs
to be found in their embryonic association.

In every society, however rudimentary, these are held to be important
facts: the birth of individuals, which is their entrance into the
society itself, and into the possession of its privileges; marriages,
funerals, reciprocal obedience between persons and classes, or to the
chief; public assemblies, and the existence of powers equal or superior
to living men.

Among the Tasmanians, the placenta was religiously venerated, and they
carefully buried it, lest it should be injured or devoured by animals.
If the mother died in childbirth her offspring was buried alive with
her. When a man attained puberty, he was bound to submit to certain
ceremonies, some of them painful, and dictated by phallic superstitions.
Funeral rites were simple: the corpse was either burnt, with howls and
superstitious functions, or it was placed in the hollow trunk of a tree
in a sitting position, with the chin supported by the knees, as was the
custom with Peruvian mummies; and the belief in another world prompted
them to place the weapons and utensils used, during life beside the
corpse. Sometimes a wooden lance, with fragments of human bones affixed
to it, was placed below the tumulus, as a defence for the dead during
his long sleep. It appears from these customs, and from others mentioned
by Clarke, that they had a vague idea of another life, holding that the
shades went up to inhabit the stars, or flew to a distant island where
they were born again as white men. These beliefs were necessarily
connected with the rites which they fulfilled when living, and served as
a kind of obscure sanction for them.

Milligan and Nixon tell us that the Tasmanians believed in the existence
of evil and sometimes of avenging spirits, destroyers of the guilty.
They supposed that the shades of their friends or enemies returned, and
caused good or evil to befal them; and according to Milligan there were
four kinds of spirits. Purely superstitious rites were used for
marriage. Old women and witches were often the arbiters of peace and war
between the tribes, and they had the right of pardoning. Sorcerers
intervened in many social acts, and before beginning their operations
and incantations they revolved the mysterious _Mooyumkarr_, an oval
piece of wood with a cord, which was certainly connected with phallic
superstitions. Bonwick asserts that on many private and public
occasions, the more skilled sorcerers called up spirits with appropriate
ceremonies and formulas. They were powerful, and produced diseases, and
were able to exert malign influence, and the urine of women, human
blood, and ashes were superstitiously used as remedies against their
spells.

The Tasmanian who wished to hurt or bewitch any one, procured something
belonging to his enemy, and especially his hair; this, was enveloped in
fat and then exposed to the action of fire, and it was thought that as
it melted, the man himself would waste away. They feared lest the evil
spirit evoked by the enchantments of an enemy might creep behind them in
the night to steal away the renal fat, an organ with which various
physiological superstitions were connected. They believed that stones,
especially certain kinds of quartz crystals, were means of communication
with spirits, with the dead, and also with absent persons. A woman often
wore round her neck the phallus extracted from the body of her dead
husband. The movements of the sun and moon, and some of their phases,
had a mythical bearing on various social acts, or on the date of their
assemblies, since the sun was the object of great veneration; and the
full moon, the epoch of assemblies, was celebrated with feasting and
dancing. Dances of many different kinds were connected with traditional
myths, astrological superstitions, and the phallic worship. Some remains
of circular buildings and concentric compartments, discovered by Field
and others, had reference to their feasts, assemblies, and dances. Among
their cosmic myths, Milligan has preserved one relating to the double
stars which perhaps refers to the invention of fire.

From this cursory view of the conditions of society in its simplest
form, and among the most savage peoples, and of the mythical beliefs
which prevailed under such conditions, it clearly appears how myth,
dating from the first beginnings of human association, has regarded,
invested, sanctioned, and generated all special acts and relations, and
the whole social order, both private and public. The exercise of thought
in primitive times not only consisted of mythical beliefs and
associations, but this same condition of thought reacted on all the
phenomena of nature, and on all social facts. For if, as we have already
observed, more rational empirical notions, and a certain rude form of
scientific faculty made its appearance amid those mythical ideas which
were still persistent, its various forms were not animated, sustained,
and preserved by myth. Hence it is evident that the basis of the genesis
of sociology as a whole consists in myth, which sanctions its acts and
establishes their relations to each other. The immense importance of
these studies, even for the right understanding of the laws and
historical evolution which guide and govern sociology, is evident from
this fact.

It must not be supposed that such a vast and profound incarnation of
myth in social facts is peculiar to the primitive ages; it persists and
is maintained in all the historical phases of civilization, even of the
higher races, although sometimes in a dormant form. Even in our days,
any one who considers our modes of society, the organism, customs,
ceremonies, and manifold and complex institutions of modern life, will
readily see that religious influences and their rites initiate,
sanction, and accompany every individual and social fact, although civil
and religious societies are becoming ever more distinct.

Since, therefore, myth is a constant form of sociology, completely
invests it, and accompanies and animates its transmutations down to our
days, everyone must recognize the necessity of this study in order to
understand and explain the true history of thought and of sociology.

The energy, the power, the physical and intellectual worth of a people
are revealed as a whole in its mythical products, whether in the quality
and greatness of their beliefs, in the greater or less definiteness of
their system, or in their development into more rational notions; and
from the complex whole we can estimate the worth of their civilization.
So that, where other extrinsic testimony is wanting, the study of these
primitive creations will reveal to us their psychological worth. This is
the origin of the comparative psychology of peoples, a most fruitful
science, which not only teaches us to rank the various families of
peoples according to their relative value, but it is of great use in
making man acquainted with himself, and with psychology in general.

In fact, modern psychology can only advance by means of observation and
experiment, which constitute it one of the natural sciences; and this is
abundantly proved by the modern English schools, and the experimental
school in Germany. Yet observation of the states of consciousness taken
alone is defective, unless it is enlarged by the comparative examination
of a greater number of subjects; nor must ethnical peculiarities be
passed over, and it is precisely these which are included in the
comparative psychology of peoples. The large amount of results, their
infinite variety, and at the same time a certain uniformity in their
modes of beginning, of their development, and of their place in the
universe, give a splendid illustration of the innate exercise of human
thought; the likenesses as well as the contrasts are instructive as to
its real nature.

The comparative psychology of peoples, studied from this point of view,
certainly does not include the whole of psychological science, which
requires other instruments and other modes of experience, but it is a
great help as a foundation. We believe that the study of myth, which
throws so much light on comparative psychology, is likewise of use for
the special psychology of man, since this can only arise from individual
and ethnical observation, and from experiment, dissociated from every
hindrance, and from metaphysical prejudice. And if by our humble essay
we can throw any light on this noble science, we shall be abundantly
rewarded.




CHAPTER II.

ANIMAL SENSATION AND PERCEPTION.


All animals communicate with each other and with the external world
through their senses, and by means of their perception, both internal
and external, they possess knowledge and apprehension of one another. In
the vast organic series of the animal kingdom, some are better provided
than others with methods, instruments, and apparatus fit for effecting
such communication. The senses of relation are not found in the same
degree in all animals, nor when such senses are the same in number are
they endowed with equal intensity, acuteness, and precision. But the
fundamental fact remains the same in all cases; they communicate with
themselves and with the external world through their senses.

We must now inquire what value the external object of perception,
considered in itself, has for the animal, what character it has and
assumes with respect to his inner sense in the act of perception or
apprehension. Man, and especially man in our days, after so many ages
of reflection, and through the influence of contemporary science, is so
far removed from the primitive and simple exercise of his psychical
life, that he finds it difficult to picture to himself the ancient and
spontaneous conditions under which his senses communicated with the
world and with himself. And therefore, without further consideration, he
thinks and believes that in primeval times everything took place in the
same way as it does at present, and, which is a still greater error, as
it takes place in the lower animals.

This identification of the complex machinery of human perception with
that of animals must not be regarded as an absurd paradox, since, as we
have shown in an earlier work, they were originally and in themselves
the same.[8] By pursuing an easy mode of observation, divested of
prejudice, we may revert to that primeval state of human nature, and may
also comprehend with truth and certainty the condition of animals. For
the animal nature has not ceased to exist in man, and it may be
discerned by those who care to look for it; and careful study, with the
constant aid of observation and experiment, will reveal to us the hidden
life of sensation and intelligence in the lower animals.

There is a continual self-consciousness in all animals; it is
inseparable from all their internal and external acts, from every fact,
passion, and emotion; and this is clear and obvious. This fundamental
and persistent self-consciousness--persistent in dreams, and even in the
calmest sleep, which is always accompanied by a vague sensation--is the
consciousness of a living subject, active, impressionable, exercising
his will, capable of emotions and passions. It is not the consciousness
of an inert thing, passive, dead, or extrinsic; for animal life consists
in sensation of greater or less intensity, but always of sensation.
Consequently, such a consciousness signifies for the animal a constant
apprehension of an active faculty exercised intrinsically in himself,
and it makes his life into a mobile drama, of which he is implicitly
conscious, of acts and emotions, of impulses, desires, and suspicions.

This inward form of emotional life and psychical and organic action,
into which the whole value of personal existence is resolved, may be
said to invest and modify all the animal's active relations to the
external world, which it vivifies and modifies according to its own
image. The subsequent act of doubling the faculties which takes place in
man does not occur in the animal; a process which modifies through the
intellect the spontaneous and primitive act. Consequently, the active
and inward sense which is peculiar to the animal is renewed in him by
the external things and phenomena of nature which stimulate and excite
him.

Two kinds of things present themselves to his perception: other animals,
of whatever species, and the inanimate objects of the world. As far as
the other animals are concerned, which are obvious to his perception, it
is perfectly evident that upon these he will project his whole internal
life of consciousness and emotions, and will feel their identity with
himself by his implicit and intuitive judgment. And in fact, the
movements, sounds, gestures, and forms of other animals necessarily
cause this sense of inward psychical identity, whence arises the
implicit notion of an animated and personal subject. Any one who
observes, however superficially, the conduct of animals to each other
when they first meet, cannot doubt this truth for an instant.

Although the external form and character of the animal perceived are
important factors of the implicit notion of an animated personal
subject, this belief is even more due to the animal's inward
consciousness of himself as a living subject which is reflected in the
extrinsic form of the other and is identified with it. The spontaneous
and personal psychical effort does not decompose the object perceived
into its proper elements by means of reflex attention, but it is
immediately projected on those phenomena which assume a form analogous
to the sentient subject.

The fact of this law must never be forgotten in the analysis of animal
intelligence and sensation. All those who do not keep clearly in view
the real and genuine character of the sentient and intelligent faculty
in animals are liable to error.

In addition to the perceptions we have mentioned, animals have a
perception of inanimate things, that is, of various bodies and phenomena
of nature. Although the form, motion, and gestures of an analogous and
personal subject are wanting in these cases, so that they do not cause
extrinsically the same implicit idea, neither do they remain, as with a
cultivated and rational man, things and qualities of independent
existence, disconnected with the life of the animal which perceives
them, exerting no intentional efficacy, and governed by necessary laws
by means of which they act and exist.

A cultivated and rational man, by the reflex and calm examination of
things, can correctly distinguish these two classes of subjects and
phenomena, and cannot as a rule be deceived as to their real and
relative value with respect to them and to himself. But when he forgets
his primary intellectual condition, and does not perfectly understand
the permanent condition of animals, he believes that their faculties are
identical, and that things, qualities, and phenomena present the same
appearance to the human and the animal perception. Yet the actual nature
of the thing, so far as it is estimated by our perception as an object
different from ourselves and from any other animal, cannot be so
apprehended by animals which lack the analytical faculty in the
perennial flow of their perceptions; the actual and inanimate thing is
presented to them only by the intrinsic, peculiar, personal, and
psychical quality of the animal itself.

If form, and characteristic and deliberate action, are wanting to the
substances and phenomena of inanimate nature, qualities which more
readily arouse in animals the idea of a subject resembling and analogous
to themselves, yet there always remains the apprehension of some sort of
form in which--not distinguished from the others by reflex action--the
inward faculty of sensation and emotion is repeated and impersonated by
the perceiving animal. Thus every form, every object, every external
phenomenon becomes vivified and animated by the intrinsic consciousness
and personal psychical faculty of the animal itself. Every object, fact,
and phenomenon of nature will not merely appear to him as the real
object which it is, but he will necessarily perceive it as a living and
deliberating power, capable of affecting him agreeably or injuriously.

Every one is aware of the jealous, suspicious nature of animals, and
that they are not only inquisitive about other animals, but about every
material object which they see unexpectedly, which moves in an unusual
way, or which interferes with or injures them.

It must have been often observed how they turn against any object which
has chanced to hurt them, or which has annoyed them by regular and
repeated motions, how they start at the sudden appearance or oscillation
of some unlooked-for thing, at an unusual light, a colour, a stone, a
plant, at the fluttering of branches, of clothes, or weathercocks, at
the rush of water, at the slightest movement or sound in the twilight,
or in the darkness of night. They look about, and consider all things
and phenomena as subjects actuated by will, and as having an immediate
influence on their lives, either beneficent or injurious.

Undoubtedly they do, as a rule, by means of their implicit judgment,
distinguish animals as of a different type from other objects, but they
transfuse into everything their own personality and their intrinsic
consciousness. This is the case with the whole animal kingdom, at least
with those whose internal emotion can be gathered from their external
movements and gestures.

An animal is sometimes aware that an enemy which may lie in wait for and
destroy him has approached the neighbourhood of his haunts, or at any
rate may interfere with the freedom of his ordinary life, and he
withdraws as far as he can from this new peril or injury, and seeks to
defend himself from the malice of his enemy by special arts. In this
case, the external subject or thing is what his own objective sense
conceives it to be, and his inward perception corresponds to an actual
cosmic reality.

Suppose that instead of this, the neighbourhood of a fierce fire, or
violent rain and hail, or a stormy wind, or some other natural
phenomenon, surprises or injures such creatures; these facts do not
affect them as if they were merely occurrences in accordance with cosmic
laws, for such a simple conception of things is not grasped by them.
Such phenomena of nature are regarded by animals as living subjects,
actuated by a concrete and deliberate purpose of ill-will towards them.
Any one who has observed animals as I have done for many years, both in
a wild and domestic state, and under every variety of conditions and
circumstances, will readily admit the fact.

This truth, which clearly appears from an accurate analysis of facts,
and from experiments, can also be demonstrated by the arguments of
reason. Since animals have no conception of the purely cosmic reality of
the phenomena and laws which constitute nature, it follows that such a
reality must appear to their inner consciousness in its various effects
as a subject vaguely identical with their own psychical nature. Hence
they regard nature as if she were inspired with the same life, will, and
purpose, as those which they themselves exercise, and of which they have
an immediate and intrinsic consciousness.

It is true that after long experience animals become accustomed to
regard as harmless the phenomena, objects, and forces by which they were
at first sympathetically excited and terrified. Of this we have
innumerable examples both among wild and domestic animals; but although
suspicion and anxiety are subdued by habit and experience, yet these
objects and phenomena are not thereby transformed into pure and simple
realities. In the same way, if they are at first frightened by the sight
and companionship of some other species or object, habit and experience
gradually calm their fears and suspicions, and the association or
neighbourhood may even become agreeable to them. I have often observed
that different species, both when at liberty and in confinement, are
affected by the most lively surprise and perturbation when some new
phenomenon has startled them; they act as if it were really a living and
insidious subject, and then they gradually become calm and quiet, and
regard it as some indifferent or beneficent power.

I must adduce some observations and experiments from the many I have
made on this subject. It may be objected that if animals in their
spontaneous perception personify the object in question, they would give
signs of this fact with respect to all the objects with which they come
in contact, and among which they live, and yet they remain indifferent
to many of them, which is a proof that they distinguish the animate from
the inanimate. In fact it cannot be disputed that a vast number of the
phenomena and objects of nature are regarded by animals with
indifference; they are perceived by them, but it does not appear that
they suppose these things to be endowed with life. It is, however,
necessary in the first place to distinguish two modes and stages in this
animation of things, one of which we may term static, and the other
dynamic. In the first instance, the sentient subject remains tranquil at
the very moment when he vivifies the phenomenon or the thing perceived;
while the act is accomplished with so much animating force, and with an
implicit and fugitive consciousness, it exerts no immediate and sudden
influence on the perceiving animal, and consequently he gives no
external signs of the personifying character of his perception. In the
second instance, which we have termed dynamic, that is, when the
phenomenon or object has a direct and sudden effect on the animal
himself, he expresses by his movements; gestures, cries, and other
signs, how instantaneously he considers and feels the object in question
to be alive, for he behaves in exactly the same way towards real
animals.

Animals are accustomed to show such indifference towards numerous
objects that it might be supposed that they have an accurate conception
of what is inanimate; but this arises from habit, from long experience,
and partly also from the hereditary disposition of the organism towards
this habit. But if the object should act in any unusual way, then the
animating process which, as we have just said, was rendered static by
its habitual exercise, again becomes dynamic, and the special and
permanent character of the act is at once revealed. We have experience
of this fact in ourselves, although we are now capable of immediately
distinguishing between the animate and the inanimate, and man alone has,
or can have, a rational conception of what are really cosmic objects or
things. Yet if we suddenly and unexpectedly see some object move in a
strange way, which we know from experience to be inanimate, the innate
inclination to personify it takes effect, and for a moment we are
amazed, as if the phenomenon were produced by deliberate power proper to
itself.

I have kept various kinds of animals for several years, in order to
observe them and try experiments at my convenience. I have suddenly
inserted an unfamiliar object in the various cages in which I have kept
birds, rabbits, moles, and other animals. At first sight the animal is
always surprised, timid, curious, or suspicious, and often retreats from
it. By degrees his confidence returns, and after keeping out of the way
for some time, he becomes accustomed to it, and resumes his usual
habits. If then, by a simple arrangement of strings already prepared, I
move the object to and fro, without showing myself, the animal scuttles
about and is much less easily reconciled to its appearance. I have tried
this experiment with various animals, and the result is almost always
the same.

In the cage of a very tame thrush, I made a movable bottom to his
feeding trough, so arranged that by suddenly pulling a cord, the food
which it contained could be raised or lowered. When everything remained
stationary in its place the thrush ate with lively readiness, but as
soon as I raised the food he nearly always flew off in alarm. When the
experiment had been often repeated, he did not like to come near the
feeding trough, and--which is a still stronger proof that he imagined
the food itself to be endowed with life--he often refused to approach,
or only approached in fear the sopped bread which was placed outside the
trough. I tried the same experiment with other birds, and nearly always
with the same result.

On another occasion I repeatedly waved a white handkerchief before a
spirited horse, bringing it close to his eyes; at first he looked at it
suspiciously and shied a little, but without being much discomposed, and
I continued the experiment until he became accustomed to its ordinary
appearance. One day I and a friend went out driving with this horse, and
I directed a man, while we were passing at a moderate pace, to wave the
same handkerchief, attached to a stick, in such a way that his person on
the other side of the hedge was invisible. The horse was scared and
shied violently, and even in the stable he could not see the
handkerchief without trembling, and it was difficult to reconcile him to
the sight of it. I repeated the experiment with slight variations on
other horses, and the issue was always more or less the same.

Again, I placed a scarecrow or bogey in a parti-coloured dress in the
spacious kennel of a hound while he was absent from it. When the dog
wished to return to his kennel, he drew back at the sight of it, and
barked for a long while. After going backwards and forwards, snuffing
suspiciously, he decided to enter, but he remained on the threshold of
the kennel, anxiously inspecting the bogey. In a few days, however, he
became accustomed to it, and was indifferent to its presence. I ought to
add that I had taught him on the first day, by punishment and
admonition, that he must not destroy the bogey. One day when the dog was
lying down I violently moved the puppet's arms by a cord, and he jumped
up and ran barking out of the kennel, soon returning to bark as he had
done at first. Finally, he again became accustomed to it, but whenever I
repeated the movement with greater violence, it took a long while for
him to become reconciled to it.

I put into a room various kinds of wild birds, which had been taken in
nets after they were full grown. The window, which looked upon a garden,
was unglazed, and closed by a wire netting, through which the outer air
entered and was constantly renewed. I placed in the middle of the room a
pot containing a shrub of some size, on which the birds used to perch.
Since they had been reared in the open air they were certainly
accustomed to the wind, and to the way in which it moves trees and
branches, so that they were not alarmed by a phenomenon which they
recognized from experience. I fastened a cord to the head of the shrub
which I passed through a hole in the door, making another to look
through, and in this way I moved it to and fro as the wind might have
done. One day when there was a high wind which could be heard in the
room, and when the current of air through the window was perceptible, I
tried the experiment when the conditions of resemblance were perfect.
And yet when the violent movement and oscillation of the shrub was
combined with the noise of the wind, the frightened birds all fluttered
about, and after repeating the movement, and then allowing it to
subside, they kept away from the shrub and did not dare to settle on it.

At another time, aided by an ingenious young friend, I constructed a toy
windmill, of which the vanes were moved by weights. I placed this toy in
a cage, so arranged that its motions could be regulated from the
outside, and I put into the cage a sparrow, which had been taken from
the nest, and which consequently had no experience of the external
world. Much patience was needed, since the toy required careful
adjustment and was easily thrown out of gear, but I managed it at last.
The sparrow pecked at the little mill as soon as he was put into the
cage, and he grew up accustomed to its motions. I then took the sparrow
out of the cage and put in a finch, which had also been taken from the
nest, but was reared far from such a machine, and he was frightened and
did not reconcile himself to it for some time. I exchanged this bird for
a goldfinch which had been caught after he was full grown, and his alarm
at the little mill was so great that he did not dare to move.

In a ground floor room which I used as my study, I hung an old sheet,
which reached to the ground, on a long spear inserted in a heavy wooden
disk; I surmounted it with a ragged hunting cap, and so arranged the
sheet as to give it some resemblance to the human form. When my dog came
in as usual, he looked suspiciously at the object, snuffing about and
gradually approaching to walk round and observe it. At last he was
satisfied, and curled himself up by the skirts of the bogey, where I had
placed the mat on which he was accustomed to lie when he was with me.
One evening when the moon shone doubtfully and there was just light
enough to distinguish the outline of things, I carried the shapeless
bogey into the garden near my room, and placed it among some shrubs and
bushes. I went back to the house and called my dog, who followed me
quietly until he reached the spot from which he could see the bogey
distinctly enough for him to recognize its identity with the one with
which he was already familiar. As soon as he saw the apparition he
stood still, growling furiously; he began to bark, and when I encouraged
him to come on, he turned round and ran back to the house. I shut up the
dog in another room, brought back the bogey to its former place, and
threw a strong light upon it before recalling the dog. At the first
sight of the bogey the dog paused suspiciously for an instant, but when
I sat down to the table as usual, he hesitated a little and after
snuffing at it went back to his couch.

I have made similar experiments with dogs, rabbits, birds, and other
animals. I took long wooden poles, and put them inside their cages or
hutches in such a way that the animals got to know and feel reconciled
to the sight of them. After some days had elapsed, I contrived, while
screened from sight, to take the poles from their usual place and to
make them touch and annoy the animals with more or less violence, thus
causing them to flutter or scamper about and to shrink away, as if from
the touch of a living person, although they were unable, as I have said,
to see me or my hand. Those which were least agitated sprang forward
with little leaps and looked about them, doubtful and excited. I might
go on to describe many other experiments made with the same object, and
always with the same result, but these are enough to show that I went to
work cautiously and conscientiously, that the spontaneous and innate
personification of the objects perceived by animals is clearly
apparent, and also how we may account for their indifference to those to
which they become accustomed.

Among animals the necessity of finding food is the great and unfailing
stimulus towards the exercise of their vital functions; food which may,
as we all know, be vegetable, animal, or a combination of both kinds. It
is evident that in the case of carnivorous animals the object which
satisfies this desire is a living subject, of which it is necessary to
become possessed by arts, wiles, sometimes by a fierce and cruel
conflict. In these cases, animals are in constant communication with an
animal world resembling their own, and the objective reality is for the
most part resolved into living subjects, endowed with consciousness and
will. But neither is the vegetable food of herbivorous, frugivorous, and
graminivorous animals regarded by them, as it is by us, as a material
and unconscious satisfaction of their wants; these grasses, grains, and
leaves appear to animals to be living powers which it is necessary to
conquer, animated subjects endowed with life, but for the most part
inoffensive, and which, unlike the living prey of carnivora, offer no
resistance.

Observe the way in which an herbivorous or graminivorous animal becomes
excited and angry when the branch or the ear of corn obstinately adheres
to the ground, or offers any other difficulty to his immediate desire of
obtaining food; he acts like one who has to do with a resisting power.
Observe how, when they are quietly stripping the bough, picking out the
grains, or eating the grass, they become suspicious, or fly away if
there should be any unusual movement in the bough, the ears of corn, or
the grass. In one way or another their food is regarded as a subject
endowed with sympathetic and deliberate consciousness. And every one
must have observed that animals at play act towards inanimate objects as
if they were conscious and endowed with will.

Every object of animal perception is therefore felt, or implicitly
assumed, to be a living, conscious, acting subject. This is due to the
external reflection and projection of the intrinsic and sentient
faculty, and therefore--since an animal has not the duplex faculty of
deliberate and reflex attention--he cannot attain to the conception of
simple external reality, of cosmic things and phenomena. Every object,
every phenomenon is for him a deliberating power, a living subject, in
which consciousness and will act as they do in himself. There are
undoubtedly in the vast series of beings which compose the order of
nature, and which he is able to perceive, degrees, differences, and
varieties of energy, power, and efficacy with respect to himself and to
the normal exercise of his life. But he transfuses into all, in
proportion to the effects which result from them, his own nature, and
modifies them in accordance with the intrinsic form of his
consciousness, his emotions, and his instincts.

The external world appears to animals to be a great and mighty movement
and congeries of living, conscious, deliberating beings, and the value
of the phenomenon or thing is great in proportion to its effect on the
animal itself. The objective and simple reality, as it appears to man,
has no existence for animals; from the nature of their intelligence they
cannot attain to any explicit conception of it, so that this reality is
resolved and modified into their own image. The eternal and infinite
flux, by which all things come and go in obedience to laws which are
permanent and enduring, appears to animals to be a vast and confused
dramatic company in which the subjects, with or without organic form,
are always active, working in and through themselves, with benign or
malignant, pleasing or hurtful influence. It is for this reason, and
this reason only, that their life of consciousness and of relation is so
deeply seated and so readily excited. Nor do animals ever believe
themselves to be alone among inanimate things; even when not surrounded
by allied or different species, they have the sense of living amid the
manifold forms of conscious and deliberating life which the world
contains.

This constant and deliberate animation of all the objects and phenomena
of nature is spontaneous and necessary owing to the psychical and
organic constitution of the animal kingdom, and it resolves itself into
a universal personification of the phenomena themselves. In fact, the
animal's intrinsic psychical personality is infused and transformed
into each of them with more or less intensity and vigour; the phenomena
are perceived by each individual just as far as he assimilates them, and
he is constantly assimilating himself to them. His communication with
the external world is in proportion with its internal reflection on
himself, and he understands just as much as his own nature enables him
to grasp.

A careful consideration therefore shows that the conditions of animal
knowledge consist in endowing the phenomena and objects of nature with
consciousness and will. I think that this truth will prove a certain
guide and beacon in the interpretation of the origin of myth and science
in man.




CHAPTER III.

HUMAN SENSATION AND PERCEPTION.


In man, as it has been clearly proved, sensations and perceptions occur
both physiologically and psychically just as they do in animals. If
science and the rational process of the interpretation of things have
their origin and are evolved in us by the duplication of our faculties,
such a function, which is due to this duplication, is very slowly
developed and exercised, and in its origin, as an effort of the
intelligence, it does not differ from that of animals.

It is true that the internal act of the higher faculty of reflection has
hardly taken place before man unconsciously enters on a new and vast
apprenticeship, which soon distinguishes him from and exalts him above
the animal kingdom; science has already put forth its first germ. But
the reasoning and simply animal faculties were so mingled, that for a
long while they were confounded together in their effects and results,
as well as in their natural methods. We must therefore begin by
considering the nature of this primitive human perception, in some
degree identical with that of animals, so that they may be estimated to
be of equal value, at any rate in their first results and arts.

The vivid self-consciousness, inseparable at all times from every act,
passion, and emotion, actuates man and animals alike; he has this
consciousness in common with all other animals, and especially with
those superior orders which are nearest to himself. The further
perception of extrinsic things and phenomena occurs after the same
manner and in accordance with the same physiological and psychical laws.
By the intrinsic law of animal nature, as it is adapted to his cosmic
environment, we see the cause and necessity of the transfusion and
projection of himself into everything which he perceives; whence it
follows that he regards these things as living, conscious, and
deliberating subjects; and this is also the case with man, who animates
and endows with life all which surrounds him and which he perceives.

In fact, in man's spontaneous and immediate perception and apprehension
of any object or external phenomenon, especially in early life, the
innate effects are instantaneous, and correspond with the real
constitution of the function; analysis and reflex attention necessarily
and slowly succeed to this primitive animal act in the course of human
development. Consequently the true character and value of its effect on
the perception are the same in man and animals.

If in this psychical and organic fact of perception, man is at first
absolutely in the conditions of animals, identical effects must be
produced; and this was originally the case, as far as man himself and
external things were concerned. The powerful self-consciousness which
actuates man and animals alike is projected on the objects or phenomena
perceived, and they see them transformed into living, deliberating
subjects. In this way the world and all which it contains appears to be
a congeries of beings, actuated by will and consciousness, and powerful
for good or evil, and in practice they seek to modify, to encourage, or
to avoid such influence. The ultimate effect of this action, assumed to
be intentional in all and each of these subjects, will be their
personification, either vaguely or definitely, but always as a power
active for good or ill.

If we trace back the memories of historic and civilized peoples into the
twilight of their origin, at a time when they were still barbarous, and
little removed from their primitive savage conditions, we shall find,
the further we go back, the more vivid, general, and multiform will the
mythological interpretation and conception of the world and its various
phenomena appear to be; everything was personified by these primitive
peoples in a way common to the animal and human consciousness alike.

Of this the testimony remaining in the most ancient verses of the first
Veda is a sufficient proof. At the epoch of their composition the human
race had made some relative progress in morals and civilization; yet we
find that psychical human life was transfused and projected into
everything: man personified each phenomenon and force of nature in
accordance with his own image.

For example, fire in general was personified and identified with
humanity in _Agni_; even the shape taken by the flames, all which was
required to light the fire, the whole process of the sacrifice, even the
doors of the altar-railing, the prayer and oblation to the god.[9]

We also learn from the solemn and ancient songs of the Rig-Veda that all
terrestrial, meteorological, and celestial phenomena were more or less
vaguely personified. These facts recur in all the earliest recollections
of civilized peoples. If we turn from these to observe the savage races
of modern times, and the most barbarous tribes still extant in
continents and isles far removed from culture and science, we shall
again find the same beliefs. The range of absurd personifications,
degenerating into the most trivial and varied forms of fetish worship,
becomes wider, and its influence deeper, in proportion to the rude and
barbarous condition of the tribe or stock in which they appear.

Even among ourselves, in the midst of the most civilized European
nations of modern times, how much mythology still lingers in the lower
classes, both in cities and the country. It flourishes in proportion to
the ignorance and want of culture of the people, as those know who have
really studied the intellectual conditions of all classes in our
time.[10]

In the child just beginning to walk, to move freely, and to talk, and
even at a later age, in cases in which the reflective faculty is weak,
and when it approximates more to the psychical and organic conditions of
animals, such a projection of self and personification of surrounding
objects is evident to all. For this reason a child transforms all which
it seizes or plays with into a person or animal, and when alone with
them it talks, shouts, and laughs, as if such objects could really feel,
act, and obey; in short, as if they were real persons or animals. So
strong is the childish instinct, or, as I might say, the law of its
being to project and transfuse itself into objects, that it is apt to
speak of itself in the third person. A child seldom says, "I will," or
"I am hungry," but "Louis wants," "Louis is hungry," or whatever his
name may be. This phenomenon reappears in the second childhood of old
age, when the power of reflection is weakened, and there is a reversion
to the primitive animal condition. The same phenomenon also occurs in
idiots, in whom there is a morbid defect of reflective power.

This fact of the personification of the objects of perception is
therefore evident and constant in the primitive man of civilized races,
in the barbarous condition of modern savages, in the ignorant multitude,
and in children--intellectual conditions which approach most closely to
the condition of animals--and conversely it is plain that it belongs in
the highest degree to the intellectual life of animals, and that myth,
into which such a personification and animation of things must be
resolved, has its original and innate necessity in animal life. We think
that this is a new scientific fact, which throws much light on the
history of human thought.

M'Lennan observes, "Some explanation of the phenomena of life a man
_must_ feign for himself; and to judge from the universality of it, the
simplest hypothesis, and the first to occur to men, seems to have been
that natural phenomena are ascribable to the presence in animals,
plants, and things, and in the forces of nature, of such spirits
prompting to action as men are conscious they themselves possess."[11]
This fact, indicated by M'Lennan and by all who have devoted themselves
to anthropological researches with respect to the origin of religions,
and of myth in general, is now recognized as certain; but it seems to me
that the interpretation and explanation of it are altogether implete.
They suppose it to be simply the effect of psychological laws as far as
man is concerned, whereas we have shown that it forms, in the ultimate
causes by which it is produced, the very essence of animal perception.
They ascribe it to man as a rational hypothesis to explain the primitive
order of things, whereas it is a spontaneous and primary intuition of
the animal intelligence.

Alger, although he is also mistaken as to the true causes of myth in
general, expresses himself better when he asserts that the brain of a
savage is always dominated by the idea that all objects whatsoever have
a soul precisely similar to that of man. The custom of burning and
burying various things with the dead body was, he thinks, in many cases
prompted by the belief that every such object had its _manes_.[12]

In fact, the innate psychical and organic constitution of the
intelligence, both animal and human, is such that it spontaneously and
necessarily projects itself into every object of nature and perception,
animating and personifying it by this special law, and not by a
reflective hypothesis, such as would be the conscious and deliberate
solution of a given problem. Such a solution cannot be made by animals,
since as we have shown they are without the faculty of making a
deliberate research into any subject; nor can it be effected by the
primitive man, in whom the reasoning faculty with which he is endowed is
still undeveloped.

The real origin of reflection is not to be found in what may be called
the mythical creation of nature, which is the necessary result of the
spontaneity of the intelligence, both in man and animals; it is
developed after long duration of barbarism and ignorance. M'Lennan and
others have shown how the era of reflection and hypothesis begins in the
evolution of human intelligence. Sekesa, an intelligent Kaffir, said to
Arbrousset,[13] "For twelve years I have shepherded my flock. It was
dark, and I sat down upon a rock and asked myself such questions as
these, sad questions, since I was unable to answer them. Who made the
stars? What supports them? Do the waters never grow weary of flowing
from morning to evening, from evening to morning, and where do they find
rest? Whence come the clouds, which pass and re-pass, and dissolve in
rain? Who sends them? Our diviners certainly do not send rain, since
they have no means of making it, nor do I see them with my eyes going up
to heaven to seek it. I cannot see the wind, and know not what it is.
Who guides and causes it to blow, to rage, and overwhelm us? Nor do I
know how the corn grows. Yesterday there was not a blade of grass in my
field, and to-day it is green; who gave to the earth the wisdom and
power to bring forth?" Again, there is a passage in the Rig-Veda, in
which it is said, "Where do the fixed stars of heaven which we see by
night go by day?"

It is in this intellectual condition that ignorant and savage man really
begins the spontaneous yet reflective research into the causes of
things, and it is in this condition only that he hypothetically
interprets the order of phenomena through myths, which have then become
_secondary_, and are no longer _primitive_. The true origin of the
primitive myth which animates and personifies the universe is not to be
found in this condition; its origin is of much earlier date in the
history of man, and indeed it has its roots, as we have shown, in animal
life.

Certainly when we compare the two intellectual periods, there is a wide
difference between the age in which Sekesa could be perplexed by such
inquiries, and that of more primitive peoples, which still believe
without question in the soul and informing spirit or shade of stones,
sticks, weapons, food, water, springs--in short, of every object and
phenomenon. This is still the case with the Algonquins, the Fijians, the
Karens, the Caribbees, the negroes of Guinea, the New Zealanders, the
Tongusians, the Greenlanders, the Esthonians, the Australians, the
Peruvians, and a host of other savage and barbarous peoples. They not
only animate and personify material objects, but even diseases and their
remedies.

The incubus, for example, termed _Mara_ in Northern mythology, was the
spirit which tormented sleepers. This is the _Mar_ of the German
proverb: _Dich hat greitten der Mar_. The word is derived from _Mar_, a
horse, and becomes _nightmare_ in English, _Cauchemar_ in French,
[Greek: Ephialtês] in Greek, meaning one which rides upon another. So
with epilepsy, which signifies the act of being seized by any one; it
was, like all nervous diseases, held to be a sacred evil, and those
afflicted by it were supposed to be possessed. Insanity was regarded in
the same way, as we see in the Bible where Saul's melancholy is said to
be an evil spirit sent from God. A furious madman was supposed to have
been carried off by a demon, and in Persia the insane were said to be
God's fools. In Tahiti they were called _Eatooa_, that is, possessed by
a divine spirit; and in the Sandwich Isles they were worshipped as men
into whom a divinity had entered. In German the _plica polonica_ is
called _Alpzopf_, or hobgoblin's tail. All nations believed that the
malign beings which animated diseases could, like men, be propitiated by
ceremonies and incantations. The Redskins are always in fear of the
assaults of evil spirits, and have recourse to incantations, and to the
most absurd sacerdotal rites, or to the influence of their _manitu_, in
order to be safe. Their devotions and sacrifices are prompted by fear
rather than by gratitude.

Tanner mentions, in his "Narrative of a Captivity among the Indians,"
that he once heard a convalescent patient reproved for his imprudence in
exposing himself to the air, since his shade had not altogether come
back to abide within him. For this purpose, and in conformity with such
ideas, when the sorcerer _Malgaco_ wishes to cure a sick man, he makes a
hole in a tomb to let out the spirit, which he then takes in his cap,
and constrains it to enter the patient's head. The process of disease is
supposed to be a struggle between the sick person and the evil spirit of
sickness. The Greek-word, _prophylakê_ signifies the arrangements of
outposts. _Agonia_ is the hottest moment of conflict, and _krisis_ the
decisive day of battle, as we see in Polybius, liii., c. 89. Medicine
was from the earliest times confounded with magic, which is only the
primitive form of the conception of nature. The Aryan rulers in India in
ancient times believed that the savage races were autochthonic workers
of magic who were able to assume any form they pleased.[14] The negro
priests of fetish worship believe that they can pronounce on the disease
without seeing the patient, by the aid of his garments or of anything
which belongs to him.[15] The superstition of the evil eye recurs in
Vedic India, as well as among many other peoples. In the Rig-Veda the
wife is exhorted not to look upon her husband with an evil eye. There
was the same belief among the ancient Greeks, and it is also found in
the _oculus fascinus_ of the Romans, and the German _böses Auge_. The
early German _Rito_, or fever, was a spirit (_Alb_) which rode upon the
sick man. A passage in the Rig-Veda states that demons assume the form
of an owl, cock, wolf, etc.[16] Such was the primitive attitude of the
transfusion of individual psychical life into things, and consequently
of general metamorphosis. Kuhn identifies the Greek verb [Greek: iaomai]
with the Sanscrit _yavayami_, to avert, and in the Rig-Veda this verb is
used in connection with _amivä_, disease; so that it was necessary to
drive away the demon, as the cause of sickness. A physician, according
to the meaning of the old Sanscrit word, was the exorciser of disease,
the man who fought with its demon. We find the practice of incantations
as a remedy for disease in use among the ancient Greeks, the Romans, and
all European nations, as well as among savages in other parts of the
world.

The objects and phenomena obvious to perception are therefore supposed
by primitive man, as well as by animals, to be conscious subjects in
virtue of their constitution, and of the innate character of sensation
and intelligence. So that the universal personification of the things
and phenomena of nature, either vaguely, or in an animal form, is a
fundamental and necessary fact, both in animals and in man; it is a
spontaneous effect of the psychical faculty in its relations to the
world. We think that this truth cannot be controverted, and it will be
still more clearly proved in the course of this work.

Such a fact, considered in its first manifestation and in the laws which
originally govern it in animals, and in man as far as his animal nature
is concerned, assumes a fresh aspect, and is of two-fold force when it
is studied in man after he has begun to reason, that is, when his
original psychical faculty is doubled. The animation and personification
of objects and phenomena by animals are always relative to those of the
external world; that is, animals transfuse and project themselves into
every form which really excites, affects, alarms, allures, or threatens
them; and the spontaneous psychical faculty which such a vivifying
process always produces necessarily remains within the sphere of their
external perceptions and apprehensions. In a word, they live in the
midst of the objective nature, which they animate with consciousness and
will, and their internal power is altogether absorbed in this external
transformation.

In man, in addition to this animation of the things and phenomena of the
external world, another more profound and vivid animation takes place,
the animation not merely of external forms, but of internal
perceptions, ideas, sentiments, and all kinds of emotions. We know that
man has not only the perception of external and internal things, but
also the perception of this perception. Hence the external form, or the
internal sentiment and emotion, may by the dominion of his will over all
the attributes of his intelligence be once more subjected to his
deliberate observation and intuition; by this process the external and
internal world are doubled in their intrinsic ideal, and give birth to
analysis and abstraction, that is, to the specification and
generalization of the things observed.

When this spontaneous faculty of man has been developed within him, his
observation of the similarities, analogies, differences, and identities
which are to be found in all things and phenomena, in sentiments and
emotions, necessarily induces him to collect and simplify them in
special forms, to combine these various intuitions in a homologous type;
this type corresponds with an external or internal congeries of similar,
identical, or analogous images or ideas, out of which the species and
genera of the intellect are formed. In this way, for instance, arose the
mental classification of trees, plants, flowers, rivers, springs,
animals, and the like, as well as that of love, hatred, sorrow, anger,
birth, and death, strength, weakness, rule, and obedience; in short, the
generic conceptions of all natural phenomena, as well as of psychical
sentiments and emotions.

Animals, for example, perceive a given plant or tree, as a thing
presented at the moment to their individual consciousness, and by
infusing this consciousness into the object in question, they animate
and personify it, especially if its fruits or leaves are attractive, or
if it is moved by the wind. We have seen that all things are necessarily
personified by animals, for if they meet with any material obstacle,
they do not ascribe the sudden impediment to the impenetrability of
matter, or to superior force, but rather to an intentional opposition to
their aim or progress. We often see that animals not only exert
mechanical force to break through or destroy the material barriers
intended to keep them in confinement, but they act in such a way as to
show rage and fury towards a hostile and malevolent subject.

To return to our example; if an animal vivifies and animates some
special plant specially presented to him, he does not go beyond this
vivifying act; when he goes on his way, and no longer perceives the
concrete phenomenon, the animation at the same time disappears and
ceases. Man, however, by means of the classifying faculty we have
noticed, after repeatedly perceiving various plants similar or analogous
to the first, is able by spontaneous reflection, and by the automatic
exercise of his intelligence, to refer them to a single type, and in
this way the specific idea of a tree is evolved in his mind and fixed in
his memory. The same thing gradually takes place with respect to
flowers, animals, springs, rivers, and the like. These ideal types are
not wholly wanting even among the most barbarous peoples, in the most
concrete and dissimilar languages, since without them any language would
be impossible.

The same intrinsic and innate necessity which, both in man and animals,
automatically effects the animation and personification of consciousness
and will in the case of external objects and phenomena, also impels man
to vivify and personify the specific types which he has gradually
formed, and they take an objective place in his memory as the objects of
nature do in the case of animals. In this way man does not, like
animals, merely vivify the special oak or chestnut tree presented to him
in a concrete form at a given moment, but he vivifies in the same way
the psychical type of trees, of flowers, etc., which has been evolved in
his mind, just as he vivifies the type of suffering, of disease, of
death, of healing, or of any other force.

For this reason the process of necessary and spontaneous personification
is at first two-fold; namely, the personification of individual and
external objects and phenomena, and that of their specific inward types,
whether of the objects themselves or of their sensations and emotions.
It must be observed that at this early stage of man's history, specific
types, or the classification of things, were not ordered and determined
with scientific precision; they were undefined and confused, running
more or less into each other, so as to be easily lost, or constantly
diverging more widely. This internal movement of images and undefined
conceptions was a stimulus to active and mobile life, and an abundant
source of vivid or obscure myths, and of the sentiments corresponding to
them.

These specific primordial types were openly referred to external
phenomena, and were based upon the life of nature, since rational or
scientific ideas had not yet made their appearance, or only very
sparsely. In any case, the reality of these types and their animation
are facts, as all the earliest records attest, whether among civilized
or savage races.

The personification of specific types, which are in general the most
obvious--those, namely, which refer to animals, vegetables, minerals,
and meteors, things useful or injurious to man--is the origin of the
subsequent belief in fetishes, genii, demons, and spirits, and these led
to the vivification of the whole of nature, her laws, customs, and
forces. Man's personification of himself, his projection of himself as a
living being into external things, was the result of reflection. In
fact, the impersonation of the winds took place in very early times,
since they most frequently and universally excited the attention and
anxiety of man and animals, whether beneficially or otherwise, and by
their mechanical action, their whistling and other sounds, they readily
struck the mobile fancy of primitive men, and also of savage and
ignorant peoples in our day.

Just as the act of respiration is a faint wind which goes on whether in
sleep or wakefulness, and only ceases with death, so it was with the
phenomenon of nature which attracted their attention, and it was
invested by them with life. Since the winds of nature had already been
animated and personified by a spontaneous act, so our inmost being was
certainly first considered as material, and impersonated as breath and
air.

This appears from the roots and words of all languages; the Hebrew
_nephesh, nshâmâh, ruach_--soul or spirit--are all derived from the idea
of breathing. The Greek word [Greek: anemos], the Latin word _animus_,
signify breathing, wind, soul, and spirit. In the Sanscrit _âtman_ we
have the successive meanings which show the evolution of the myth:
breathing, vital soul, intelligence, and then the individual, the _ego_.
In Polynesia we find the same process of things. _To think_, which in
the Aryan tongues comes from the root _c'i_, and originally meant to
collect, to comprehend, in German, _begreifen_, becomes in the
Polynesian language, _to talk in the belly_. It is, therefore, an
evident historical fact that man first personified natural phenomena,
and then made use of these personifications to personify his inward
acts, his psychical ideas and conceptions. This was the necessary
process, since animals were prior to man, temporally and logically, and
external idols were formed before those which were internal and peculiar
to himself.[17]

It is true that man unconsciously, that is, without deliberation, not
only animates external things and their specific types, but he also, by
an exercise of memory, animates the psychical image of these special
perceptions. If, for example, the primitive man personifies a stream of
water which he has seen to issue from a fissure of the rocks, and
ascribes to it voluntary and intentional motion, he also animates the
image which reappears in his sphere of thought, and conceives it to
have a real existence. He does not merely believe it to be a psychical
and what may be called a photographic repetition of the thing, but
rather to have an actual, concrete existence. Thus, among all ancient
peoples, and among many which are still in the condition of savages, the
_shadow_ of a man's body is held to be substantial with it, and, as it
were, his inmost essence, and for this reason the spirits of the dead
were in several languages called shades.

Doubtless it is difficult for us to picture to ourselves the psychical
conditions of primitive men, at a time when the objects of perception
and the apprehension of things were presented by an effort of memory to
the mind as if they were actual and living things, yet such conditions
are not hypothetical but really existed, as any one may ascertain for
himself who is able to realize that primitive state of the mind, and we
have said enough to show that such was its necessary condition.

The fact becomes more intelligible when we consider man, and especially
the uneducated man, under the exciting influence of any passion, and how
at such times he will, even when alone, gesticulate, speak aloud, and
reply to internal questions which he imagines to be put to him by absent
persons, against whom he is at the moment infuriated. The images of
these persons and things are as it were present and in agitation within
him; and these images, in the fervour of emotion and under the stimulus
of excitement, appear to be actually alive, although only presented to
the inward psychical consciousness.

In the natural man, in whom the intellectual powers were very slowly
developed, the animation and personification effected by his mind and
consciousness were threefold: first, of the objects themselves as they
really existed, then of the idea or image corresponding to them in the
memory, and lastly of the specific types of these objects and images.
There was within him a vast and continuous drama, of which we are no
longer conscious, or only retain a faint and distant echo, but which is
partly revealed by a consideration of the primitive value of words and
of their roots in all languages. The meaning of these, which is now for
the most part lost and unintelligible, always expressed a material and
concrete fact, or some gesture. This is true of classic tongues, as is
well known to all educated people, and it recurs in the speech of all
savage and barbarous races.

_Ia rau_ is used to express _all_ in the Marquesas Isles. _Rau_
signifies _leaves_, so that the term implies something as numerous as
the leaves of a tree. _Rau_ is also now used for _sound_, an expression
which includes in itself the conception of _all_, but which originally
signified a fact, a real and concrete phenomenon, and it was felt as
such in the ancient speech in which it was used in this sense. So again
in Tahiti _huru, ten_, originally signified _hairs; rima, five_, was at
first used for _hand; riri, anger_, literally means, _he shouts_. _Uku_
in the Marquesas Isles means, _to lower the head_, and is now used for
_to enter a house_. _Rùku_, which had the same original meaning in New
Zealand, now expresses the act of diving. The Polynesian word _toro_ at
first indicated anything in the position of a hand with extended
fingers, whence comes the Tahitian term for an ox, _puaátoro, stretching
pig_, in allusion to the way in which an ox carries his head. _Toó_
(Marquesas), to put forward the hand, is now used for _to take_. _Tongo_
(Marquesas), to grope with extended arms, leads to _potongo tongo_,
darkness. In New Zealand, _wairua_, in Tahiti _varua_, signifies soul or
spirit, from _vai_, to remain in a recumbent position, and _rua_, two;
that is, _to be in two places_, since they believed that in sickness or
in dreams the soul left the body.[18] Throughout Polynesia _moe_ also
signifies a recumbent position or to sleep, and in Tahiti _moe pipiti_
signifies a double sleep or dream, from _moe_, to sleep, and _piti_,
two. In New Zealand, _moenaku_ means, to try to grasp something during
sleep; from _naku_, to take in the fingers.

We can understand something of the mysterious exercise of human
intelligence in its earliest development from this habit of symbolizing
and presenting in an outward form an abstract conception, thus giving a
concrete meaning and material expression to the external fact. We see
how everything assumed a concrete, living form, and can better
understand the conditions we have established as necessary in the early
days of the development of human life. This attitude of the intelligence
has been often stated before, but in an incomplete way; the primitive
and the subsequent myths have been confounded together, and it has been
supposed that myth was of exclusively human origin, whereas it has its
roots lower down in the vast animal kingdom. We hope, therefore, that it
will be granted that we have given the true and full exposition of myth.

Anthropomorphism, and the personification of the things and phenomena of
nature, of their images and specific types, were the great source whence
issued superstitions, mythologies, and religions, and also, as we shall
presently see, the scientific errors to be found among all the families
of the human race.

For the development of myth, which is in itself always a human
personification of natural objects and phenomena in some form or other,
the first and necessary foundation consists, as we have abundantly
shown, in the conscious and deliberate vivification of objects by the
perception and apprehension of animals. And since this is a condition of
animal perception, it is also the foundation of all human life, and of
the spontaneous and innate exercise of the intelligence. In fact, man,
by a two-fold process, raises above his animal nature a world of images,
ideas, and conceptions from the types he has formed of various
phenomena, and his attitude towards this internal world does not differ
from his attitude towards that which is external. He personifies the
images, ideas, and conceptions by transforming them into living
subjects, just as he had originally personified cosmic objects and
phenomena.

In myths, since they owe their origin to the reflex power which is
gradually organized and developed, man carries on this faculty of
personification which had already been exerted in him as an animal. But
the object of myth became two-fold just as the animal nature became
duplex in man, whether as a special image of special conception, or as
an intellectual definition of the specific type already formed. The
myths are, therefore, from their very nature, either special, that is,
derived from the psychical duplication of a personified image; or they
are specific, and are derived, as we are about to explain, from the
personification of a type.

The deliberate intention to be beneficent or malign, useful or
injurious, which is ascribed to any external object, thus transforming
it into an intelligent subject, is the first and simplest stage of myth,
and the innate form of its genesis. In this case, it is always special,
extrinsic, and concrete, and belongs implicitly to the animal kingdom,
although more or less vividly in proportion to the mental and physical
evolution of the species. It is for the same reason also proper to man,
in whose case it first appears in the indefinite multiplication of
fetishes, whatever may be the object venerated, and whatever the form,
aspect, and character ascribed to it. This constitutes the primordial
impulses, both of religious consciousness and of the spontaneous
solution of the problems of the world among all peoples.

While the animation of special objects by animals generates actual
myths, yet it only occurs in the acts of momentary and transient
perception; they are born and die, they arise and are dissolved in the
very act of production, and they neither have nor can have retrospective
or future influence on the animal. The world, its laws and phenomena,
form for him one universal and persistent myth, so far as he feels
himself constrained to vivify and transform them into subjects actuated
by will. This consequently is the constant and normal condition of his
conscious life with relation to things, and it leads to nothing further;
his mental attitude with respect to myth does not vary from his physical
attitude towards the atmosphere, the food and water which nourish and
sustain him, and the exercise of his functions are in conformity with
it, as though it were his natural and necessary element.

Man, on the contrary, since he has acquired the power of reflection,
which enables him to reconsider past intuitions by an effort of memory,
as well as the psychical image which corresponds to them, is not content
with this normal and fugitive effect of apprehending the personified
object presented to him. The psychical image of his actual perception,
which he has ascertained from experience to be beneficent or malignant,
or which has been interpreted as such by his fancy, recurs to the mind
even when it is absent and remote, and it recurs in the vivid and
personified form in which it was first perceived.

Hence come the following psychical facts. On the one side the actual
object which he has assumed to be invested with the faculty of will
still remains to exert the same external influence; on the other, its
personified image is also present to his mind, so that he can regard it
with the vivid quickness of the fancy, and invest it, by its manifold
relations to other and various phenomena, with efficacy, force, and
mysterious purposes. It follows from this inward action and emotion that
while in the case of animals the beneficent or malignant object is only
invested with life at the moment of perception, and has no more efficacy
after its disappearance, man on the contrary retains the same
personified object in his memory, and recalls it at pleasure, so that
its special efficacy persists, and it continues to be the object of
hopes and fears either in the past or in the future. In a word, the
natural myth of animals is transformed by man into a fetish, whether
this object or its corresponding image in his mind be superstitiously
regarded as good or evil, pleasing or terrible.

This was the source of primitive, confused, and inorganic fetishism
among all peoples; namely, that they ascribed intentional and conscious
life to a host of natural objects and phenomena. Hence came the fears,
the adoration, the guardianship of, or abhorrence for some given species
of stones, plants, animals, some strange forms or unusual natural
object. The subsequent adoration of idols and images, all sorts of
talismans, the virtue of relics, dreams, incantations, and exorcisms,
had the same origin and were all due to this primitive genesis of the
fetish, the internal duplication of the external animation and
personification of objects.

It is evident that fetishism in its earliest and most primitive form was
always inspired by special objects, since the external perception of
animals and of man is special and concrete. But we have seen how our
intelligence, by a spontaneous and innate process, was led to form types
from the immense variety of special things and phenomena, and these
types are the specific forms of such things as are alike, analogous, or
identical. We have also seen that by the same necessity of the psychical
faculty, which is not inconsistent with the fundamental process of
animal intelligence, man animates and personifies these specific types,
just as he had animated the special perceptions whence they were
generated in his mind.[19]

The second form of myth next occurs, if considered as it exists in man,
but the third form of myth, if regarded in his solidarity with the
animal kingdom. Instead of investing the special fetish of a given
object with superstitious fear, he now adores or fears all objects of
the same species, or which, in the imperfect classification of primitive
times, he believes to be of the same species. Thus, to give a common
example, if some particular viper or other form of snake is the first
form of fetish, in the second stage the whole species of vipers, and of
the snakes which resemble them, is regarded with the same dread. He next
supposes all the snakes which he comes across to emanate from a single
power, manifesting itself in this shape in various times and places. In
the same way, according to the natural evolution of this law, the
individual, concrete plant will no longer be the fetish or object of
myth, but all those of the same species, or which nearly resemble it. It
will no longer be a given spring, but all springs, no longer one
particular grove, cave, or mountain, but all groves, caves, and
mountains; in a word, the species will be substituted for the
individual, the type for the fact.[20]

In this second stage to which myth spontaneously attained, it must be
observed that all fetishes could not be reduced to a specific or typical
image, since in nature, and in ages and conditions when the intelligence
was still rude and uncultured, all phenomena or objects could not assume
a specific form, but were still regarded as individuals. In this class
are the sun, the moon, certain stars and constellations, as well as some
other natural phenomena, volcanoes, hot springs, and the like; since
these were unique within the range of country inhabited by the savage
hordes, they could not become specific. Hence, while all other objects
and their respective fetishes followed the natural evolution into a
specific type, and through these into the simplest form of polytheism,
the special fetish which referred to unique things or phenomena remained
special, although it was modified, as we shall see, so as to harmonize
with the aspect commonly assumed by other typical images.

It must be observed that we have gradually ascended from the special to
the specific fetish, and to types which are resolved by the intelligence
into more ideal and less concrete images; precisely because they are
ideal and less bound to the form they had before, they are incarnated in
an anthropomorphic and anthropopathic form. Released from the necessity
of regarding them in a vague form, or one different from that of man,
the image becomes more human, and that not only as before in
consciousness and purpose, but also in aspect and structure.

In fact, in this stage man does not merely infuse his spiritual essence
into these types, but likewise his corporeal form, whence we have the
true, human image of myth. This may be seen in the various primitive
Olympuses of all historic races as well as among savage peoples, only
varying in the splendour of their imagery. They consist in the
transformation of the earlier fetish into an intelligent, corporeal
person, and result from the formation and personification of types.

Beginning with the mysterious conception of some particular spring as a
malignant or beneficent fetish which, although personified, still
retains its concrete form, the classifying action of the intelligence
gradually constructs, from its points of resemblance to other springs, a
generic type which includes them all. This typical conception,
personified in its turn, next represents a unique power, of which all
the individual and accidental springs are only manifestations. Thus it
is clear that man, in the personification of this type or specific
conception, is no longer bound to the actual form of the special object
which first represented it, but he may be said to mould a more
indefinite and plastic substance into which he can with spontaneous or
facile art incarnate his whole person. Hence this substance will assume
an anthropomorphic form, and will issue, not in a mysterious being of
extrinsic and indefinite form, but in a person with human features,
obvious to human senses.

It was thus, when the fetish attained to a specific type, that mythical
anthropomorphism was generated, and polytheism, properly so-called; a
polytheism which represents in its figures and images the humanization
and personification of specific types. These afterwards diverge into
specifications which vary with the number of phenomena that are united
in a single idea or conception. The first polytheistic Olympus consisted
of natural types, and at a much later period they became moral or
abstract, in accordance with the spontaneous evolution of the
intelligence itself.

It was in fact in this way that all the specific myths of the general
phenomena of nature had their origin, and in our Aryan race we can,
starting from the Rig-Veda, follow their splendid development among
Græco-Latins, Celts, Germans, and Slavs; it may also be traced in the
memory and historic evolution of other races, and with less distinctness
among those which are barbarous and savage.[21]

To take some example which may throw light upon our theory of the
evolution of myth, let us consider that of _Holda_ in the German
Pantheon, since it is a generic type of the special primitive fetishes
of sources, already in process of formation before the dispersion of the
Aryan tribes. Mannhardt (_Deutsche Mythologie_) has shown what was the
primitive form of the conception of _Holda_ and of the _Nornas_, that
is, of the phenomenal appearances of water; Holda, the _lady of waters_,
first watched over the heavenly sources, and then, by a subsequent
interweaving of myths and duplication of images, she kept and guarded
the souls of new-born infants. This early conception by progressive
specification gave birth to those of the _Nornas_, of _Valkuria,
Undine,_ and others. The primitive fetish, or fetishes of waters out of
which the specific type, afterwards personified, was evolved and formed,
were at first so bound to the concrete form of the phenomenon, that
although animated, it could not assume a human aspect and form. But when
the specific type which ideally represented the power manifested in all
the various modes of special phenomena was evolved, then man was
released from the concrete and individual forms of the fetish, and
readily moulded it in his own corporeal as well as in his moral image.
So Holda, changed from a heavenly to an earthly deity, was transformed
into the goddess of wells and lakes, and assumed a perfectly human and
even artistic form. She loved to bathe at noon-day, and was often seen
to issue from the water and then plunge anew into the waves, appearing
as a very fair and lovely woman.

Again, we know that in the gradual mythical evolution which found its
climax in Apollo, the animation of this type, so fruitful in special
instances, extended even to the form of his arms, his bow and arrows,
and to the place of his habitation at Delphos. He was armed, according
to Schwartz, with the rainbow and with thunderbolts, and Delphos was
esteemed to be the centre and navel of the world.

These mythical ideas have their special reproduction in the mythology of
the Finns. (Castren.) The god _Ukko_ with his great bow of fire sends
forth trees as darts against his enemies; while fighting, he stands
erect upon a cloud, called the _umbilicus_ of heaven. Thus we see that
the process of myth is similar, even in different races.

By the primitive personification of the special fetishes whence he was
evolved, the _Indra_ of Vedic India is shepherd of the herd of heavenly
kine. _Vritra_, a three-headed monster in the form of a serpent, steals
away the herd and hides it in his cave. Indra pursues the robber, enters
the cave with fury, overwhelms the monster with his thunderbolt, and
leads back the kine to heaven, their milk sprinkling the earth. This
myth gradually assumed in the Vedic hymns more splendid and artistic
forms, and more amazing personifications. The original motive of the
myth, as it has been interpreted even by Indian commentators, was the
storm with all its alternations which bursts forth with more terrific
violence in hot climates. The luminous clouds which bring rain are the
purple kine whom a black-demon tries to steal; the fruitfulness of the
earth depends on the issue of the contest, and the thunderbolt disperses
the cloud, which falls on the earth in rain, while _Indra_, that is, the
blue sky, appears in his splendour.[22]

It may be clearly seen from these examples how the specific myth was
gradually developed. We have said that in addition to the myth which
referred to types constructed from special and manifold suggestions,
alike or analogous in extrinsic circumstances, others were formed from
definite natural objects, in their relations to men and to their
acquaintance with cosmic facts in those very early times. These,
however, although definite, assumed anthropomorphic forms, like those
which were specific. The cause of this identity of construction is to be
found in the influence exerted upon them by the earlier myths. By a
necessary equilibrium and spontaneous symmetry of mental creations,
these were also modified by the gradual formation of contemporary
images. In this way the solar myths were elaborated and developed among
the Aryan peoples and other races; their aspects became much more
anthropomorphic and anthropopathic in proportion as the typical myths
assumed a human form.

The primitive myths of the secondary form were at first grouped round
physical and external phenomena, because these were originally the most
obvious to man. But the specific moral types had their origin by
reaction, and by a more strictly intellectual process, and these were
personified in the same way, although in this second stage they were not
so numerous. Yet their appearance and creation were inevitable, since
the same faculty and classifying process had to be carried out in the
intellectual and moral order as in that which was extrinsic and cosmic;
since the mind and consciousness and intrinsic faculty of the
intelligence are identical. And when once these ultimate types were
formed, the same necessity impelled their animation and personification
in anthropomorphic images. Of this we have abundant instances in all the
traditions of nearly all the peoples of the world.




CHAPTER IV.

STATEMENT OF THE PROBLEM.


In the preceding chapters we have considered and, as we hope,
demonstrated the origin and genesis of myth in general, an origin and
genesis which had their first impulses and causes in the animal kingdom
as a whole, since these beginnings were the necessary result of the
psychical exercise of the perception and intelligence. We next
discovered in man, as he issued from a simply animal condition and
attained the power of reflection, the origin of the special myth or
fetish, which was a higher evolution of that which is proper to animals;
hence the origin of the specific myth was altogether anthropomorphic,
whether physical or moral; and hence came also the development and
ramification of all mythologies, and of universal polytheism.

It may be seen from the reality and truth of this theory how much
mistaken those men are who hold, owing to their religious prejudices or
to their systems of logic and history, that monotheism was the first
intuition of man, or at any rate of the privileged races. This is
altogether impossible, since such an opinion is opposed to the genuine
development of the intelligence, to its primitive constitution and
progress, and to the essential _solidarity_ of human and animal nature.

In the case of animals as well as of man the implicit act and psychical
process of communication between the world and themselves consist in the
individual and concrete animation of the thing or phenomenon perceived;
whence they are resolved into conscious subjects, acting with a given
purpose; the difference in man's case, due to his power of reflection,
consists in the fact that he ascribes to the fetish distinct mental
characteristics, regarding it as a subject, actuated by will, and
invested with an external form. Hence it is impossible that man should
have had any primitive intuition of a perfectly rational and universal
_Idea_, since his intelligence is so constituted that it is slowly
developed from the animal condition into a humanity which is mythically
reflex, and he rises from the single to the specific, from phenomena to
the type which more or less exactly corresponds to them.

We are convinced that by these researches, we have eradicated the
previous misconception, which cannot be revived or maintained except
with the weapons of sophism, and by defying evidence and the very nature
of things.

While man has risen from the individual myth to that which is specific,
infusing anthropomorphic life into the whole of nature, and into his own
sensations, emotions, and conceptions, he has pursued an art virtually
the same as that whence science is generated. The instrument, both with
respect to the formation of myths and to the formulation of science, is
in fact identical, and the process also is the same. Science, like myth,
observes, analyzes, and classifies observations, and gradually rises to
a conception of the specific type, and hence to a unity which becomes
ever more complete and universal.

In the composition and mythical animation of the world, whether by
special personifications or by those which are typical, and by the
sensations corresponding to them, man makes a fanciful classification of
phenomena, he observes and studies their beneficial or injurious effects
on himself, and in this empirical way is able to estimate their value.
On the other hand, he rises in the social scale by means of his
superstitious and religious feelings, which act as a stimulus and
symbol, so far as he subjects his animal and perverse instincts to the
deliberate precepts which he imagines to be expressed by these myths.

In so far as the empirical observation of things is irrational, and
obedience is paid to the fanciful precepts of oracles, it is not the
result of an explicit moral law, yet there is on the one side some
knowledge of the qualities, habits, and periods of things, and on the
other a civil and human order which is gradually formed and developed.
In fact, in the case of the higher historical races it is important to
make a more explicit and accurate study of the fetish religion, that is,
of the mythical animation of any special phenomenon or thing. Although
the scope of such religion is superstitious veneration, or abject fear,
yet it is impossible that it should not induce a more precise and less
confused notion of the relative condition of things. In this way
observation becomes more accurate, and the intrinsic use of the thing is
often recognized. By the gradual exercise of such analysis in the case
of all or most phenomena, man obtains a clearer knowledge of his
environment.

While a juster estimate of the empiric value of special objects is
obtained in this manner, the subsequent, though sometimes mistaken
classification of their specific types enables the mind to arrange his
knowledge of natural things in a more synthetic and orderly way, and by
such classification man is always tending towards a more universal
unity: he places the general forms of phenomena in an ideal harmony,
which fancifully symbolizes their laws.

In the succeeding chapters we shall see how this process is
accomplished, and how it leads up to the explicit exercise of the
reason. A more definite empiric knowledge, and the harmonious
classification of specific types with a view to unity, are a proof of a
relatively greater improvement, both in civilization and morality. This
is abundantly shown in all those peoples who have attained to an
altogether anthropomorphic polytheism, either among the Aryans, prior to
their dispersion, in the Vedic period in India, among the Celts,
Græco-Latins, Germans, Slavs, or in the Finnish races, Mongols, Chinese,
Assyrians, Egyptians, Mexicans, and Peruvians, as well as among the
barbarous peoples of modern times.

The imagination, the faculty which creates and excites phantasms in man,
is not, as is erroneously supposed, the primary source of myths, but
only that which in a secondary degree elaborates and perfects their
spontaneous forms; and precisely because it is near akin to this
primordial mythical faculty, it goes on to organize and classify these
polytheistic myths. By a moral and necessary development an
approximation is made, if not to truth itself, at any rate to its
symbols; whence reason is afterwards more easily infused into myth on
the one side, and on the other it is resolved into rational ideas and
cosmic laws. It was in this way that poets perfected myth in its
influence on virtue and civilization, and by them it was directed into
the paths of science and of truth.

As Dr. Zeller has well said in his lecture on the development of
monotheism in Greece herself, the great Greek poets were her first
thinkers, her sages, as they were afterwards called. They sang of Zeus,
and exalted him as the defender of righteousness, the representative of
moral order. Archilocus says that Zeus weighs and measures all the
actions of good and evil men, as well as those of animals. He is, said
Terpandros somewhat later, the source and ruler of all things. According
to Simonides of Amorgos, the principle of all created things rests with
him, and he rules the universe by his will. Thus, as time went on, Zeus
became, in the general conception, the personification of the world's
government, which was delivered from the fatality of destiny and from
the promptings of caprice. Destiny which, according to the early
mythical representation, it was impossible to escape, is resolved into
the will of Zeus, and the other gods which were at first supposed to be
able to oppose him, become his faithful ministers. Such is the teaching
of Solon and of Epicharmos. "Be assured that nothing escapes the eyes of
the divinity; God watches over us, and to him nothing is impossible."

This impulse of the imaginative faculty combined with the process of
reason is most plainly seen in the conceptions of the three great poets
of the fifth century, Pindar, Æschylus, and Sophocles. In the words of
Pindar: "All things depend on God alone; all which befalls mortals,
whether it be good or evil fortune, is due to Zeus: he can draw light
from darkness, and can veil the sweet light of day in obscurity. No
human action escapes him: happiness is found only in the way which leads
to him; virtue and wisdom flow from him alone."

We find the same order and manner of thought in Æschylus, although he
remained faithful to the polytheistic creed, which indeed confirms the
truth of our theory. The moral law was gradually developed and purified
by this long succession of poets, and it clearly appears from Æschylus
and his successors how man reaps that which he has sown: he whose heart
and hands are pure lives his life unmolested, while guilt sooner or
later brings its own punishment with it. The Erynnyes rule the fates of
men, and may be said to sap the vital forces of the guilty; they cleave
to them, excite and stimulate them to madness until death comes. The
ancient and mysterious mythical tradition of the strife between the old
gods and the new was astutely used by Æschylus to teach us how the
terrible vengeance of the Eumenides gradually gave place to a gentler
and more humane law; just as the primitive despotism of Zeus was
gradually transformed into a providential and moral rule of the
universe.

Sophocles attained to a higher degree of perfection in the paths of
gentleness. No ancient poet has spoken more nobly of the Deity, although
his language is altogether polytheistic. He shows the highest reverence
to the gods, whose power and laws rule all human life. On them all
things depend, both good and evil, nor could any one violate with
impunity the eternal order of things. No act or thought escapes the
gods; they are the source of wisdom and happiness. Man must meekly
comply with their precepts, and must offer up his pains and sorrows to
Zeus.

These utterances of the ancient poets never go beyond the range of
polytheism, yet they show how far intrinsic morality and truth were
developed, even by the imaginative and mythical faculty of the human
mind, during the gradual historical evolution of the race. The plurality
of gods appears to be the manifestation of the divine principle; their
action on the world lost almost all trace of arbitrary power and of
their former versatility and caprice. The superstition of polytheism
remained, but it had an inward tendency to more rational conceptions and
principles.

From this brief notice, as well as from the remarks which preceded it,
it appears how the evolution of myth, from its beginning and in its
historic course, led to a more perfect, although empiric acquaintance
with the world, and with the moral principles and civilization of
peoples. The logical faculty by which the development is gradually
effected is the same by which from another point of view science becomes
possible.

We have clearly demonstrated the indisputable fact that the absolute
condition of intrinsic animal perception, and consequently of the
primary perception of man, was the animation and vivification of the
things and phenomena perceived. This primary acquaintance with things
depended on their spontaneous resolution into active and personal
subjects. Nor could it be otherwise. Although the scientific idea or
notion of objective reality in itself could not be grasped by simple
animal intelligence, the impression of the thing perceived was
necessarily that of a subjectivity resembling that of the observer, not
indeed in outward form and figure but in intrinsic power, whatever might
be the extrinsic form and figure of the object or phenomenon.

The original condition of animals, and of man himself in his primordial
life and consciousness, is and was the intrinsic personification of the
things perceived: from this source the human intellect slowly and with
difficulty attained to science, by virtue of that psychical
reduplication which has been so often mentioned.

The motive or subject of myth may be external, cosmic, or it may be
internal, intellectual, and moral, but in each case the cause and
faculty at work are the same. Just as the primary condition of
observation, and consequently the motive principle of science, consists
in the primitive exercise of the intelligence, which leads to empirical
and rational knowledge, so myth and science have a common origin in the
immediate transformation of natural objects and phenomena into living
subjects, and they flow from the same deep source. The object in view is
different, but their constructive faculty is the same, and they are, up
to a certain point in their long historic course, evolved in the same
way. Science, therefore, from one point of view, is the gradual
exhaustion and dissolution of myth into the objects which are
scientifically investigated, and this will appear more clearly in the
sequel.

The series of various phenomena, whether of light, of meteors, of water,
of vegetable and animal forms, which were the first subjects of myths,
became so interwoven as finally to be represented in an anthropomorphic
personality, and were thus gradually lost and evaporated in the ideal
symbol. As time went on, by the exercise of the intelligence, and by the
aid of the observations and collateral experiments naturally connected
with them, man ended where he had begun; released from myth, he only
recognized the facts and laws of the world. This clearly shows, not only
the formation of myths, but the process of evolution by which they pass
into science, in which they find their termination.

If, however, myth and science have the same origin, and start from a
common fact, a fundamental principle is necessary, and an internal human
act, which is at once the cause and genesis both of myth and science.
And although the source is one, myth and science vary in their aspects
and effects, and have different fields of historic activity, so that it
is necessary to trace the cause of this diversity in their progress and
results, to enable us to make a scientific definition of the nature of
myth and science, their respective sources and objects.

If on the one side we continually see the birth of fresh myths, which
ramify into many fertile sources of superstitions, of religions, of
poetry and æstheticism; on the other side we see almost simultaneously a
more or less distinct and lively manifestation of the scientific
faculty, although still in an empirical form. They are like two streams
which issue from the same source and take a parallel course, sometimes
mingling their waters, only to separate anew, and then again to become
united as they fall by a wide mouth into the sea.

In this manner we have ascertained the actual origin of science and of
myth, and have entered on a field perhaps never before attempted nor
contemplated; we have established a firm basis for such researches, and,
which is perhaps still more important, have shown the continuity of the
mythical faculty between man and the animal kingdom. We have
ascertained this fact, in its cosmic necessities, both physiological and
psychical, but without considering the faculty on which it depends; we
have still to decompose the elements of which it consists, and to
consider their nature and number.

This inquiry forms the chief problem we have to solve, and it is
precisely what we have endeavoured to state in this chapter. In the
necessary order of things the fact has its physiological and cosmic
conditions in man; it is therefore necessarily internal and psychical,
and it is accomplished by the special and intrinsic exercise of the
intelligence. We shall be convinced of this truth if we only consider
that science and myth have a common origin.

It is evident that there are great difficulties in such an inquiry; for,
putting aside other extrinsic difficulties, we have to reduce to a
single act or fact the origin of the two vast worlds of myth and
science; it is needful to gauge the inmost psychical faculty of the
intelligence, and to discover the continuous yet rapid and delicate
process of its exercise.

If we are able to attain our object and to tear away the veil which
conceals this mysterious act, we shall have a noble recompense in the
laborious path on which we have entered, inasmuch as we shall reveal one
of the most important laws of life, of the exercise of reflex
intelligence and of the genesis of science. Yet we are very sensible how
far we are from being equal to the enormous difficulties of this
inquiry.




CHAPTER V.

THE ANIMAL AND HUMAN EXERCISE OF THE INTELLECT IN THE PERCEPTION OF
THINGS.


Apprehension is the act, both in animals and in man, by which the
spontaneous and immediate animation of things and of phenomena is
accomplished. It is therefore necessary to pause and consider this act,
since it is, even in man, the source and foundation of the origin of
myth, and in it we shall find the causes, elements, and action by which
such a genesis is effected. This fact is so evident that the necessity
of making such an inquiry might almost be taken for granted, since the
truth can be ascertained in no other way.

In the case of animal perception, which we have already considered, the
external perception of an object is composed of three elements: the
phenomenon perceived, the living subject with which this phenomenon is
animated, and the vague yet real power involved in the life thus infused
into it by the animal. Supposing any other animal to be the object
perceived, these three elements are self-evident; since the phenomenon
perceived in a given form causes the immediate assumption that it is a
subject, actuated by a purpose of offence or defence, and hence follows
the apprehension of a power capable of affecting him, which has in this
case a real existence. Phenomenon, subject, effective power, follow in a
rapid and inevitable sequence, and are instantly combined in the
integral image formed of the object apprehended by the senses.

In fact, an animal which fights with another, which seizes on his food
as a prey, or which is in dread of some enemy or unfamiliar object,
recognizes either the species or the individual from its external form,
and constitutes it into an animated subject, and ultimately into an
actively offensive or defensive power, or into one which satisfies his
appetites. Such a fact, and such elements of the fact, recur in the
whole animal kingdom, even among those which only apprehend external
things by the sense of touch. As we ascend higher in the scale of
animals to those who possess other senses and a more elaborate organism,
we find the same fact in a more perfect and distinct form.

Those animals which, since they are without the sense of sight, have no
perception of distance, wait until their prey touches their antennæ,
mouths, or claws, and yet the same distinct act is accomplished in these
three specified elements. They would not lie in wait for their prey,
unless they had already formed a conception of its possible image,
consisting of a form, subject, and effective force, combined in a single
intuition. When this external prey is presented to the senses, the
phenomenon, subject, and effective power arise in rapid succession, and
are united in one unique consciousness. This truth appears from the
animal's efforts not to let his prey escape destruction.

From the reciprocal apprehension of animals, these three elements which
constitute it may be clearly seen. Although such a truth, precisely
because it is evident, may appear simple to those who seek truth from
the clouds, or by means of logical or tortuous artifice, yet such are
the characteristics of true science. For the new facts which she
interprets and classifies appear old as soon as they are understood,
although they have never before been explained.

Although such a fact is manifest in the case of reciprocal animal
perceptions, it may appear more difficult to verify it with respect to
perceptions which do not refer to other animals, but to natural
phenomena, or to inanimate, unconscious things. We have shown that all
animal perception is possible only so far as they are able to infuse
their own consciousness and psychical power into every object of nature,
since they are unable to comprehend the thing or phenomenon except as an
objective reality, without reference to its real cosmic importance.
Since this is necessarily the case, the object perceived, even when it
is not an animal, is always transformed into a living subject, acting
deliberately. And although this is sometimes done in a vague way, when
the object in question has not the external form and movements of an
animal, yet it is always regarded as a real power.

When a well broken horse, for example, goes on his way quietly,
perceiving nothing which strongly attracts nor alarms him, the sudden
flutter of a cloth, the flaring of a lamp, the rush of water, or some
violent noise will cause him to stop, to plunge and kick, or to bolt
away. We have already shown, by experiment, the exciting cause of his
alarm and suspicion. The sudden fluttering of the cloth in the wind was
a phenomenon perceived by the horse, and since he regarded this
phenomenon as an animated subject, and consequently as a real power, it
is evident that his fear was caused by the sudden appearance of a living
form, and the direct apprehension of a subject which might possibly be
hurtful or dangerous. In this way, the circle is completed and combined
in one unique phantasm; a phenomenon, a living subject, and a real
power.

In this instance, the psychical law is so clear that it can hardly be
disputed. But if we consider any other animal perceptions, we find that
the law still holds good, as we have already shown in various instances.
In all cases the apprehension takes place in the same way, and consists
of the same elements, namely, of a phenomenon, a living subject, and a
real power. The exercise of animal apprehension is the rapid, necessary,
and perpetual concentration into a single image of the phenomenon,
subject, and cause; that is, given the perception of a phenomenon, the
animal endows it, with respect to himself, with consciousness, and
consequently with real power.

In fact, the faculty of perception cannot be exercised in any other way,
nor can it consist of any other elements. In nature, the sensible
qualities of things are all resolved into general and special phenomena,
appearances, and extrinsic forms, as far as animal and human intuition,
and the character of the subject which perceives and feels them, are
concerned; and they are perceived just so far as we and as animals are
able to communicate by means of our senses with the world and with
ourselves. A phenomenon and an intrinsic form signify, at the moment of
perception, the thing, the object which the conditions of our senses
enable us to perceive, and the intrinsic power of this phenomenon
implies a cause. Natural phenomena and beings are thus reciprocally
linked together as causes and effects, an effect becoming in its turn
the cause of a subsequent fact; that is, when we consider things in
themselves, and not relatively to the animal or man who apprehends them.

If, therefore, there are in animal consciousness and intelligence three
elements of apprehension, afterwards fused into a single fact, it
follows that the extrinsic relations of beings and forces are
subjectively reciprocal; there is the given form of a phenomenon, and,
intrinsically, it consists of an active power, eternally at work, since
there is no being nor form which stands still and is not reproduced in
the infinite evolution of the universe.

Since, to the percipient, the extrinsic form, whatever it may be,
remains the same as that which was first presented to him, the
phenomenon is bounded by his faculty of perception, followed by the
immediate and implicit assumption of a subject, and consequently of a
possible and indefinite causality. This internal and psychical process
of the animal corresponds with the actual condition of things, as they
appear and really are; a correspondence which is in itself a powerful
confirmation of the truth.

Since an animal is devoid of the explicit and reflex process of the
intellect, it has not and cannot have any conception of the thing in
itself, the intrinsic essence of the phenomenon, nor yet of the
objective and cosmic cause; because it animates the phenomenon with its
own personality, which has assumed the external form of this phenomenon,
it is conscious of a cause, like itself, transfused into the object in
question. We have shown that phenomena affect animals in this way, and
that they are conscious of being in a world of living subjects,
constantly actuated by the deliberate purpose of influencing them.

The faculty and elements of apprehension are precisely similar in man
and animals, since extrinsic things present the same appearance to both
alike, and the perceptive power acts in the same way. We cannot, indeed,
go back to our first beginnings, and it is difficult for those who are
not accustomed to such researches to discover the primitive facts of
their own being, which have been so much modified by exercise and the
intrinsic use of reflection for many ages; yet some certain signs
remain, nor would it be now impossible to reproduce them. No one can
doubt that man also began to communicate with the world and with himself
by his perception of a phenomenon, of some extrinsic quality or form.
From this he directly apprehended the thing and its cause. No
intelligent person can believe that man had any direct intuition of the
thing in itself, independently of the extrinsic phenomenon by which it
was presented to his perceptions: he could not by the sudden
apprehension of all natural objects intuitively grasp the _Idea_. This
will be more fully shown in the following chapter.

In accordance with this statement, man, who still retains his animal
nature, has exercised the same faculty of apprehension by the synthetic
process of the three elements which compose it in the case of animals;
he attains therefore to the same results, that is, he animates the
object of perception, and considers it as an efficient cause. This
identical faculty of perception in man and animals was only
differentiated when the reflex power of man subsequently enabled him to
regard objects, as we do now, as inanimate, and subject to the universal
laws of nature.

Even now, after all our scientific attainments, we are not wholly free
from the former innate illusion; we often act towards things as if we
lived in the early days of our race, and continue that primitive process
of personification in the case of certain objects.

We have shown what was the origin of the fetish and of myth, and how it
arose from the impersonation of all natural objects and phenomena, which
are transformed into living subjects. This shows that the faculty,
elements, and results of the apprehension are identical in man and
animals. If man created the fetish which in process of differentiation
generated all kinds of myths, he, like animals, was directly and
implicitly conscious of the living subject, and in it of an active
cause. Although in man the fetish retains its personality in his memory,
and becomes the cause of hopes and fears throughout his life, while its
effect on the animal is only transitory, and at the actual moment of
perception; yet this does not invalidate the truth of the principle, nor
prove that their impulses and genesis are not identical. Thus the
analysis of the faculty of apprehension confirms and explains the proof
before given of the origin of myths, and explains their causes.

We have all, however unaccustomed to give account of our acts and
functions, found ourselves in circumstances which produced the
momentary personification of natural objects. The sight of some
extraordinary phenomenon produces a vague sense of some one acting with
a given purpose, and hence of an actual fetish. A man will sometimes
address the things which surround him, and act towards them as if they
possessed consciousness and will. Children, who are still without
experience and reflection, will often invest external objects with
solidity.

A child, as soon as it can guide its own motions, will grasp anything
which is pliant and yielding as firmly as if it were solid, thus
implicitly judging the thing from its appearance. In the same way, a
child confidently relies on any support, however weak and insufficient
it may be, arguing as usual from the appearance to the thing itself. Nor
must it be said that experience is necessary to correct these errors.
The implicit faculty of apprehension is prior to experience, which only
becomes possible by means of this faculty. The elements of this faculty
unconsciously fulfil and pursue their office in the child, aided by the
reflex motions which are cerebro-spinal and peripheral, as they have
been produced and organized in the species by evolution; but they, as
well as these reflex physiological motions, are prior to the same
temporary experience.[23]

Thus the new-born infant sucks the milk which serves for its nourishment
from its mother's breast; it is impossible in this case that such a
class of elements should not be spontaneously developed; the child feels
the nipple and adapts its mouth and mode of breathing to it, while
pressing the breast with its hands to express the milk. If much in this
operation might be ascribed to reflex movements, yet in association with
them, supplementing and rendering them possible, there is an implicit
perception of the external phenomenon through the sense of touch, and he
becomes conscious of the object, and of its causative power; such power
consisting in this case of its capacity to satisfy his wants. In short,
all animals, man included, in every act of communication with the world,
exercise this faculty by means of the three elements which constitute
it. If we consider the actions of infants, and still more of all young
animals, this truth will be vividly displayed.

In common speech, even to this day, all men, both learned and unlearned,
speak of inanimate things as if they had consciousness and intelligence.
While this mode of expression bears witness to the extremely early
origin of the general personification of natural objects, it also shows
that even now our intelligence is not emancipated from such a habit, and
our speech unconsciously retains the old custom. Thus we call weather
good and bad, the wind mad (_pazzo_) or furious, the sea treacherous,
the waters insidious; a stone is obstinate, if we cannot easily move it,
and we inveigh against all kinds of material obstacles as if they could
hear us. We call the season inconstant or deceitful, the sun melancholy
and unwilling to shine, and we say that the sky threatens snow. We say
that some plants are consumed by heat, that some soils are indomitable,
that well cultivated ground is no longer wild, that in a good season the
whole landscape smiles and leaps for joy. A river is called malevolent,
and a lake swallows up men; the earth is thirsty and sucks up moisture,
and plants fear the cold. The people of Pistoja say that some olive
trees will not feel a thrashing, that they are afraid of many things,
and that they live on, despising the course of years. Again, they say
that olive trees are not afraid of the pruning knife, and that they
rejoice in its use by a skilled hand. Thousands of such expressions
might be adduced, and we refer our readers to Giuliani's work,
"_Linguaggio vivente toscano._"

Nor do we only ascribe our own feelings to inanimate things, but we also
invest them with the forms and members of the human body. We speak of
the head, shoulder, back, or foot of a mountain, of an arm of the sea, a
tongue of land, the mouth of a sea-port, of a cave, or crater. So again
we ascribe teeth to mountains, a front (_fronte_, forehead) to a house;
there is the eye-brow (_ciglio_) of a ditch, the eye of heaven, a vein
of metal, the entrails of a mountain. The Alps are bald or bare, the
soil is wrinkled, objects are sinister or the reverse (_sinistra,
destra_),[24] and a mountain is gigantic ox dwarfish.

In like manner we ascribe our own functions to nature. The river eats
into the land; the whirlpool swallows all which is thrown into it, and
the wind whistles, howls and moans; the torrent murmurs, the sun is born
and dies, the heavens frown, the fields smile. This habit is also
transferred to moral questions; and we speak of the heart of the
question, the leading idea, the body of doctrines, the members of a
philosophic system; we infuse new blood into thought. Truth becomes
palpable, a theme is eviscerated, thought is lame, science is childish.
History speaks clearly; there is an embryo of knowledge, a vacillating
science; the infancy, youth, maturity, and death of a theory; morality
is crass, the spirit meagre or acute; the mind adapts itself, logic is
maimed; there is a conflict of ideas, the inspiration of science,
truncated thoughts. Again we talk of the head of the mob, of the foot of
the altar or the throne, of the heart of the riot, of the body of an
army, of a phalanx, of trampling under foot, duty, decency, and justice.

From these examples, and indeed we might say from the whole of speech,
especially if we go back to the primitive value of words and to their
roots, it appears to what a vast extent man originally projected
himself, his consciousness, emotions, and purposes into inanimate
things; and how, even under the historical conditions of civilization,
he still personifies the world, and ascribes to it the forms of his own
body and limbs.

Again, we have plainly shown that man, by the intrinsic reduplication of
his psychical faculty, spontaneously retains and personifies the inward
phantasm generated by such a projection of special natural objects on
his perception. In the genesis of such fetishes, and also when, by an
effort of will, he recalls them to his mind, this faculty with its
constituent elements is brought into action. In fact, when the image is
recalled to the mind, it is represented like the external phenomenon;
and consequently it involves and generates the thing of which the
phenomenon is the external vest, that is, its causative power; and in
this way the objective process of its formation is inwardly reproduced.
Since the cosmic reality is thus ideally reproduced, the inward
substance of the fetish assumes a really efficacious power, whether in
its extrinsic form, or in its intrinsic image, and in this way primitive
superstitions had their source.

In the case of savage and primitive man the inward image of the fetish
without its bodily presence is, owing to the process already described,
not merely valid as a real entity, but it becomes a mysterious
apparition in the sphere of fancy, in a way analogous to our belief in
the reality of things seen in a dream or in moments of hallucination.
This appears in the history of all peoples past and present, whence it
is certain that primitive man not only formed personifications of
external objects and of his own emotions, but also of their images, as
they were retained in his memory. In both cases the sequence of the
three elements of apprehension, the phenomenon, subject, and cause, is
due to the same unique faculty; in a word, the inward perception is
identical in its genesis and laws with that which is external.

These are not the only results which follow from the exercise of this
faculty. By the spontaneous classifying action of our intelligence we
rise from the perception of special and individual objects and phenomena
to their various types, and hence to an inward and ideal world of
specific representations, as if these were causative powers, informing
the multitude of analogous and similar phenomena in which they are
manifested. These specific types, which are more strongly present to the
fancy in the primitive exercise of the intelligence, also become
personified, and they generate what is called polytheism in all its
forms, varying according to the races, times, places, and respective
conditions of morality and civilization in which they are found.

The same psychical faculty and the same elements are necessary for the
personification of such types or idols. The three elements appear in
their proper sequence even in the amorphous phantasms which these types
first shadow forth, and which are subsequently perfected and embodied in
human form. For the consciousness of the external form always exists in
the first vague and nebulous conception of the phantasm which gradually
appears and formulates itself in the vivid imagination; and hence
follows the phenomenal vest, which, as usual, generates the
corresponding subject, informed with a causative power. This process
clearly shows, and in fact constitutes, the essence of myth.

Since the types vary very much, and are indeed unstable from their very
nature, constantly becoming formed and again decomposed, the primitive
mythologies of all people are in like manner very various, indefinite,
and subject to constant change.

It appears in the Vedic mythology, and also in that of the ancient
Greeks and Latins, how often the typical myths of Agni, Varuna, Indra,
Asvini, and Maruti; and again, of Zeus, Here, Athene, and the rest, are
changed and reconstituted. This shows how the same human faculty, the
same elements which constitute the perception and primitive
personification of external phenomena, are those also of the specific
and intrinsic phenomena. Just as man, in the primitive conditions of his
existence, by the psychical and physiological law of his perception,
which he has in common with animals, transformed the world and its
phenomena into subjects endowed with conscious life; so by his psychical
faculty of reduplication he personified the mental images of these same
subjects as fetishes and myths; and subsequently invested them with more
distinctly human forms, and also with specific types of humanity. The
same faculty and conditions of animal perception afterwards become the
true and only causes of the superstitions, mythologies, and religions of
mankind. The law of continuity is unbroken, and this is a certain
confirmation of the truth.

This faculty, inward function, and process of mythical and symbolic
facts led in course of time to the evolution and beginning of knowledge,
which is first empirical and then rational. Therefore, we must repeat,
the extrinsic and intrinsic perception, the specification of types, and
their modification into a unity which was always becoming more
comprehensive, are the conditions and method of science itself, which is
only developed by means of this faculty. Hence the elements and
intrinsic logical form of science are identical with those through which
mythical representations and the inward life of the human intelligence
are developed.[25]

Besides, as we have before remarked, the empirical knowledge of things
begins and is perfected in the superstitions of fetishes and myths.
Ideas are modified and become purer as they converge into types, and the
principle and method at once become more rational. Either in the faculty
of perception and in its elements, or in the inward classification of
specific forms, or again in the more perfect empirical knowledge of
phenomena, the progress of myth and science go on together, and they are
not only developed in a parallel direction, but the form becomes the
covering, involucre, matrix, or, as I might say, the _cotyledons_, by
means of which the latter is developed and nourished. Even in more
rational science this faculty, and these elements, necessarily recur,
since in every human conception we find the material aspect, or its
mental image, the thing and its cause, and, as we shall see, some
mythical personality is insensibly identified with it.

The act which produces myth is therefore the same from which science
proceeds, so that their original source is identical. The same process
which constitutes the fetish and myth also constitutes science in its
conditions and form, and here we find the unique fact which generates
them both; science, like myth, would be impossible without apprehension,
without the individuation of ideas, and the classification and
specification of types.

Before going further I must briefly recapitulate the order of ideas and
facts which we have observed, so that the process may be as strictly
logical as it is practical. Since, in the elements of apprehension,
perception is absolutely identical in man and animals, its primitive
effects in animating natural phenomena are the same. But man, by means
of his reduplicative faculty, retains a mental image of the personified
subject which is only transitory in the case of animals, and it thus
becomes an inward fetish, by the same law, and consisting of the same
elements as that which is only extrinsic. These phantasms are, moreover,
personified by the classifying process of types, they are transformed
into human images, and arranged in a hierarchy, and to this the various
religions and mythologies of the world owe their origin. Since such a
process is also the condition and form of knowledge, the source of myth
and science is fundamentally the same, for they are generated by the
same psychical fact. It is in this way that the progress of human
intelligence was developed in the course of ages; its attitude varies in
various races, but the impulses, the faculty, and its elements are
identical. I do not think that this unique fact in which myth and
science have their source has been observed before; still less has any
one defined the limits of human intelligence, and recognized in the
simple acts of animals the formal and absolute conditions of human
science, and the origin of myth.

If I am not deluded by a prejudice in favour of my own researches, this
theory is a contribution to truth. It is confirmed by the solidarity
which it establishes between the acts and laws of the psychical human
faculty, and that of animals which necessarily preceded it. No science
can be constituted without such solidarity; this great truth was felt
and, after their manner, demonstrated by scholastic philosophers, or, as
it was afterwards scientifically expressed by the genius of Leibnitz:
_Natura non facit saltum!_




CHAPTER VI.

THE INTRINSIC LAW OF THE FACULTY OF APPREHENSION.


We have now carefully considered the acts and dynamic activity of human
thought. We have seen in what animal and human perception consists, and
how it acts; how the subjects developed in our imagination are gradually
united in specific forms or types, and are arranged in a system, whence
follow the first symbolic representations of science. But our task is
not yet accomplished, since much more is needed to display all that this
fact involves, so that we may fully understand the inward evolution of
myth and science in history and in our race, and not merely in the
individual man.

The faculty and its effects, which could primarily be reduced to this
unique and indivisible fact, do not exclusively belong to primordial
ages, but go on through all time, our own included, while assuming
divers forms and fresh aspects as the faculty of the intellect becomes
more developed. It is an indisputable truth that the influence of myth
on thought and fancy, a survival from prehistoric ages, still prevails
among the common people both in town and country, among those who are
uncultivated, and even in the higher classes conventionally called good
society.

It is more difficult to trace the occasional existence of the same
influence among those who think rationally and investigate the laws of
the universe while acquainted with the earlier mythical process; and
yet, as we shall show, the greatest and most able men are not unfettered
by it. Myth has hitherto been regarded as a secondary and fanciful
product of the psychical human faculty, due to extrinsic impulses,
rather than as the primitive and intrinsic necessity of the
intelligence--a necessity which has its roots in animal intelligence
itself; and the unique fact which generates both myth and science has
not been ascertained. If this fact and law had been discovered before,
we should have more readily understood religions, philosophic systems,
and the successive forms of science, and pure reason would have made
more rapid progress. Our theory, besides giving a rational explanation
of the different forms assumed by thought in the course of its historic
evolution, will, I hope, also account for many psychological phenomena
which have hitherto been imperfectly understood, such as dreams,
hallucinations, the aberrations of insanity, and the like. The primitive
fact and its effects reappear in these conditions, and this influence is
persistent and enters into all our acts, conscious or unconscious,
voluntary or involuntary.

It follows from the innate necessity of the perception that objects and
their extrinsic and intrinsic causes are resolved into living subjects,
and are classified in a hierarchy of specific types, which are accepted
by the primitive and ignorant mind as the universal mythical forms.[26]
But the necessities of human speech, which is however involved in
mythical representations, from the very beginning essentially reflex,
require other terms than those of individual and specific animations. It
is clear that the simple personifying faculty of the intellect sufficed
in its earliest emotions, but that after the slow development of
psychical reduplication, and the enlargement of languages and ideas, it
no longer satisfied the logical requirements of the mind.

Consequently, explicit,--that is, rational--singular, and specific ideas
gradually arose and assumed a definite form; they were interwoven and
fused into these individual and specific types, and thus obtained a
place in the thoughts and language of primitive man. The gradual
intrusion of specific rational ideas is natural to the human mind, since
it is logically progressive, and the fact may be observed by those who
watch the mental growth of children, and of ignorant and untaught
adults.

While the mythical intelligence continues as before to give its habitual
mythical interpretation of many natural phenomena, the use is gradually
acquired of special and generic symbols which express special and
specific ideas, and these no longer include a personification of the
individual thing or idea. Without this intrusion of rational ideas any
progress would be impossible, as well as the power of expressing all
which time and education present to the mind, and gradually enable it to
comprehend; the fanciful image is fused in a rational conception, which
is, however, not yet definite and explicit.

What are commonly termed abstract ideas arise from this necessity, as
the result of the perfection and development of speech, but these were
not at first abstract, although they made use of the abstract idea.
Unconscious abstraction is certainly one of the primary acts of the
intelligence, since abstraction follows from the consideration of a part
or of some parts of a whole, which are themselves presented as a whole
to the perception. But this primitive abstraction was so far a concrete
fact for the perception, in that each act of the apprehension
constituted a phenomenon of which the apparent character was abstracted
from the other parts which formed a whole, and was transformed into a
living subject, as we have already shown at length. The really explicit
abstraction, to which man only attained after many ages, consisting in
the simple representation of a quality or part of a thing, could not at
that time be effected, although special and specific ideas gradually
found their way into thought and speech. All the terms for form and
relation in primitive speech, and also among modern savages, confirm
this assertion, as linguists are aware; the form and relation now
expressing an abstract reference to actions and passions in the verbs,
nouns, and adverbs, originally referred to a concrete object.

Three modes or degrees of abstract representations occur in the
progressive exercise of the intellectual faculty; these, combined with
the special apprehensions of the individual memory, and with imaginative
types, constitute the life of human thought, and are the conditions by
which we attain to rational knowledge. While the specific mythical type
may take the place of the general type in the logical exercise of
thought, and may suffice for an imaginative comprehension of the system
of the world, the abstract conception intervenes in the daily necessity
for communication between these general mythical types, and serves to
cement them together, thus rendering the commerce of ideas among men and
in the human mind more easy.

The abstract conceptions which are formed in this way may be divided
into three classes--physical, moral, and intellectual. To begin with the
first; it is impossible for human speech to point out and define a
subject or phenomenon in the series to which it belongs by resemblance,
identity, or analogy, unless there is already in the mind a conception
which includes the general qualities, or quality proper to the series of
similar phenomena; this is essentially an abstract type, but it
primarily assumes a concrete form. I cannot say that anything is white
or heavy, until by repetitions of the same sensation I have been able to
combine in a single conception the sensations diffused over an infinite
number of objects. The genesis of these conceptions is found in the
comparative explicit judgment which depends on the memory for the
necessary conditions of its formation.

The typical and abstract idea of white has not merely a nominal value,
as it is asserted in some schools of thought, for an empty term could
express no idea, whereas this idea is perfectly clear. Neither is it a
real thing, but rather an ideal reality, not a pure abstraction of the
spirit, extracted, so to speak, from the material substance. The
conception of whiteness formed by the comparative judgment is limited by
the perception of the concrete, external fact perceived as one special
quality among all other qualities in nature, and it is therefore a
physiological fact of inward consciousness.

In the abstract idea of white or whiteness we do not only picture to
ourselves a quality common to many things, but by this term, and by the
idea which corresponds to it, the same sensation is actually present to
our inward intuition, or the same quality of the sensation which was
previously generated by our external senses in a concrete form.
Although, therefore, the idea is generic, the sensation itself is
represented to the mind in the form of a concrete perception. It is not
concrete in the sense of belonging to a special object or definite form,
as it is presented to the outward perception, but only so far as there
is actually an inward and physiological sensation of whiteness, which
the word recalls to the memory. There can be no mental confusion with
the quality of red, or of any colour, when I speak or think of what is
white.

When I speak or think of any object as white, I and others perfectly
understand what is meant, and a representation of this quality is
instantly formed in our minds, in the generic type which was gradually
constituted by primitive man by the combination of numerous special
sensations, obvious to the sight, and subsequently expressed in speech.

In order that the word which corresponds to the quality may have a given
sense, it is necessary to perceive the form of the concrete sensation
which gave rise to it; for although the representation is indefinite or
generic, that is, not obvious to the external senses, yet it is not
physiologically distinct from the sensation of the quality described;
the perception of that quality is present by the aid of memory to the
inner consciousness.

It is therefore evident that the physiological elements of consciousness
are actually contained in so-called abstract ideas, although it is
sometimes asserted that they are purely spiritual and intellectual acts,
remote from every physiological process of fact and sense. An actual
physiological fact (colour in this instance) corresponds to the idea in
the nervous centres, and reproduces the sensation due to the perception
of special objects, whose physical quality of whiteness we have
perceived, and this sensation makes part of the abstract, or rather
indefinite conception.

In fact, all which is not actually present to the mind--and the present
is an infinitesimal fraction of knowledge--is reproduced by the memory,
and this is effected by the molecular movements of the human brain, and
by what may be called the ethereal modifications which took place when
the sensations, perceptions, and acts first occurred. If the cells
vibrate, and the organs of the brain are affected by the recollection of
past ideas and acts, just as when they actually occurred (and this
appears from Schiff's experiences as to the increase of the brain in
heat and volume during dreams), this vibration will be still more marked
when any quality which affects our senses is reproduced in the mind.

The particular _form_ of the quality as it appears in a definite object
is certainly wanting in the abstract conception; it remains in the first
stage of pure sensation, like a spontaneous act of observation, and it
is transformed into apprehension by the mental faculty. But the inward
consciousness of the quality is actual, psychical, and physical. The
abstract conception is a psychical symbol composed of idea and
consciousness, or rather of act and consciousness; both are fused into a
logical conception of indefinite form, yet consisting of real elements,
that is, of cerebral motions and of sensations.

Estimated according to its genuine value, therefore, an abstract
conception may be divided into three classes--physical, moral, and
intellectual. Whiteness and colours in general, levity and weight,
hardness, sound, and the like qualities, are all abstract types which
belong to the physical class. Goodness, virtue, love, hatred, and anger
must be assigned to the moral class; and equality, identity, number, and
quantity, etc., to the intellectual class. Such abstract conceptions,
without which human speech would be impossible, did not in the case of
primitive man take the explicit and reflex form in which they are
presented by mature science, and it is expedient to inquire what
character they really assumed in the spontaneous exercise of thought and
speech.

There is certainly a difference between the mythical and specific types
and the intrinsic value of these abstract conceptions. The former served
for the causative interpretation of the living system of the world, and
had a superstitious influence on the moral and social progress of
mankind; the latter were merely the instrument of thought and speech,
and were in spontaneous and daily use. But in spite of this difference,
there was no radical and substantial diversity in the genesis of such
conceptions, and the fundamental elements of perception were common to
both. While the form varied, the primitive law and genesis remained the
same.

We have shown that the perception of the phenomenon, as it affects the
inner and external consciousness, necessarily involves the form of the
subject, and the causative power which animates that form, and this
becomes the intellectual source of special and specific myths. These
myths, whether they are derived from physical or moral phenomena, are
subsequently so completely impersonated as to be resolved into a
perfectly human form. In the case of the abstract conceptions necessary
in speech, such anthropomorphism does not generally occur; yet we see
that sensation and a physiological genesis are inseparable from an
abstract conception. Without such sensation of the phenomenon these
conceptions would be unintelligible to the percipient himself and to
others. In direct sensation, the phenomenon is external, and when it is
reproduced in the mind the same cerebral motions to which that sensation
was due are repeated.

It is an absolute law, not only of the human mind but of animal
intelligence, that the phenomenon should generate the implicit idea of a
thing and cause, and the necessity of this psychical law is also
apparent in the abstract conception of some given quality. If the effect
is not identical, it is at any rate analogous. Primitive man did not
take whiteness, for example, considered in itself, to be an active
subject, like the specific natural myths which we have mentioned, but he
regarded it as something which had a real existence, and he might under
certain circumstances invest it with deliberate power.

If we have fully grasped this deep faculty of the mind, and the
spontaneous animation of all phenomena, both external and internal, it
will not be difficult to understand the reappearance of the same law in
abstract conceptions. The sensation of the quality, and consequently of
the phenomenon, is reproduced, and the phenomenon generates the implicit
idea of a subject, and therefore of a possible cause in given
circumstances. If such a law did not produce upon man the mythical
personification of his primitive abstract conceptions, at any rate it
involved a belief in the objective reality of these conceptions, which
were implicitly held to possess an independent existence.

Among prehistoric and savage races, who were ignorant of the laws and
nature of cosmic forces, the greater or less weight of a thing did not
involve any examination of the mass of a phenomenon, its distance, and
the general laws of gravity; this differential weight was itself
believed to be a thing which acted, and sometimes deliberately, acted in
different ways on the different objects which they were comparing at the
moment. In other words, gravity was regarded as something which existed
independently of the bodies in which its properties were manifested.

This estimate of gravity, as an abstract quality or property, might be
repeated of all other physical properties, as well as of those abstract
conceptions which are moral and intellectual. Goodness came to be
considered as a type, varying indeed in different peoples, according to
their race, and their local, moral, and civil conditions, but as a type
which corresponded to the mutual relations of men, and to their
superstitions and religious beliefs as to the nature of things.

In this case also the abstract conception of the good, the fitting, the
useful, which constantly recur in popular speech are regarded, not as
mythical powers personified in a human form, but as having a real
existence in nature, as something extrinsic to the person or thing in
which they are manifested, and as acting upon them as a living and
causative power. The same may be said of all other abstract conceptions.
Hence, in addition to the formation of cosmic, moral, and intellectual
myths, fashioned after the pattern of humanity, logical conceptions
arose in the mind, necessary for the exercise of human speech and for a
man's converse with himself, and these were regarded as having a real
existence, manifested in things and persons and in the system of nature.
These entities have their origin in the same faculty as the others; in
every conception presented to the mind and reproducing the primitive
sensation or emotion, the external or internal phenomenon implicitly
generates the subject, and with this the cause. These abstract
conceptions did not and do not result in the anthropomorphism of
phenomena or ideas, but are transformed into entities which have a real
existence.

We must also observe the mobility and interchangeableness of these
fetishes, myths, and imaginary entities in the primitive times of the
human race, and even in later ages; at one time the fetish acts as a
myth, at another the myth has a logical existence. Of this there are
many proofs in the traditions of ancient peoples, in the intellectual
life of modern savages, and in that of the civilized nations to which we
ourselves belong. The historic development does not always follow the
regular course we have just described, although these are, in a strictly
logical sense, the necessary stages of intellectual evolution.
Historically they are often jostled and confounded together by the
lively susceptibility and alacrity of the imagination of primitive man,
and it is precisely this characteristic which makes these marvellous
ages so fertile in fanciful creations, and also in scientific
intuitions.

Any one who is sufficiently acquainted with the ancient literature of
civilized peoples, and with the legends of those which are rude and
savage; any one who has reflected on the spontaneous value of words and
conceptions in modern speech, must often have observed how myth assumed
the form of a logical conception as time went on; and conversely how
the logical entity assumed the form of a myth, and how interchangeable
they are. It is well known that the myths have been so far adapted to
the necessities of speech as to be transmuted into verbs; _libare_ from
_liber_, which perhaps came in its turn from _liba_, a propitiatory
cake, while _Libra_ was the genius who in mythological ages presided
over fruitfulness and plenty. So again _juvare_, from the root _jov_,
after it had already been used for the anthropomorphic _Jove_. We find
in Plautus the verb _summanare_, from the god _Summanus_, the nocturnal
sky. Not only verbs but adjectives were derived in common speech from
the mythical names of gods; from _Genius_, a multiform and universal
power in ancient Latin mythology, we have _genialis_ and hence the
expressions _genialis lectus_, _genialis homo_, _genialis hiems_, and
poets and philosophers apply the same epithet even to the elements and
the stars. On the other hand, Virtue, Faith, Piety, and other like moral
conceptions, first regarded as real, yet impersonal entities, were
transformed into a perfect myth, and into human forms worthy of divine
worship.

Even in our own time, and not only among the uneducated people but among
men of high culture--when they do not pause to consider the real value
of words in the familiarity of daily conversation--any one who seeks for
the direct meaning of the terms he uses will admit the truth of what I
say. We constantly ascribe a real existence to abstract conceptions and
qualities, treating them as subjects which have a substantial being, and
which act for the most part with deliberate purpose, although they are
not transformed as in the case of myths into human shapes.

In abstract, intellectual conceptions, such as those of equality,
distance, number, and the like, the same faculty and the same elements
are at work as in those which express physical and moral qualities.
These conceptions, which as civilization advances ultimately become mere
intellectual symbols necessary for logical speech, are at first formed
by the actual comparison of things, and therefore by the aid of the
senses. Even if we were to assert with some schools of thought that they
were formed _a priori_ in the mind, sensation would still be necessary
as the occasion of displaying them. When such conceptions are expressed
in words there is a physiological recurrence to the mind of what may be
termed the shadow of previous sensations or perceptions, which are
united in an intellectual type to give rise to such conceptions. And in
the appearance of this phenomenal basis, thought unconsciously fulfils
the fundamental law of assuming, or I might say of actually _feeling_,
the reality of the subject.

It must be remembered that in speaking of these entities created by the
intellect, I refer to the primitive ages of human thought, or to the
notions of ignorant people, and also to the spontaneous language of
educated men, who in ordinary conversation do not pause to consider the
simple and logical value of their expressions. We are only giving the
natural history of the intelligence, which necessarily excludes the
analytic and refining processes of rational science. An educated man
will, for example, say or write that identity is a most important
principle of logic as well as that of contradiction, although he is
perfectly aware that such expressions only imply an abstract form of
cognition; he follows the natural and primitive process of the
intellect, and for the moment expresses these conceptions as if they
were real entities in the organism of science and of the world. Any one
may find a proof of this fact in himself, if he will consider the ideas
immediately at work in his mind at the moment of expressing similar
conceptions. And if this is true of those who pursue a rational course
of thought, it is true in a still more imaginative and mythical sense at
the dawn of intellectual life, both among modern savages and in the case
of the ignorant common people.

Let us briefly sum up the truth we have sought to establish. Special
fetishes first had their origin by the innate exercise and historical
development of the human intelligence, by the necessary conditions of
the perception, and of subsequent apprehension; these were only the
animation of each external or internal phenomenon, as it occurred, and
this was the primitive origin of myth, both in man and animals. In the
case of animals the fetish or special myth is transitory, appearing and
disappearing in accordance with his actual perceptions; while in man
there is a persistent image of the fetish in his mind, to which he
timidly ascribes the same power as to the thing itself. The specific
types of these fetishes naturally arise from the mental combination of
images, emotions, and ideas into a whole, and these impersonations
generate the various forms of anthropomorphic polytheism. As the
synthetic mental process goes on, these varied forms of polytheism are
gradually united in one general but still anthropomorphic form, which is
commonly called monotheism.

In addition to these spontaneous and anthropomorphic myths, which serve
for the fanciful explanation of the system of the world, and the moral
ideas of social and individual life, other myths arise which are not
anthropomorphic, but which ascribe a substantial existence to abstract
conceptions of physical, moral, or intellectual matters; conceptions
necessary for the formulation of human speech. For although primitive
languages, of which we have some examples remaining in the language of
savage peoples, are almost inconceivably concrete, yet speech is
impossible without expressions of form, or abstract conceptions which
are moulded and adapted to that intuition of the relations of things
which is always taking place in the mind.[27] The mythical human form
does not indeed appear in these conceptions, but a substantial entity is
involved in them which sometimes, as we have seen, may even assume the
aspect of a complete myth.

A careful analysis of the process of our intelligence has shown that
this habitual personification of the phenomenon or abstract conception
is due to the innate faculty of perception, since the appearance of any
phenomenon necessarily produces the idea of a subject actuated by
deliberate purpose; this law is equally constant in the case of animals,
in whom, however, it does not issue in a rational conception. The
objection of ourselves into nature, the personification of its phenomena
and myths in general, are common to all, while they take a more fanciful
form in the case of primitive man; they are the constant and necessary
result of the perception of external and internal phenomena. This
personification includes moral and intellectual as well as physical
phenomena, and it always proceeds in the same way, from special
phenomena to specific types, and hence to abstract perceptions.

In this way we have established the important fact that the primitive
personification of every external or internal phenomenon, the origin of
all myths, religions, and superstitions, is accomplished by the same
necessary psychical and physical law as that which produces sensation.
That is, men, as well as animals, begin by thinking and feeling in a
mythical way, owing to the intrinsic constitution of their intellectual
life; and while animals never emerge from these psychical conditions,
men are gradually emancipated from them, as they become able to think
more rationally, thus finding redemption, truth, and liberty by means of
science.

We now propose to unite in a single conception this necessity of our
intellect, at once the product and the cause of perception, and of the
spontaneous vivification of phenomena; since the law may be expressed in
a compendious form.

Both in physical, moral, and intellectual myths, and in the substantial
entity infused into abstract conceptions, the external or internal
phenomenon immediately generates the idea of a subject, since it is a
fundamental law of our mind to _entify (entificare)_ every object of our
perception, emotion, or consciousness. If any one should object to this
neologism, in spite of its adequate expression of the original function
of the intelligence, we reply that the use and necessity of the verb
_identify_ have been accepted in the neo-Latin tongues, and therefore
_entify_, which has the same root and form, can hardly be rejected,
since it, like the former, signifies an actual process of thought. We
therefore adopt the word without scruple, since new words have often
been coined before when they were required to express new conceptions
and theories.

The primitive and constant act of all animals, including man, when
external or internal sensation has opened to them the immense field of
nature, is that of _entifying_ the object of sensation, or, in a word,
all phenomena. Such _entification_ is the result of spontaneous
necessity, by the law of the intrinsic faculty of perception; it is not
the result of reflection, but it is immediate, innate, and inevitable.
It is an eternal law of the evolution of the intelligence, like all
those which rule the order of the world.

We do not only proclaim in this fact a law of psychological importance,
but also the origin of myths, and in a certain sense of science, since
myth is developed by the same methods as science. These two streams flow
from one and the same source, since the _entification_ of phenomena is
proper both to myth and science; the former _entifies_ sensations, and
the latter ideas, since science by reversion to law and rational
conception finally attains to the primitive entity. And finally, if an
imaginative idea of a cause is active in myth from the first, the
conception of a cause is equally necessary to science. It is her
business to explain the reason of things, and in what they rationally
consist:

  "Felix qui potuit rerum cognoscere causas."




CHAPTER VII.

THE HISTORICAL EVOLUTION OF MYTH AND SCIENCE.


In the foregoing pages we have reached the primordial fact of our
psychical and physical nature, in which, as it appears to us, both myth
and science have their origin. After first considering the animal
kingdom as a whole, we have seen that the interaction between external
phenomena and the consciousness of an organism results in the
spontaneous vivification of the phenomenon in question, so that the
origin of the mythical representation of nature is found in the innate
faculty of animal perception.

Nor could it be otherwise. The internal activity and intrinsic sense of
conscious and deliberate life which inspires animals and men, while the
latter are still ignorant of the rational order of things, is
necessarily reflected both in the external objects of perception and in
the internal emotions, as if they were operating causes independent of
the will of the percipient. It is impossible for an animal, which is
unable by voluntary observation to make, any analytic distinction
between the subject and the object, and their respective effects, to
consider such phenomena as mechanical entities, subject to necessary and
eternal laws. The animal therefore accepts the idea suggested by his
spontaneous and subjective nature, that these phenomena are alive.
Grass, fruits, plants, water, the movement of material bodies, ordinary
and extraordinary meteors, all are implicitly apprehended by him as
subjects endowed with will and purpose after the manner of mankind. Nor
can the living subjectivity of the phenomenon ever be gauged by the
animal in whom the deliberate power of reflection is wanting. His life
is consequently passed in a world of living subjects, not of phenomena
and laws which mechanically act together; it is, so to speak, a
permanent _metaphor_.

Man himself, so far as his animal nature is concerned, acts in the same
way, and although he subsequently attains to the exercise of reasoning
powers in virtue of the psychical reduplication of himself, the
primitive faculty persists, and hence comes the mythical creation of a
peculiar world of conceptions which give rise to all superstitions,
mythologies, and religions. This is also the process of science itself,
as far as the classifying method and intrinsic logical form are
concerned. The historical source of the two great streams of the
intellect, the mythical and the scientific, is found in the primitive
act of _entifying_ the phenomenon presented to the senses.

We must briefly describe the evolution of these two mythical and
scientific faculties of the mind; we must investigate the mode and cause
of their divergence from a common source, through what transformations
they pass, in order to see in what way the one is gradually dried up,
while the other increases in volume and force. The reader must forgive
us if we use some repetition in developing a subject on which we have
already touched, since without such repetition the present historical
explanation would be obscure.

The first stage of knowledge consists in the observation of the things
which surround us, and this first stage, which is necessary also in
science, is the common property of animals. Their observation of
themselves and of external things is psychologically and physiologically
the same as that of man, and in both cases there is a subjective
animation of the phenomena themselves. The primitive source of science
in its observation of phenomena was the same as that of myth and of the
special fetish; without such observation it would have had no existence.

In immediate succession to this primitive fact, which is common to the
whole animal kingdom, there arose--if we consider the general process
without the limitations of circumstances, places, time, and a thousand
accidents--two kinds of faculties which were identical in form, although
they had different effects, and produced opposite results. For in the
case of mythical entification the tendency to impersonation was always
increasing and becoming more distinctly zoomorphic and anthropomorphic,
and in this form it was crystallized or mummified, while science on the
other hand was always enlarging its sphere and dissipating the first
mythical form of its conception, until nothing was left but a purely
rational idea.

When this evolution takes place in peoples and races which are incapable
of improvement, or have a limited capacity for advanced civilization,
the faculty of myth remains in the ascendant; and as past and present
history shows, mythical stagnation and intellectual barrenness may
follow, until intellectual development is arrested and even destroyed.
If on the other hand the evolution takes place in peoples and races
capable of indefinite civilization, myth gradually disappears and
science shines forth victoriously.

Even in historical and civilized races the two cycles go on together,
since while robust intellects throw off as they advance the mythical
shell in which they were first inclosed, the ignorant masses continue
their devotions to fetishes and myths, which they can infuse even into
the grandest religious teaching. They perhaps might also perish,
crystallized in their miserable superstitions, unless, in virtue of the
race to which they belong, the nobler minds were gradually to succeed in
illuminating and raising them into a purer atmosphere. In our Aryan
race, and in our own country we have all seen the ideas of Christianity
transformed into the earlier fetishes and pagan myths; the saints are
merely substituted for the gods and demi-gods, for the deities of
groves, of the sea and of war, as they are found in ancient mythology.
The legends of the saints and of Christ himself are grafted on similar
legends of the ancient religions of Greece and Rome, and Paradise has
assumed the appearance and form of Olympus. The paintings still extant
in the catacombs of Rome, which mark the transformation of the old into
the new religion, speak plainly enough by their symbols and figures.

Myth is logically identical with the scientific process in its intrinsic
character; starting from a vague subjectivity which gradually assumes a
human shape, the first intellectual vitality is lost, unless it is
revived by a higher impulse. Science, on the other hand, which begins in
myth, gradually divests this subjectivity of its anthropomorphic
character, until pure reason is attained, and with this the power of
indefinite progress.

The theory which has hitherto been generally accepted by mythologists,
even by those who profess Comte's great principle of historical
evolution, is that man began with special fetishes, that these were
combined in comprehensive types to form polytheistic hierarchies, and
hence he rose by an analogous process to a more or less vague conception
of monotheism.

This theory, true as to the principal forms which myth successively
assumes, is not accurate with respect to the stages of development, and
it is also erroneous in some particulars of the actual history of the
various mythologies of different peoples.

In the early chapters of this work we have briefly touched on such a
development, and the reader must pardon us for returning to the subject,
now that we have to give an historical account of the process of
evolution. In fact, the fetish, in the general sense of the term, is not
the first form of myth which is revealed in the dawn of human life. In
order to estimate its positive value, it is necessary to analyze such a
conception with greater accuracy, and then to verify it historically
with the help of the science of ethnology.

The first manifestations of mythical ideas must be considered in man as
an animal; that is, as the result of his spontaneous intercourse with
the world, independently of the psychical faculty peculiar to himself,
after he had acquired by subsequent evolution of mind and body the
faculty and habit of reflection. This first stage does not involve any
definite fetish, that is, an immediate belief in a special object which
exerts its influence on the human soul, even when it is remote and
unseen: such a fetish is a secondary stage in human development. The
first mythical representations of animals, and of man, so far as his
animal nature is concerned, are not confined to fixed objects, which
can be retained in the mind as operative under all circumstances; they
are indefinite, and diffused through all the phenomena which are
successively perceived and vivified. The unseen wind which rises and
falls, the moving cloud, the flash of lightning and roar of thunder, the
dawn, the rushing torrent--when any of these things are perceived by
animals and primitive men, they are endowed with subjective life and are
supposed to act with deliberate purpose; and this is the first form of
myth. But when they are not present (I here speak of the animal nature
of man) they do not remain in the mind as persistent beings to which the
tribute of worship inspired by hope or fear must be paid; these and
other phenomena only inspire such sentiments when they are actually
present.

It is no vain distinction which I mate between the first vague and
intermittent form of myth suggested by phenomena actually present, and
that of the first stage of fetish: this distinction marks the difference
between the mythical representation of animals and the classifying and
reflective process peculiar to man.

Comte was the first to remark, quite incidentally, that animals might
sometimes attain to the idea of a fetish; Darwin gave the instance of a
dog which was scared by the movement of an open umbrella in a meadow,
although he remained quiet when it was unshaken by the wind; and Herbert
Spencer, partly accepting these ideas, adduces two somewhat similar
instances of the behaviour of dogs. It seems to us that these great men
are mistaken on the one hand in assuming that the first essential origin
of myth is not to be found in the animal kingdom, and on the other in
supposing that these facts have only an _accidental_ value, and that
animals only occasionally acquire a vague consciousness of the fetish.

Those readers who have gone with us so far will perceive that these were
not mere accidents of rare occurrence in animal life, but that they are
the necessary effect of mythical representation in its first stage,
although they cannot in any way be supposed to be produced by fetishism,
properly so called. For if the dog were frightened and agitated by the
movement of the umbrella, or ran away, as Herbert Spencer tells us, from
the stick which had hurt him while he was playing with it, it was
because an unusual movement or pain produced by an object to which habit
had rendered him indifferent, aroused in the animal the congenital sense
of the intentional subjectivity of phenomena, and this is really the
first stage of myth, and not of its subsequent form of fetishism.

I must therefore repeat that the first form of myth which spontaneously
arises in man as an animal, is the vague but intentional subjectivity of
the phenomena presented to his senses. This subjectivity is sometimes
quiescent and implicit, and sometimes active, in which case it may
arouse the fear of evil, or the hope of physical pleasures.

As in man the reflex power slowly and gradually grows--although at first
in an exclusively empirical form--so he slowly and gradually accepts the
first form of fetishism, which consists in the permanent and fixed
individuation of a phenomenon or object of nature, as a power which he
reflectively believes to be the artificer of good or evil.

In this stage it is no longer the phenomenon actually present which
arouses the apprehension of an intentional subjectivity, while its image
and efficacy disappear with the sensible object; the phenomenon, or the
inanimate or animate form, is reflectively retained by the memory, in
which it appears as a malignant or benignant power. In a word, the first
stage of fetishism, which is the second form of the evolution of myth,
is the universal and primitive sense of myth in nature, which man alone
is capable of applying permanently to some given phenomenon, such as
wind, rain, and the like, or lakes, volcanoes, and rocks, and these
remain fixed in the mind as powers of good or evil. In the earlier stage
of myth the scene is constantly changing, while in the latter, certain
objects or phenomena remain fixed in the memory, exciting the same
emotions whether they are present or absent, and to this consciousness
we may trace the dawn of worship.

Ethnography affords plain proofs of the fetishism which preceded the
civilization of many peoples, and among those which still remain in the
stage of fetishism we can trace the primitive form of a vague
impersonation of natural objects and phenomena.[28]

As we have already seen, every animal and unfamiliar object is in this
first stage of fetishism regarded as the external covering of a
spiritual power which has assumed what is believed to be the primordial
form of the fetish; this fetish takes the place of the natural
phenomenon, and is believed to be capable of exercising a direct
subjectivity which is vague but perfectly real.

We pass from this first form of fetish to the second, namely to the
veneration of objects, animals, plants, and the like, in which an
extrinsic power is supposed to be incarnated. Many ages elapsed before
man attained to this second stage of fetishism, since it was necessarily
preceded by a further and reflex elaboration of myth, namely, the
genesis of a belief in spirits.

Herbert Spencer and Tylor are among the writers who have given a
masterly description of this phase of the human intellect, and history
and ethnography have confirmed the accuracy of their researches and
conclusions. The shadow cast by a man's own body, the reflection of
images in the water, natural echoes, the reappearance of images of the
departed in dreams, the general instinct which leads man to vivify all
he sees, produced what may be called the reduplication of man in
himself, and the savage's primitive theory of the human soul. Originally
this soul was multiplied into all these natural phenomena, but it was
afterwards distributed by the mythical faculty into three, four, five,
or more powers, personifying the spirits. This belief in a multiplicity
of souls in man is not only still extant among more or less rude peoples
of the present day in Asia, Europe, Africa, America, and Polynesia, but
it is also the foundation of the belief of more civilized nations on the
subject, including our own Aryan race. Birch and others observe that the
Egyptians ascribed four spirits to man--Ba, Akba, Ka, and Khaba. The
Romans give three:

  "Bis duo sunt homines, manes, caro, spiritus, umbra."

The same belief is found among nearly all savages. The Fijians
distinguish between the spirit which is buried with the dead man and
that more ethereal spirit which is reflected in the water and lingers
near the place where he died. The Malagasy believe in three souls, the
Algonquin in two, the Dakotan in three, the native of Orissa in four.

Since a fetish, strictly so called, is the incarnation of a power in
some given object, it must be preceded by this rude belief in spirits
and shades. Such a complex elaboration takes time, since it involves a
previous creation of powers, spirits or the shades of men; these lead to
the belief in independent spirits of various origin, which people the
heavens and all parts of the world. Hence arose the belief in
transmigration, the necessary prelude to the theory of the incarnation,
which was ultimately constituted by fetishism. The comparative study of
languages shows that including the Aryan and Semitic races, the belief
in spirits was developed in all peoples, and in all of them we also find
a belief in the transmigration of souls.

The transmigration of the human soul was first believed to take place in
the body of a new-born child, since at the moment of death the soul of
the dying person entered into the foetus. The Algonquins buried the
corpses of their children by the wayside, so that their souls might
easily enter into the bodies of the pregnant women who passed that way.
Some of the North American tribes believed that the mother saw in a
dream the dead relation who was to imprint his likeness on her unborn
child. At Calabar, when the mother who has lost a child gives birth to
another, she believes that the dead child is restored to her. The
natives of New Guinea believe that a son who greatly resembles his dead
father has inherited his soul. Among the Yorubas the new-born child is
greeted with the words: "Thou hast returned at last!" The same ideas
prevail among the Lapps and Tartars, as well as among the negroes of the
West Coast of Africa. Among the aborigines of Australia the belief is
widely diffused that those who die as black return as white men.

Primitive and ignorant peoples perceive no precise distinction between
man and brutes, so that, as Tylor observes, they readily accept the
belief of the transmigration of the human soul into an animal, and then
into inanimate objects, and this belief culminates in the incarnation of
the true fetish. Among some of the North American tribes the spirits of
the dead are supposed to pass into bears. An Eskimo widow refused to eat
seal's flesh because she supposed that her husband's soul had migrated
into that animal. Others have imagined that the souls of the dead passed
into birds, beetles, and other insects, according to their social rank
when still alive. Some African tribes believe that the dead migrate into
certain species of apes.

By pursuing this theory, as we shall presently show more fully, the
transition was easy to the incarnation of a spirit, whether that of a
man or of some other being, into any object whatever, which was thereby
invested with beneficent or malignant power. It is easy to show that in
this second stage of fetishism, which some have believed to be the
primitive form of myth, there would be no further progress in the
mythical elaboration of spirits, their mode of life, their influence and
possible transmigrations. This elaboration is indeed a product of the
mythical faculty, but in a rational order; it is a logical process,
mythical in substance, but purely reflective in form. For which reason
it was impossible for animals to attain to this stage.

Some peoples remained in this phase of belief, while others advanced to
the ulterior and polytheistic form. This may also be divided into two
classes; those who classify and ultimately reduce fetishes into a more
general conception, and those whose conception takes an anthropomorphic
form. Let us examine the genesis of both classes.

When the popular belief in spirits had free development, the number of
spirits and powers was countless, as many examples show. To give a
single instance--the Australians hold that there is an innumerable
multitude of spirits; the heavens, the earth, every nook, grove, bush,
spring, crag, and stone are peopled with them. In the same way, some
American tribes suppose the visible and invisible world to be filled
with good and evil spirits; so do the Khonds, the Negroes of New Guinea,
and, as Castren tells us, the Turanian tribes of Asia and Europe.
Consequently, fetishes, which are the incarnation of these spirits in
some object, animate or inanimate, natural or artificial, are
innumerable, since primitive man and modern savages have created such
fetishes, either at their own pleasure or with the aid of their priests,
magicians, and sorcerers.

Man's co-ordinating faculty, in those races which are capable of
progressive evolution, does not stop short at this inorganic
disintegration of things; he begins a process of classification and, at
the same time, of reduction, by which the numerous fetishes are, by
their natural points of likeness and unlikeness in character and form,
reduced to types and classes, which, as we have already shown, comprise
in themselves the qualities of all the particular objects of the same
species which are diffused throughout nature.

By this spontaneous process of human thought, due to the innate power of
reasoning, man has gradually reduced the chaos of special fetishes to a
tolerably systematic order, and he then goes on to more precise
simplification. Let us try to trace in this historic fact the
classifying process at the moment when the first form of polytheism
succeeds to irregular and anarchical fetishism.

In the Samoan islands, a local god is wont to appear in the form of an
owl, and the accidental discovery of a dead owl would be deplored, and
its body would be buried with solemn rites. The death of this particular
bird does not, however, imply the death of the god himself, since the
people believe him to be incarnated in the whole species. In this fact
we see that a special fetish is developed into a specific form; thus a
permanent type is evolved from special appearances.

Acosta has handed down to us another belief of the comparatively
civilized Peruvians, which recalls the primitive genesis of their
mythical ideas. He says that the shepherds used to adore various stars,
to which they assigned the names of animals; stars which protected men
against the respective animals after whom they were called. They held
the general belief that all animals whatever had a representative in
heaven, which watched over their reproduction, and of which they were,
so to speak, the essence. This affords another example of the more
general extension and classification, and, at the same time, of the
reduction of the original multitude of fetishes.

Some of the North American Indians asserted that every species of animal
had an elder brother, who was the origin of all the individuals of the
species. They said, for example, that the beaver, which was the elder
brother of this species of rodents, was as large as one of their cabins.
Others supposed that all kinds of animals had their type in the world of
souls, a _manitu_, which kept guard over them. Ralston, in his "Songs of
the Russian People," tells us that Buyan, the island paradise of Russian
mythology, contains a serpent older than all others, a larger raven, a
finer queen bee, and so of all other animals. Morgan, in his work upon
the Iroquois, observes that they believe in a spirit or god of every
species of trees and plants.

From these beliefs and facts, drawn from different peoples and different
parts of the world, we can understand how a vague and inorganic
fetishism gradually became classified into types which constitute the
first phase of polytheism. The logical effort which transformed the
manifold beliefs into types goes on, but from their vague and indefinite
nature, not only the power, but also the extrinsic form of man is easily
infused into them, so that they are invested with human faculties and
sensations, and also with the anthropomorphic form and countenance of
which we have spoken elsewhere. In fact, when the special fetishes which
are naturally alike are united in a single type, the object, animal, or
phenomenon which corresponds to it in this early stage of polytheism is
no longer perceived, but a _numen_ is evolved from this type, which has
not only human power, but a human form; and hence follow the specific
idols of serpents, birds, and all natural phenomena, in which the
primitive fetish has been incarnated.[29]

In this second stage of polytheism, anthropomorphism appears in an
external form, and the specific type is transformed into the idol which
represents and dominates over it, inspiring the commission of beneficent
or hurtful acts. Of this it is unnecessary to adduce examples, since all
the mythologies which have reached this polytheistic stage are
anthropomorphic, and in these the specific type, which serves as the
first step to polytheism, subsequently becomes a completely human idol.

After this anthropomorphic classification has been reached by logical
elaboration, a new field is opened for the reduction of special types
into those which are more general, as had been previously the case in
the early stages of myth. By continually concentrating, and at the same
time by enlarging the value of the conception, it is united in a single
form which constitutes the dawn and genesis of monotheism. This
methodical process, which is characteristic of human thought, may be
traced in all peoples which have really attained to the monotheistic
idea, in the Aryan and Semitic races, in China, Japan, and Egypt, in
Peru and Mexico; the belief may also be obscurely traced in an inchoate
form among savage and inferior tribes, as, for example, among the
Indians of Central and North America, and among some of the inhabitants
of Africa and barbarous Asia.

While this conception took a more or less definite form among the more
advanced peoples, the earlier and debased myths maintained their ground,
and still continue to do so. Of this we have examples in Europe itself,
and among its more civilized peoples which have been transplanted
elsewhere; for while in one direction a capacity for classification
leads to a purer monotheistic conception, and even to rational science,
the great majority of the common people, and even of those of higher
culture, still hold many ideas which are polytheistic and
anthropomorphic, and some which really belong to the debased stage of
fetishism and vulgar superstition.

Other causes contribute to produce the natural and intrinsic concurrence
of the several stages of myth which are found existing together in the
life of a people. Such, for example, is the conquest effected by a more
civilized nation over another race, inferior by nature or retarded by
other circumstances. The mythical ideas of the conquered people remain,
and are even diffused through the lower classes of the conquering race;
or they are ingrafted by a synthetic and assimilating process, so as to
modify other mythical and religious beliefs. This compound of various
stages and various beliefs also occurs through the moral and
intellectual diffusion of dogma, without the acquisition of really new
matter. Manifest proofs of these various stages of myth, co-existent
together, may be traced in the development of the Vedic ideas among the
earlier aboriginal nations, and conversely; as in the case of the Aztecs
and Incas in Mexico and Peru, whose earlier beliefs were mixed with
those of their conquerors. The same thing may be observed in the
development of Judaism during the Babylonish captivity, in the biblical
and messianic doctrines which were grafted on pagan beliefs, and in the
teaching of Islam, as it was adopted in the East and among the black
races of Africa.

We must make allowance for these extrinsic accidents if we are to
describe correctly the natural course and logical evolution of myth.
Even with respect to the special evolution of myth in a separate people,
unmixed with others, while it is normal in what may be termed its
general form and categorical phases, yet like all natural objects and
phenomena, and much more in all which concerns the human mind, there are
variations in its forms, and it attains its ends by many ways.

If we take a wider view of the general and reciprocal influences of
ethnic myths; as respects the historic results of mythologies, we shall
see that if every race evolved its sphere of myth in accordance with the
canons laid down by us, their effect upon each other would work together
for a common result more quickly than when each is taken apart. The
reader must allow me to make my meaning clear by the following passage
from my work on the "Dottrina razionale del Progresso," which I
published in 1863, in the "Politecnico," Milan, on the fusion of the
monotheistic conception of the Semitic race with the beliefs of Greece
and Rome at the dawn of Christianity:--

"Christianity was originally based on the absolute idea of the divine
first Principle, to which one portion of the Semitic race had attained
by intellectual evolution, and by the acumen of the great men who
brought this idea to perfection. Either because of their clearer
consciousness, or from their environment and the physical circumstances
of the race, the Semitic people passed from the primitive ideas of
mythology to the conception of the absolute and infinite Being, while
other races still adhered to altogether fanciful and anthropomorphic
ideas of this Being. Our race had an Olympus, like the others, and
throughout its history this Olympus was always assuming new forms,
although a human conception was the basis of its religious ideas. The
Chinese and Semitic races were the first to rise to the conception of an
absolute first principle, but in both cases the conception was more or
less unfruitful.

"The gradual transition from consciousness to conception, from the fact
to the idea, from the idol to the law, from the symbol to the thought,
from the finite to the infinite, is the characteristic and essential
course taken by the human mind. But, practically, this process is more
gradual or more rapid, is retarded or advanced, attains its aim or stops
short in its first rudiments, according to the race in which it occurs.
So it was that, as we have just said, the Chinese and Semitic races were
the first to reach the final goal of this psychological progress; other
peoples, such as the Aryans and their offshoots, savages and partially
civilized races, remained in the early stages of this dialectic scale.
Undoubtedly, in our own race, the early religious conceptions which
constituted a simple worship of nature in various forms were constantly
becoming of purer character, and they were not only exalted in their
spiritual quality, but in the Greek and Roman religions they attained to
something like scientific precision. Yet even in these higher
aspirations the race did not surrender its mythical faculty, to which it
was impelled by its physical and psychological constitution, and the
pure conception was unconsciously overshadowed by symbolic ideas. We can
plainly see how far this symbolism, peculiar to the race, obscured the
minds of Plato and Aristotle, and of almost all the subsequent
philosophers. In the Semitic and Chinese races this inner symbolism of
the mind, with reference to the interpretation of nature, was less
tenacious, intense, and productive, and they soon freed themselves from
their mental bonds in order to rise to the conception of the absolute
Being, distinct from the world. When this idea had been grasped by rude
and popular intuition, men of the highest intellectual power perfected
the still confused conception, and founded upon it science, civil and
political institutions, and national customs.

"The idea of Christianity arose in the midst of the Semitic people
through him whose name it bears, and who perfected the religious idea
of his nation. This idea, in its Semitic simplicity, consisted in a
belief in the existence of one, eternal, infinite God, the immediate
creator of all things; it included the tradition of man's loss of his
original felicity, and the promise of a restoration of all peoples, and
of the Israelites in particular, to their former condition of earthly
happiness. Christ appeared, and while he upheld the Mosaic law and its
original idea, he declared himself to be the promised deliverer, sent of
God; the Son of God, which among the Semitic people was the term applied
to their prophets. His moral teaching gave a more perfect form to the
old law, and by his example he afforded a model of human virtue worthy
of all veneration; the germs of a marvellous civilization were to be
found in his moral and partially new teaching. The same doctrine had
been, to some extent, inculcated by the Jewish teachers, and the schools
of Hillel and Gamaliel were certainly not morally inferior to his own,
as we learn from the tradition of the Talmud, and from some passages in
the Acts of the Apostles. The origin, development, and teaching of
primitive Christianity were therefore essentially Semitic, since it had
its origin in a people of that race, and in a man of that people. Yet
the Semitic race did not become Christian; and, after so many ages have
elapsed, it still rejects Christianity. It was the Aryan race, to which
we Europeans belong, which adopted this teaching and became essentially
Christian, although this race is psychologically the most idolatrous of
the world, as far as the æsthetic idol--not the common fetish--is
concerned. Let us inquire into the cause of this remarkable fact.

"As soon as the teaching of Christ was adopted by those familiar with
Aryan civilization and opinions, an idea repugnant to Semitic
conceptions, and still unintelligible to that race, was evolved from
it--I mean the idea that the human Christ, the Son of God, was God
himself. The Semite holds that God is so far exalted above all creation,
so great and eternal in comparison with the littleness of the world and
of man, that God incarnate is not merely a blasphemy but an unmeaning
and absurd phrase. Such a dogma was therefore energetically repudiated,
and the Semitic race submitted to persecution and dispersal rather than
accept it. This is the real reason why Christianity has not been
received and will never be received by the Semitic race. When Mahomet
reorganized and perfected the Arab creed, he preserved intact the
Semitic principle of the absolute and incommunicable nature of God: the
Semitic religion has ever held that there is one God, and his prophet.

"On the other hand, Christianity was rapidly diffused among the Greek
and Latin peoples, and in all parts of Europe inhabited by our race:
even savages and barbarians accepted more or less frankly a doctrine
rejected by the Semites in whom it had its origin. Many and various
causes have been assigned for this rapid diffusion of the new doctrine,
and the old Greek and Latin fathers ascribed it to the fact that men's
minds had been naturally and providentially prepared for it. It was
attributed by others to the miseries and sufferings of the slave
population, and of the poor, who found a sweet illusion and comfort in
the Christian hope of a world beyond the grave. Some, again, suggest the
omnipotent will of a tyrant, or the extreme ignorance of the common and
barbarous people. Although all these causes had a partial effect, they
were secondary and accidental. The true and unique cause lay deeper, in
the intellectual constitution of the race to which Christianity was
preached; just as physiological characteristics are reproduced in the
species until they become permanent, so do intellectual inclinations
become engrained in the nature.

"We have said that our race is æsthetically more mythological than all
others. If we consider the religious teaching of various Aryan peoples,
from the most primitive Vedic idolatry to the successive religions of
Brahma and Zend, of the Celts, Greeks, Latins, Germans, and Slavs, we
shall see how widely they differ from the religious conceptions and
ideas of other races. The vein of fanciful creations is inexhaustible,
and there is a wealth of symbolic combinations and a profusion of
celestial and semi-celestial dramas. The intrinsic habit of forming
mythical representations of nature is due to a more vivid sense of her
power, to a rapid succession of images, and to a constant projection of
the observer's own personality into phenomena. This peculiar
characteristic of our race is never wholly overcome, and to it is added
a proud self-consciousness, an energy of thought and action, a constant
aspiration after grand achievements, and a haughty contempt for all
other nations.

"The very name of Aryan, transmitted in a modified form to all
successive generations, denotes dominion and valour; the Brahmanic
cosmogony, and the epithet of apes, given to all other races in the epic
of Valmiki, bear witness to the same fact; it is shown in the slavery
imposed on conquered peoples, in the hatred of foreigners felt by all
the Hellenic tribes; in the omnipotence of Rome, the haughtiness of the
Germanic orders; in the feudal system, in the Crusades; and finally, in
the modern sense of our superiority to all other existing races. The
quickness of perception, and the facile projection of human personality
into natural objects, led to the manifold creations of Olympus, and this
was an æsthetic obstacle to any nearer approach to the pure and absolute
conception of God, while the innate pride of race was a hindrance to our
humiliation in the dust before God. The Semites declared that man was
created in the image of God, and we created God in our own image; while
conscious of the power of the _numina_ we confronted them boldly, and
were ready to resist them. The Indian legends, and those of the
Hellenes, the Scandinavians, and the whole Aryan race, are full of
conflicts between gods and men. The demi-gods must be remembered,
showing that the Aryans believed themselves to be sufficiently noble and
great for the gods to love them, and to intermarry with them. Thus the
Aryan made himself into a God, and often took a glorious place in
Olympus, while he declared that God was made man.

"We might imagine that the doctrine of God incarnate would be as
repugnant to the ideas, feelings, and intellect of the Aryan as it was
to the Semitic race. But the anthropomorphic side of Christianity was
readily embraced by the former as a mythical and æsthetic conception,
and indeed it was they who made a metaphorical expression into an
essential dogma: the pride natural to the Aryan race made them eager to
accept a religion which placed man in a still higher Olympus: a belief
in Christ was rapidly diffused, not as God but as the Man-God. These are
the true reasons, not only for the rapid spread of Christianity in
Europe, but also for the philosophic systems of the Platonists and
Alexandrines which preceded it. Although Philo was a Hebrew, and
probably knew nothing of Christ, he attained by means of Hellenism to
the idea of the Man-God; the Platonic Word, which was merely the
projection of God into human reason, was accepted for the same reason
as the Christian dogma of the Word made man.

"Let us see what new principles, what higher morality and civilization
were added by the diffusion of Christianity to those principles which
were the spontaneous product of the race. We must first consider what
part the pagan gods, as they were regarded by educated men, played in
the history of the European race, with respect to the individual and to
the commonwealth. The pagan Olympus, considered as a whole, and without
reference to the various forms which it assumed in different peoples,
was not essentially distinct from human society. Although the gods
formed a higher order of immortal beings, they were mixed up with men in
a thousand ways in practical life, and conformed to the ways of
humanity; they were constantly occupied in doing good or ill to mortals;
they were warmly interested in the disputes of men, taking part in the
conflicts of persons, cities, and peoples; special divinities watched
over men from the cradle to the grave, and they were loved or hated by
the gods by reason of their family and race. In short, the heavenly and
earthly communities were so intermixed that the gods were only superior
and immortal men.

"The people were accustomed to consider their deities as ever present,
distinct from, and yet inseparably joined with them; so that the
individual, the country, the tribes, were ever governed, guarded,
favoured, or opposed by special and peculiar gods. Olympus had a
history, since the acts of the gods took place in time and were
coincident with the history of nations, so that every event in heaven
corresponded with one on earth; the idea of divine justice was
exemplified in that of men, and both were perfected together. Among
pagans of the Aryan race there was a perpetual and repeated alliance
between men and gods made in the image of man. This action of the gods
both for good and evil became in its turn the rule of life for the
ignorant multitude, and they acted in conformity with the supposed will
and actions of the gods; the divine will was, however, nothing but an _a
priori_ religious conception of an idol representing the forces of
nature or some moral or religious idea. The moral perfection of nations,
as time went on, also perfected the supreme justice of Olympus, and the
moral worth of the gods increased as men became better. So that it was
not the original theological idea, but man himself, who made heaven more
perfect, and the gods morally better and more just.

"The explicit power of mental reasoning and of science was added to this
spontaneous evolution of the religious idea, so far as the improved
morality of the race perfected the heavenly justice which was its own
creation. The pagan Olympus was gradually simplified by sages and
philosophers; the illicit passions of the gods were set aside, and it
was transformed into a providential government of individuals and of
society, much more remote from direct contact with men. The conception
of the immortal gods included one supreme power, formative, protecting
or avenging, and this conception bordered on the Semitic idea of the
absolute Being, although without quite attaining to it. God was
confounded with the order of things, his laws were those of the
universe, by which he was also bound, and the righteous man lived in
conformity with these laws. When Christianity began, pagan rationalism
had arrived at the idea of a spiritual and directing power, organically
identical with the universe. It was neither the Olympus of the common
people, nor the Semitic Jehovah, but rather the conscious and inevitable
order of nature. Although, either as an Olympus or as a dogma, the deity
was confounded with men or constrained them to follow a more rational
rule of life, yet paganism clearly distinguished the gods from men in
their concrete personality, and the action of humanity was therefore
distinct from that of the deity.

"When Christianity began, the peoples of the Aryan race in Europe, or at
least those of more advanced civilization, had constituted for
themselves a heavenly Pantheon, which contained nearly all the primitive
deities, but in a more human form and exercising a juster rule over the
world, while at the same time they were regarded as quite distinct from
the society of men. Although there was in this multiplicity of divine
forms an hierarchical order of different ranks, there was no general
conception to include the destinies of the whole human race, and to
manifest by its unity its providential and historical development. Each
people believed in their own special destiny, which should either raise
them to greater glory and power or bring them to a speedy and inevitable
end; but there was no common fate, no common prosperity nor disaster.
Rome had, as far as possible, united these various peoples by the idea
of her power, by the inforcement of her laws, and by the benefits of her
citizenship, yet the Roman unity was external, and did not spring from
the intimate sense of a common lineage. While the nations were so
closely united to Rome by brute force, the subject peoples were agitated
by a desire for their ancient independence and self-government. Some of
these pagan multitudes advanced in civilization through their education
in the learning of the Romans, and in morality through their spontaneous
activity, but they did not possess any deep sense of a general
providence, and heaven and earth continued to be under the sway of an
incomprehensible fate.

"If we now turn to consider the mental conditions of educated men at
that time, we shall see that they transformed the Olympus of personal
and concrete gods into symbols of the forces of nature, and that they
had risen to a purer conception of the deity by making it agree with the
progress of reason; but this deity was so remote from earth as to have
scarcely anything to do with the government of the world. According to
the teaching of the Stoics, which was very generally diffused, man was
supposed to be so far left to himself that he was the creator of his own
virtue, and had to struggle, not only against nature and his fellow-man,
but against fate, the underlying essence of every cosmic form and
motion. If this pagan rationalism gave rise to great theoretic morality,
and produced amazing examples of private and public virtue, it had
little effect on the multitudes, nor did it contain any guiding
principle for the historical life of humanity as a whole.

"Christianity proclaimed the spiritual unity of God, the unity of the
race, the brotherhood of all peoples, the redemption of the world, and
consequently a providential influence on mankind. Christianity taught
that God himself was made man, and lived among men. Such teaching was
offered to the people as a truth of consciousness rather than of dogma,
although it was afterwards preserved in a theological form by the
preaching of Paul, and the pagan mind was more affected by sentiment
than by reason. The unity of God was associated in their æsthetic
imagination with the earlier conception of the supreme Zeus, which now
took a more Semitic form, and Olympus was gloriously transformed into a
company of elect Christians and holy fathers of the new faith. A
confused sentiment as to the mystic union of peoples, who became
brothers in Christ, had a powerful effect on the imagination and the
heart, since they had already learned to regard the world as the
creation of one eternal Being. In the ardour of proselytism and of the
diffusion of the new creed, they hailed the historical transformation of
the earthly endeavour after temporal acquisitions and pleasures into a
providential preparation for the heavenly kingdom.

"In Christ, the incarnation of the supreme God, they beheld the
apotheosis of man, so acceptable to the Aryan race, since he thus became
the absolute ruler of the world and its fates. Ideas and sentiments, of
which the Semitic mind was incapable, and which were opposed to their
historical and intellectual development, moved and satisfied the Aryan
mind, and became associated as far as possible with the dogma and belief
to which the race had attained in their pagan civilization. Thus heaven,
dogma, and Christian rites assumed from the first a pagan form; and
while the original idols were repudiated in the zeal for new principles,
their common likeness was maintained by the imaginative power of the
race.

"In this way Christianity became popular, and the Semitic idea was
invested with pagan forms, in order to carry on the gradual and more
intimate spiritual transformation which is not yet terminated. Its
teaching was at first decidedly rejected and opposed by cultivated
minds, accustomed as the Greeks were with few exceptions to use their
reason. Among philosophers, the popular belief in a personal Olympus had
disappeared, and a more rational study of mankind did not allow them to
understand or comprehend a dogma which re-established anthropomorphism
under another aspect, so that this new and impious superstition became
the object of persecution. These were, however, mere exceptions, an
anticipation of the opposition of reason to mythical ideas, which became
more vigorous in every successive age, until the time arrived when
reason, educated by a long course of exercise, was able to renew the
effort with greater authority and success. The common people gradually
became Christian, and so also did educated men, who thus added the
authority of the schools to a teaching accepted by the feelings and
innate inclination of the race, and hence followed the theological
development of Christian dogma.

"These new principles and beliefs, eventually accepted by all the
nations of Europe, both barbarous and civilized, not only brought to
perfection the religious intuition characteristic of the morality and
civilization of the race, but they produced a new and renovating power
in historical and social life. This fresh virtue consisted in the belief
in a power consubstantially divine and human. Although the pagan gods
were human in their extrinsic and intrinsic form, only differing from
mortals by their mighty privileges, yet they were personally distinct
from men, and while the acts of Olympus mingled with those of earth,
they had an habitation and destinies apart. But by the new dogma, the
one God who was a Spirit took on him the substance of man and was united
with humanity as a whole, according to the Pauline interpretation, which
was generally accepted by our race. The divine nature was continually
imparted to man, the body and members in which the divine spirit was
incarnated, since the Church or mystical community of Christians was the
temple of God. Through this lively sense of the divine incarnation, the
Christian avatar with which the race had been acquainted under other
forms, God was no longer essentially distinguished from mankind in the
form of a number of concrete beings, but was spiritually infused into
men and acted through them. The Christian as man felt himself to be a
participator with God himself by a mystic intercourse. Since, therefore,
the human faculty was historically identical with the divine, and shared
in the spiritual work which was to effect the redemption of society,
this new and Christian civilization added daring, confidence, and virtue
to the natural energy of the race.

"Not many years elapsed before men ceased to contemplate the immediate
end of the world predicted by the first apostles and the Apocalypse;
they looked forward to a more distant future, and except in the case of
some particular sects, they applied the prophecies which referred to the
first generation of Christians to the future history of the race. It
was therefore Christianity which introduced into the consciousness of
our Aryan peoples the principles of a divine historic power acting on
the social economy of mankind, and in this way the natural dignity and
enterprising pride of the race was increased. Through this fresh
religious intuition and spiritual exaltation, the purity and moral
sweetness of the Semitic Nazarene became the law of society, and the
church organization gradually assimilated everything to itself, and
received divine worship in the person of the supreme Pontiff, who
continued for many ages to be the temporal ruler of consciences, of
public institutions, and of civilization. Strange daring in a race which
from its early beginnings down to our own days has been always true to
its own character, and in one form or other has displayed vigour,
energy, ambition, transforming power, and great designs.

"This remarkable process could only go on in and through those peoples
whose vigour and pride equalled their physical strength; to whom it is
death to sit still, and life to be always busy, to transform all things
to their own image, to dominate over all--over God by the intellect,
over the world by science, over other races by force of arms. After the
anthropomorphic form was given to natural phenomena, which is done to
some extent by all races, the gods were made in the image of man; full
of æsthetic imagination, of grand and vigorous conceptions, they
modified and transformed the truth of the Semitic idea, to suit their
own genius and imagination, and in this way they produced the wonderful
fabric of Christian civilization and of Catholicism. They alone accepted
a teaching which infused new spirit into social life and produced the
rule of religion over the world, and the race still stands alone in the
maintenance of its beliefs, to which science has added the powerful
simplicity of the Semitic idea, and their vigorous influence has
perpetuated and perfected human progress upon earth.[30] The Aryan race
attained to the Semitic conception in its purity and cosmic reality by
the process of reason, and only because it was endowed with all the
civilizing and moral qualities which were acquired in so many ages of
moral and intellectual energy, has the old conception been so vigorous
and productive.

"The Semitic race, on the other hand, adhered to their old faith,
rejected Christianity, as it had been formulated by the Aryans, and had
little influence on the world. The Israelites, indeed, dispersed among
other nations, retained the idea of the one spiritual God in all its
purity, and civilization would have been much indebted to them for this
rational idea of God if they had more clearly understood its scientific
bearing and the nature of man; many of them are indeed justly entitled
to fame in every department of science. But taken by themselves and as a
people, they had little effect on civilization, since they lacked the
energy of purpose, courage, mental superiority, and imagination, which
create a durable and powerful civilization.

"The Arabs, aroused for a time by Mahometan fanaticism, overran great
part of Europe, Asia, and Africa, but without influencing civilization.
While in possession of a great and productive idea, they remained a
sterile and nomad people, or founded unproductive dynasties. For the
Semitic race, the interval between God and man, and consequently between
God and civilization, was and is infinite, impassable. The Arabs
possessed nothing but the devastating force of proselytism to fertilize
their minds and social relations; and, with the exception of
architecture, geography, and cognate sciences, they were for the most
part only the transmitters of the science of others. We, on the
contrary, filled up the gulf by placing the Man-God between God and man,
and civilization has a power and vigour which has never flagged, and
which, now that dogma is transformed into reason, will not flag while
the world lasts."[31]

This extract from a work published many years ago, seems to me to
confirm the theory of myths which I have explained; it shows how they
are ultimately fused into a simple form, in conformity with the ideas of
civilized society, and it will also throw light on what is to follow.

If we consider the primitive genesis and evolution of myth, confirmed by
all the facts of history and ethnography, it will appear that although
the matter on which thought was exercised was mythical and fanciful, the
form and organizing method were the same as those of science. It is, in
fact, a scientific process to observe, spontaneously at first, and then
deliberately, the points of likeness and unlikeness between special
objects of perception; we must rise from the particular to the general,
from the individual to the species, thus ever enlarging the circle of
observation, in order to arrive at types, laws, and ultimate unity, or
at least a unity supposed to be ultimate, to which everything is
reduced. So that the mythical faculty of thought was scientific in its
logical form, and was exercised in the same way as the scientific
faculty.

But science does not merely consist in the systematic arrangement of
facts in which it begins, nor in their combination into general and
comprehensive laws; the sequence of causes and effects must also be
understood, and it is not enough to classify the fact without explaining
its genesis and cause. We have seen that the innate faculty of
perception involved the idea of a cause in the supposition that the
phenomenon was actuated by a subject, and while thought classified
fetishes and idols in a mythical way, an inherent power for good or evil
was ascribed to them, not only in their relation to man, but in their
effects on nature. What Vico has called "the poetry of physics"
consisted in the explanation of natural phenomena by the efficacy of
mythical and supernatural agents. From this point of view again, myth
and science pursue identically the same method and the same general form
of cognition.

Nor is this all. Science is, in fact, the _de-personification_ of myth,
arriving at a rational idea of that which was originally a fantastic
type by divesting it of its wrappings and symbols. In the natural
evolution of myth, man passes from the extrinsic mythical substance to
the intrinsic ideal by the same intellectual process, and when the types
have become ideas, he carries on intrinsically the _entifying_ process
which he first applied to the material and external phenomena.

In this case also the process is gradual; by attempting a more rational
explanation of physical phenomena, man attains to ultimate conceptions
which express direct cosmic laws, and he regards these laws as
substantial entities, which in their originally polytheistic form were
the gods who directed all things. Here the scientific myth really
begins, since natural forces and phenomena are no longer personified in
anthropomorphic beings; but the laws or general principles of physics
are transformed into material subjects, which are still analogous to
human consciousness and tendencies, although the idolatrous
anthropomorphism has disappeared.

The combination of myth and science in the human mind does not stop
here, since, as I have said, it goes on to form ideal representations.
When thought penetrates more deeply into the physical laws of the
universe, and is also more rationally engaged in the psychical
examination of man's own nature, ideas are classified in more general
types, as in the primitive construction of fetishes, anthropomorphic
idols, and physical principles; and in this way an explicit and purely
ideal system is formed, in which the images correspond with the fanciful
and physical types which were previously created.

It usually happens that thought, by the innate faculty of which we have
so often spoken, regards the ideas produced by this complex mental
labour as material entities endowed with eternal and independent
existence; and this produced the Platonic teaching, the schools in
Greece and Italy, and other brilliant illustrations of this phase of
thought. Such teaching, the result of explicit reflection, is a rival of
the critical science which followed from it. It is always active, while
constantly varying and assuming fresh forms; and it not only flourishes
in our time in the religions in which it finds a suitable soil, but
also, as we shall see, in science itself.

In addition to this complex evolution of myth as a whole, special myths
follow similar laws; since they are generated from the same facts, and
pass through the same phases, they culminate in a partial ideality, and
this involves a simple and comprehensive law of the phenomena in
question, and even a moral or providential order. For example, we may
trace the Promethean myth to the end of the Hellenic era, and the
different phases and final extinction of this particular myth are quite
apparent.

The origin of the myth, which was directly connected with the perception
of the natural phenomena of light and heat, was due to the same causes
as all others, but we will consider it in its Vedic phase, as it may be
gathered from tradition, and from the discoveries of comparative
philology, and we have a sure guide in this research in the great
linguist Kuhn, whose remarks have been enlarged and illustrated by
Baudry.

The Sanscrit word for the act of producing fire by friction is
_manthâmi_, to rub or agitate, and this appears from its derivative
_mandala_, a circle; that is, circular friction. The pieces of wood
used for the production of fire were called _pramantha_, that which
revolves, and _arani_ was the disc on which the friction was made. In
this phase, the fetishes are, according to our theory, in the second
stage. The Greeks and Romans, and indeed almost all other peoples, knew
no other way of kindling a fire, and in the sacred rites of the
Peruvians the task was assigned to the Incas at the annual festival of
fire. The wood of the oak was used in Germany, on account of the red
colour of its bark, which led to the supposition that the god of fire
was concealed in it. Tan is called _lohe_, or flame, in Germany. This
primitive mode of kindling a fire was known to the Aryans before their
dispersion, and friction with this object was equivalent to the birth of
the fire-god, constraining him to come down to earth from the air, from
thunder, etc.; indeed fire was also called _düta_, the messenger between
heaven and earth. The question arose who had drawn fire from heaven, and
developed it in the _arani_. A resemblance was also traced between the
instruments for kindling fire and the organs of generation, a reciprocal
interchange of various myths, as we have before observed. _Agni_ is
concealed in _arani_, like the embryo in the womb (Rig-Veda). Thus
_pramantha_ is the masculine instrument, _arani_ the feminine, and the
act of uniting them is copulation.

_Agni_ had disappeared from earth and was concealed in a cavern, whence
it was drawn by a divine person; that is, fire had disappeared and was
concealed within the _arani_, whence it was extracted by the _pramantha_
and bestowed upon man. _Mâtariçvan_, the divine deliverer, is therefore
only the personification of the male organ.

In virtue of the idea that the soul is a spark, and that the production
of fire resembles generation, _Bhrigu_, lightning, is a creator. The son
of _Bhrigu_ marries the daughter of _Manu_, and they have a son who at
his birth breaks his mother's thigh, and therefore takes the name of
_Aurva_ (from _uru_ a thigh). This is only the lightning which rends the
clouds asunder.

Many Græco-Latin myths, beginning with that of Prometheus must be
referred to _Mâtariçvan_ and to the _Bhrigu_, and we can trace in the
name of Prometheus the equivalent of a Sanscrit form _prâmathyus_, one
who obtains fire by friction. Prometheus is, in fact, the ravisher of
celestial fire (a phase of the polytheistic myth in a perfectly human
form); he is a divine _pramantha_. It is Prometheus who in one version
of the myth cleaves open the head of Zeus, and causes Athene, the
goddess who uses the lightning as her spear, to issue from it. The
Greeks afterwards carried on the evolution of myth in its transition
from the physical to the moral phenomenon, and, forgetful of his origin,
they made Prometheus into a seer. As _Bhrigu_, he created man of earth
and water, and breathed into him the spark of life. Villemarqué tells us
that in Celtic antiquity there was an analogous myth, as we might
naturally expect, since the Celts belong to the Aryan stock; Gwenn-Aran
(albus superus) was a supernatural being which issued like lightning
from a cloud.

The more thoughtful Greeks did not limit the Promethean myth to the idol
and to anthropomorphic fancies, but it passed into a moral conception,
and we have a proof of this transition in Æschylus.

In fact, as Silvestro Centofonti observes in a lecture on the
characteristics of Greek literature, the grand figure of the Æschylean
Prometheus is a poetic personification of Thought, and of its mysterious
fates in the sphere of life as a whole. First, in its eternal existence,
as a primitive and organic force in the system of the world; then in the
order of human things, fettered by the bonds of civilization, and
subject to the necessities, lusts, and evils which constantly, arise
from the union of soul and matter in unsatisfied mortals. Thought is
itself the source of tormenting cares in this earthly slavery, yet the
sense of power makes it invincible, firm in its purpose to endure all
sufferings, to be superior to all events; assured of future freedom, and
always on the way to achieve it by reverting to the grandeur of its
innate perfection; finally attaining to this happy state, by shaking off
all the enslaving bonds and anxious cares of the kingdom of Zeus, and by
obtaining a perfect life through the inspirations of wisdom, when the
revolutions of the heavens should fill the earth with divine power, and
restore the happiness of primeval times. It is evident that in this
stupendous tragedy Æschylus is leading us to the truth in a threefold
sense: æsthetic, morally political, and cosmic. The supreme idea which
sums up the whole value of the composition is perhaps that of an
inevitable reciprocity of action and reaction between mind and effective
force, between the primitive providence of nature and the subsequent
laws of art, both in the civilization of mankind and in the order and
life of the universe.

In this way the evolution of the special myth was transformed into
poetry by the interweaving, collection, and fusion with other myths, and
in the minds of a higher order it was resolved into an allegory or
symbol of the forces of nature, into providential laws or a moral
conception.

This law of progressive transformation also occurs in the successive
modifications of the special meaning of words, so far as they indicate
not only the thing itself, but the image which gave rise to the
primitive roots. For a long while, those who heard the word were not
only conscious of the object which it represented, but of its image,
which thus became a source of æsthetic enjoyment to them. As time went
on, this image was no longer reproduced, and the bare indication
remained, until the word gradually lost all material representation, and
became an algebraical sign, which merely recalled the object in question
to the mind.

When, for example, we now use the word (_coltello_), _coulter_, the
instrument indicated by this phonetic sign immediately recurs to the
mind and nothing else; the intelligence would see no impropriety in the
use of some other sign if it were generally intelligible. But in the
times of primitive speech, the inventors of this rude instrument were
conscious of the material image which gave rise to it, and they were
likewise conscious of all the cognate images which diverged from the
same root, and in this way a brief but vivid drama was presented to the
imagination.

If we examine this word with Pictet and others, we shall find that the
name of the plough comes from the Sanscrit _krt, krnt, kart_, to cleave
or divide. Hence _krntatra_, a plough or dividing instrument. The root
_krt_ subsequently became _kut_ or _kutt_, to which we must refer _kûta,
kûtaka_, the body of the plough. This root _krt, kart_, is found in many
European languages in the general sense of cutting or breaking, as in
the old Slav word _kratiti_, to cut off. It is also applied to labour
and its instruments: _kartóti_, to plough over again, _karta_, a line or
furrow, and in the Vedic Sanscrit, _karta_, a ditch or hole. Hence the
Latin _culter_ a saw, _cultellus_, a coulter, and the Sanscrit
_kartari_, a coulter. The Slav words for the mole which burrows in the
earth are connected with the root _krt_, or the Slav _krat_. In very
remote times, men not only understood the object indicated in the word
for a coulter, but they were sensible of the image of the primitive
_krt_ and its affixes, which were likewise derived from the primitive
images, and with these they included the cognate images of the several
derivatives from the root. In these days the word coulter and the
Sanscrit _kartari_ are simply signs or phonetic notations, insignificant
in themselves, and everything else has disappeared. But in primitive
times an image animated the word, which by the necessary faculty of
perception so often described was transformed into a kind of subject
which effected the action indicated by the root. As this personality
gradually faded away, the actual representation of the image was lost,
and even its remote echo finally vanished, while the phonetic notation
remained, devoid of life and memory, and without the recurrence of
cognate images which strengthened the original idea by association. All
words undergo the like evolution, and this may be called the mythical
evolution of speech.

Thus the Sanscrit word for daughter is _duhitar_; in Persian it is
_dôchtar_, in Greek [Greek: Thugatêr], in Gothic _dauhtar_, in German
_Tochter_. The word is derived from the root _duh_, to milk, since this
was the girl's business in a pastoral family. The sign still remains,
but it has lost its meaning, since the image and the drama have
vanished. This analysis applies to all languages, and it may also be
traced in the words for numbers. The number _five_, for example, among
the Aryans and in many other tongues, signifies _hand_. This is the
case in Thibet, in Siam, and cognate languages, in the Indian
Archipelago and in the whole of Oceania, in Africa, and in many of the
American peoples and tribes, where it is the origin of the decimal
system. In Homer we find the verb [Greek: pempazein], to count in fives,
and then for counting in general; in Lapland _lokket_, and in Finland
_lukea_, to count, is derived from _lokke_, ten; and the Bambarese
_adang_, to count, is the origin of _tank_, ten.

When the numerical idea of five was first grasped, the conception was
altogether material, and was expressed by the image of the five-fingered
hand. In the mind of the earliest rude calculators, the number five was
presented to them as a material hand, and the word involved a real
image, of which they became conscious in uttering it. The number and the
hand were consequently fused together in their respective images, and
signified something actually combined together, which effected in a
material form the genesis of this numerical representation. But the
material entity gradually disappeared, the image faded and was divested
of its personality, and only the phonetic notation five remained, which
no longer recalls a hand, the origin of the several numerals, nor words
connected with it. It is now a mere sign, apart from any rational idea.
The same may be said of the other numerals.

We give these few examples, which apply to all words, since they all
follow the same course, beginning with the real and primitive image,
subjectively effecting their peculiar meaning. Hence we see how the
intrinsic law of myth is evolved in every human act in diverse ways, but
always with the same results.

In fact, before articulate speech, for which man was adapted by his
organs and physiological conditions, was formulated into words for
things and words for shape, man like animals thought in images; he
associated and dissociated, he composed and decomposed, he moved and
removed images, which sufficed for all individual and immediate
operations of his mind. The relations of things were felt, or rather
seen through his inward representation of them as in a picture,
expressing in a material form the respective positions of figures and
objects which, since they are remote from him, can only be expressed by
such words as _nearer, lower_ or _higher, faint_ or _clear_, by more
vivid or paler tints, such as we see in a running stream, in the forms
of clouds, in the reciprocal relations of all objects represented in
painting.

In order to understand the primeval process of thought by means of
images, it is necessary to conceive such a picture as living and mobile,
and constantly forming a fresh combination of parts. Animals have not,
and primeval man had not, the phonetic signs or words which give an
individual character to the images, and so represent them that by
combining these images in an articulate form, thought may be
represented by signs; and in and through these a universal and objective
mode of exercising the intellectual faculty of reasoning has been
created.

Speech can, by means of reflex memory, produce at will the particular
images already classified in the mind, and this makes the process of
reasoning possible; since such a process becomes more easy by the use of
signs to which the attention can revert. The relative size of objects,
and the like qualities, which are at first regarded as so many different
intuitions in space, are defined by words or gestures, and are thus
subjected to comparative analogy; but in the early stages of language
these relations were presented in an extrinsic form by phonetic signs,
and became images which in some sort represented one particular state of
consciousness with respect to the two things compared. Galton, speaking
of the Damaras, tells us that they find great difficulty in counting
more than five, since they have not another hand with which to grasp the
fingers which represent the units. When they lose any of their cattle,
they do not discover the loss by the diminution of the number, but by
missing a familiar object. If two packets of tobacco are given to them
as the regulation price of a sheep, they will be altogether at a loss to
understand the receipt of four packets in exchange for two sheep. Such
examples might be multiplied to any extent.

We repeat that when not endowed with speech, or some analogous means,
animals and man think in images, and the relations between these images
are observed in the simultaneousness and succession of their real
differences; these images are combined, associated, and compared by the
development of reflex power, and hence arises the estimate of their
concrete relations. Of this we have another proof, observed by Romanes
in a lecture on the intelligence of animals, and confirmed by myself, in
the condition of deaf-mutes before they are educated, in whose case the
extrinsic sign and figure takes the place of the phonetic and articulate
sign. Where speech is wanting, it is still possible to follow a
conscious and imaginative process of reasoning, but not to rise to the
higher abstract ideas which may be generated by such reasoning. The
thought of deaf-mutes always assumes the most concrete form, and one who
was educated late in life informed Romanes that he had always before
thought in images. I know no instance of a deaf-mute who has
independently attained to an advanced intellectual stage, or who has
been able without education to form any conception of a supernatural
world. R.S. Smith asserts that one of his deaf-mute pupils believed,
before his education, that the Bible had been printed in the heavens by
a printing press of enormous power; and Graham Bell speaks of a
deaf-mute who supposed that people went to church to do honour to the
clergyman. In short, the intellectual condition of uneducated deaf-mutes
is on a level with that of animals, as far as the possibility of
forming abstract ideas is concerned, and they think in images. There is
a well-known instance in the deplorable condition of Laura Bridgman, who
from the time she was two years old, was deaf and dumb, blind, and even
without the sense of taste, so that the sense of touch was all that
remained. By persevering and tender instruction, she attained to an
intellectual condition which was relatively high. A careful study of her
case showed that she had been altogether without intuitive knowledge of
causes, of the absolute, and of God. Howe doubts whether she had any
idea of space and time, but this was not absolutely proved, since as far
as distance was concerned, she seemed to estimate it, by muscular
sensation. Everything showed that she thought in images. Although
without any sensation of light or sound, she made certain noises in her
throat to indicate different people when she was conscious of their
presence or when she thought of them, so that she was naturally impelled
to express every thought or sensation, not externally perceived, by a
sign; and this shows the tendency of every idea and image towards an
extrinsic form. She often conversed with herself, generally making signs
with one hand and replying with the other. It was evident that a
muscular sign or the motion of the fingers was substituted for the
phonetic signs of speech, and in this way ideas and images received
their necessarily extrinsic form. The image was embodied in a muscular
act and motion, and in this way thought had its concrete representation.
The same results would, as far as we know, be obtained from others in
the same unhappy conditions as Laura Bridgman.

It is therefore clear that primitive language was only a vocal and
individual sign of material images, and it was for a long while
restricted to these concrete limits. Since the vocal signs of the
relations of things are less easily expressed, these relations were at
first set forth by gestures, by a movement of the whole person, and
especially of the hands and face. This preliminary action is helped by
the imitative faculty with which children and uncultured peoples are
more especially endowed, of which we have also instances in the higher
animals nearest to man. The negroes imitate the gestures, clothing, and
customs of white men in the most extraordinary and grotesque manner, and
so do the natives of New Zealand. The Kamschatkans have a great power of
imitating other men and animals, and this is also the case with the
inhabitants of Vancouver. Herndon was astonished by the mimic arts of
the Brazilian Indians, and Wilkes made the same observation on the
Patagonians. This faculty is still more apparent in the lower races.
Many travellers have spoken of the extraordinary tendency to imitation
among the Fuegians; and, according to Monat, the Andaman islanders are
not less disposed to mimicry and imitation. Mitchell states that the
Australians possess the same power.

This fact also applies to the languages of extremely rude and savage
peoples. Some American Indians, for instance, help out their sentences
and make them intelligible by contortion of their features and other
gesticulations, and the same observation was made by Schweinwurth of an
African tribe. The language of the Bosjesmanns requires so many signs to
make the meaning of their words intelligible that it cannot be
understood in the dark. These facts partly explain the natural genesis
of human languages.

We have learned from our earlier observations that phenomena appear to
the perceptive faculty of primitive man as subjects endowed with power.
The subjectivity of these phenomena, their intrinsic conditions and
actions are fused into speech, which is their living and conscious
symbol; and it is clear that the evolution of language from the concrete
to the symbolical, and hence to the simple sign of the object, divested
of its original power, is analogous to that of myth.

This law of evolution also applies to the art of writing, which is at
first only the precise copy of the image; it is next transformed into an
analogous symbol, and then into an alphabetical sign, which serves as
the simple expression of the conception, divested of its originally
representative faculty. Hence it is apparent that the evolution of myth
conforms to the general law of the evolution of human thought, of all
its products and arts in their manifold ramifications. From the image,
the informing subject, from the conception and the myth, the necessary
cycle is accomplished in regular phases, wherever the ethnic temperament
and capacity and extrinsic circumstances permit it, until the rational
idea is reached, the sign or cipher which becomes the powerful
instrument of the exercise and generalization of thought. In order to
show the efficacy of the mythical and scientific faculty of thought
comprised in the systems of ancient and modern philosophy, and its slow
progress towards positive and rational science, we will adduce an
instance from the people in whom such an evolution was accomplished,
aided by all the civilized peoples in reciprocal communication with
them. Let us see how this faculty was manifested in the Greeks at a time
when they first attempted to reduce the earlier and scanty knowledge of
nature to a system.

In Greece the historical course of this faculty ramified into two
classes of research, which were at that time objective, the Ionic and
the Pythagorean schools. In the former, the phenomenon and nature were
assumed to be the direct object of knowledge, while in the latter the
object in view was the idea and harmony of things. Influenced by earlier
and popular traditions, a mythical and philosophic system arose in the
Ionic school, which was exclusively devoted to physical speculations. In
Lower Italy, on the contrary, and in colonies which were for the most
part Doric, a science was constituted which, although it included
physics and natural phenomena, did not only consider their material
value, but sought to extract from their laws and harmony a criterion of
good and evil. Ritter observes that the intimate connection between the
Pythagorean philosophy and lyrical music--of which the origin was sought
as a clue to explain the world--shows how far this philosophy was
consonant with Doric thought. This historic process is quite natural,
since the speculations of philosophy are first directed to physical
phenomena, as they are displayed in inward and in external life, and
then rise to the consideration of specific types, in a word, to the
general and the universal.

Throughout this philosophical evolution the consideration is mainly from
the objective point of view, and this is in conformity with the
intellectual evolution of reason, since the mind is first occupied with
the knowledge of things. In accordance with tradition and the logic of
things, Ionic speculation was developed before the Doric. The Eleatic
school followed from the two former, although its development was
contemporary with the more perfect stage of these, and its influence
upon them was to some extent reactionary.

Thales taught that everything was derived from one unique principle,
namely water. The ancients believed that the land was separated from the
water by a primitive and mythical process, a belief which had its source
in the appearance of aqueous and meteorological phenomena; so that the
teaching of Thales followed the earliest popular traditions, of which we
find traces in the Indies, in Egypt, in the book of Genesis, and in many
legends diffused through the world even in modern times. He said that
everything was nourished by moisture, from which heat itself was
derived, and that moisture was the seed of all things; that water is the
origin of this moisture, and since all things are derived from it it is
the primitive principle of the world. We see how much this theory is
concerned with natural phenomena in their life, nutrition, and birth by
means of seed. He regarded the world as a living being, which had been
evolved from an imperfect germ of moisture. This mode of animating the
world, which consists in tracing the development of a germ already in
existence, reappears in other parts of his philosophy. He saw life in
the appearance of death, and held the loadstone and yellow amber to be
animate bodies, declaring generally that the world is alive, and filled
with demons and genii.[32]

We trace the basis of these ideas in traditions prior to Thales,
declaring the world to be a living being, and that everything was
derived from a primitive condition of germs. The same opinion was held
by Hippo, by Diogenes of Apollonia, by Heraclitus, and by Anaxagoras.
Aristotle states that the theory of development by germs was extremely
ancient in his time. The other philosophers of the Ionic and successive
schools mingled these fanciful ideas with the systematic arrangement of
their theories as to the origin and constitution of the world, so that
it is unnecessary to refer to them, since the method and conceptions are
identical.

It is evident from this sketch that while thought gradually evolved a
more rational system of general knowledge, the earlier idols and
primitive mythical interpretations were not abandoned, although they
assumed a larger and more scientific form. Thales and others assigned a
mechanical origin to things, such as water, fire, or the like, which was
contrary to anthropomorphic ideas; yet they still regarded the world as
a living being, developed and perfected by the same laws and functions
as all plants and animals, and they peopled it with genii and demons,
thus handing on the earliest and rudest traditions of the race.

While the scientific faculty was gathering strength and leading the way
to a more rational consideration of the world and natural phenomena,
really advancing beyond the earlier ideas which had been almost wholly
mythical, myth was still the matrix of thought, although its
envelopment was partly rent asunder and was becoming transparent. From
this brief notice of the Ionic philosophy, sufficient for our purpose,
let us return to the Pythagorean school, in which, although the faculty
at work is essentially objective, there is a closer consideration of the
analogies between thought and the world, and the ground is more often
retraced, so that theory assumes a more intellectual form.

The Pythagoreans represented the origin of the world as the union of the
two opposite principles of the illimitable and the limited, of the equal
and the unequal. Yet they conceive this to be a primitive union, since
they formulated the supreme principle as equal--unequal (Arist. _Met_.
xii. 7.) They held the infinite to be _the place of the one_. There was
an attraction between the two principles, which was termed the _act of
breathing_; hence the void entered into the world and separated things
from each other. Thus their conception of the world was that of a
concourse of opposite principles. They represented its limits as a unity
and as the true beginning of multiplicity. They regarded the development
of the world as a process of life regulated by the primitive principles
contained in the world; its breath or life depended on the breaking
forth of the infinite void in Uranus, and the time which is termed the
_interval_ of all nature penetrates at once and with the breath into the
world. All therefore emanates from one, and all is at the same time
governed by one supreme power. Number is everything, and is the essence
of things, but the _triad_ includes all number, since it contains the
beginning, middle, and end. Everything is derived from the primitive
_one_ and from the principal number; and since this number in breathing
its vital evolution into the void is divided into many units, everything
is derived from the multiplicity of these units or numbers.

Since, by his idea of the source of universal order, Pythagoras partly
accepted the theocosmic monad as the final and necessary root of all
life, and of all that is knowable, he could not fail to see the
convertibility of the unit into the Being. But if the unit must always
precede the manifold, there is a first unit from which all the others
proceed; if this first and eternal unit is at the same time the absolute
being, it follows that number and the world have a common origin and a
common essence, and that the intrinsic causes and possible combinations
of number are virtually accomplished in the development of the world,
and these causes and combinations are ideal forms of this development.
The monad is developed by these laws through all the generative
processes of nature, while at the same time it remains eternal in the
system of the universe; so that things not only have their origin and
essence, their place and time according to numerical causes, but each is
in effect a number as far as its individual properties and the
universal process of cosmic life are concerned. The reason of the number
must depend upon the substance, by the configurations of which it is
defined, divided, added, and multiplied, and to this geometry is added,
which measures all things in relation to themselves and others. This
eternal cause makes it intelligible that if immaterial principles
precede and govern the whole material world, it is also by means of
these that the classification of science is in intrinsic agreement with
that of nature. Numbers have their value in music, in gymnastics, in
medicine, in morals, in politics, in all branches of science. The
Pythagorean arithmetic is the bond and universal logic of the knowable.
But at the same time Pythagoras and his school peopled the world with
demons and genii, which were the causes of disease; they did not abandon
the old mythical ideas of the incarnation of spirits and the
transmigration of souls--theories and beliefs which recur in nearly all
primitive and savage peoples.

In this vast Pythagorean scheme, which contrasts with that of the Ionic
school of physics, thought is more explicitly freed from the ruder
mythical ideas, and rises to a more intelligent and rational conception
of the world, but the ancient popular traditions still persist, and
there is an evident _entification_ of number. The primitive monad,
numbers, their genesis and relations, are not regarded as abstract
conceptions, necessary for understanding the order of nature, and a
merely logical function of the mind; they are the substantial essence
which underlies all mythical representations. Although the essential
life of the world is considered from a more abstract point of view, yet
the mythical analogy of animal life evidently finds a place in the
breath of the void and of time, assumed to be independent entities. The
subsequent train of beliefs in spirits, of their incarnations and
transmigrations, are closely connected with the phantasmagoria of the
past, and display their mythical genesis; yet by their deeper and more
explicit thought they may be said to infuse intellectual life into the
world and into science which relates to it. In this first rational
classification of science by the Greeks, both on its physical and its
ideal side, thought sometimes issues in the simple contemplation of
manifold nature, while it still continues mythical in its fundamental
conceptions and spiritual corollaries; myth, however, instead of being
altogether anthropomorphic, begins to become scientific.

I must here be allowed to quote a hymn in the Rig-Veda, which was
historically earlier than the primitive philosophy of Greece, but which
reveals the same tendency, the same mythical and scientific teaching in
its interpretation of the world. In this hymn, which has been translated
and explained by Max Müller, we see how boldly the problem of the origin
of the world is stated (hymn 129, book x.)--

  "Nor Aught nor Nought existed; yon bright sky
  Was not, nor heaven's broad woof outstretched above.
  What covered all? what sheltered? what concealed?
  Was it the water's fathomless abyss?
  There was not death--yet was there nought immortal,
  There was no confine betwixt day and night;
  The only One breathed breathless by itself,
  Other than It there nothing since has been.
  Darkness there was, and all at first was veiled
  In gloom profound--an ocean without light--
  The germ that still lay covered in the husk
  Burst forth, one nature, from the fervent heat.
  Then first came love upon it, the new spring
  Of mind--yea, poets in their hearts discerned,
  Pondering, this bond between created things
  And uncreated. Comes this spark from earth,
  Piercing and all-pervading, or from heaven?
  Then seeds were sown, and mighty powers arose--
  Nature below, and power and will above--
  Who knows the secret? who proclaimed it here,
  Whence, whence this manifold creation sprang?
  The gods themselves came later into being--
  Who knows from whence this great creation sprang?
  He from whom all this great creation came,
  Whether his will created or was mute,
  The Most High Seer that is in highest heaven,
  He knows it--or perchance even He knows not."

It is evident that in this hymn, the expression of the moment when human
thought was partly freed from the earlier anthropomorphic ideas, the
scientific faculty which attempts a rational explanation of the world is
shown; and although this is an isolated inspiration of the prophet, yet
it shadows forth the conclusions to which the primitive Hellenic
speculation came when it was deliberately exerted to solve the problem
of creation. In fact, there is here an intimation of the waters, of the
void or deep abyss, as the beginnings of the world; of the breath of the
One, the hidden germ of things developed by means of heat; of
productive powers as a lower, and energy as a higher form of nature; of
conceptions found in the Ionic, the Pythagorean, and the Eleatic
philosophies, which all converge into _the one_. All belong to the same
Aryan race.

The Vedic composition represents in _Dyâvâprthivî_ the close connection
between the two divinities, Heaven and Earth, the one considered as the
active and creative principle, the other as that which is passive and
fertilized; the same ideas, more or less worked out, underlie not only
the first philosophies, but successive theories and systems. The worship
of water, of fire, and of air involved their personification, and they
then became exciting principles, in accordance with the law of evolution
which we have laid down. In the Rig-Veda, as well as in the Zendavesta,
the waters are collectively invoked by their special name _âpas_, and
they are termed the _mothers_, the _divine_, which contain the _amrta_
or ambrosia, and all healing powers. In _Agni_ and its Vedic
transformations we clearly trace the worship of fire, and its cosmic
value. The Vedic worship of the air is Vâyu, from _va_, to breathe, who
is associated with the higher gods, and especially with _Indra_, ruler
of the atmosphere: next comes _Rudra_, the god of storms, accompanied by
the _Maruti_, the winds; and in the Zendavesta the air is invoked as an
element. Hence we see that a more rational conception of the genesis of
the world succeeds to these earlier representations and
personifications of the elements; representations which in another form
endure throughout the course of human thought.

It is now necessary to consider the other period of the mythical and
scientific evolution which had its definitive conclusion in Plato and
Aristotle, teachers who even now to some extent influence the two great
currents of speculative science. For us, however, it is more important
to consider the Platonic teaching as that in which the mythical
evolution of the earlier representations has full and clear expression;
while in the Aristotelian philosophy an element of dissolution is
already at work which throws some light on the illusions of the Platonic
school.

We must bear in mind that the spontaneous and even the reflective
intellectual faculty gradually assimilated special and independent myths
into comprehensive types, which referred to all natural objects. Next,
the incarnation of spirits produced the earliest forms of polytheism,
and these were slowly classified into more concentric circles, and
finally into a single hierarchical system. Owing to the attitude and
ethnic temperament of the Greeks, the glorious anthropomorphism of their
Olympus arose in a more vivid form than elsewhere, and it was
impersonated in the all-powerful and all-seeing Zeus, ruler of the
world, of gods and men. This process, modified in a thousand ways, was
carried on in all races. Hence it resulted that every object had a type,
its god; everything was typically individuated in an anthropomorphic
entity in such a way that there arose a natural dualism between the
phenomena, facts, and cosmic orders on the one side, and on the other
the hierarchy of gods who represented them and over whom they presided.
The Hellenic philosophies prior to Plato, both physical and
intellectual, and also the psychological morality of Socrates, had
already accomplished the first evolution of this typical stage of
universal polytheism, substituting for anthropomorphic representations
physical and intellectual principles and powers. Thought was educated in
its inward exercise, as well as in the observation of facts and ideal
representations. But--and this constituted the first evolution of
anthropomorphism in general--these powers all expressed the thing in its
general and phenomenal form; it was endowed with merely zoomorphic
force, and the world was regarded as physiologically living.

Plato, impelled by the foregoing evolution, and by the large and
exquisitely æsthetic character of his genius, accomplished the second
and altogether intellectual stage of evolution by inverting the problem;
he affirmed that the final and intrinsic result of the exercise of
thought was its earlier and eternal essence, extrinsic and objective.
The types which were first fetishes and then polytheistic were
transformed into the physical and intellectual principles of the world,
divested of all mythical and extrinsic form as far as their material
organization was concerned. Plato held that such types were really
ideal, as in fact they had unconsciously been from the first; that is,
that it was simply a logical conception of species and genera which is
natural to human thought; a conception necessary for the spontaneous as
well as for the reflex and scientific processes of thought. From the
type, the specific idea, the generalization into the idea of each
special object was easy, since each object has its psychical
representation in the mind. Special and specific ideas were then
arranged in a certain order, and those which are more general in a
concentric and systematic classification; this had been also the case in
the earlier polytheistic system, since the process of the intelligence
naturally arranges all its representations. But he did not stop here,
nor indeed was it possible for him to do so.

We know that the intelligence does not only understand objects, but
their relations to each other, by means of its comparative faculty;
these relations were, as in the case of animals, at first intuitively
perceived by direct observation and the alternate and reciprocal motion
of the images, and they were first presented to the imagination and then
embodied in speech. We have said in the foregoing chapters that in
primitive thought these relations involved an active entity, and were in
a word entified. Plato, pursuing his intellectual process of reasoning,
and the reciprocal properties of ideas, noted the _ideality_ of these
relations so far as they are a psychical representation, and hence he
was constrained by the unconscious evolution of thought to affirm that
an idea was present in every relation, and thus the great, the little,
the less, the more, had their ideal representatives in the general
construction of his theory. But man is not only an intellectual, but an
active, sentient, living being, tending to an object as an individual
and a social subject. So that he not only attains to the understanding
of ideal truth, but also of the good and the beautiful. According to
Plato, the Good and the Beautiful must also necessarily be Ideas of a
general character, like those which embrace all ideal relations
whatever. Since they are universal, and due to the innate impulse of
thought towards concentric ascension, they must rank as the sum and apex
of ideas, so that the Good is emphatically _the_ Idea, or God. On
turning to the world of sensations, or of particular objects, ideas are
the eternal model (_paradigm_) according to which things are made; these
are the images (_idoli_) of which the others are the imperfect copies
(_mimesi_). The world of sense is itself only a symbol, an allegory, a
figure. As in the sensible world there is a scale of beings from the
lowest to the most perfect, that is to the material universe, so in the
sphere of intellect, the type of the world, ideas are combined together
by higher ideas, and these again by others still higher, and so on to
the apex, the ultimate, supreme, omnipotent Idea, the Good which
includes and sums up the whole.

Plato holds that matter is not the body, but that which may become the
body by the plastic action of the idea, as Weber well expresses it;
matter considered in itself is the indefinite (_apeiron_), the
indefinable (_aoriston_), and the amorphous, and it is co-eternal with
ideas, and inert; from the union of ideas and matter the cosmos had its
origin, the image of the invisible deity, God in power, the living
organism (_Zoon_), possessing a body, sense, a definite object, a soul.
The body of the universe has the form of a sphere, the most beautiful
which can be conceived; the circle described in revolving is also the
most perfect motion.

The stars first had their source in the Idea of Good; first the fixed
stars, then the planets, then the earth, _created deities_; the earth
produced organized beings, beginning with man, the crowning work and
object of all the rest; the fruits of the earth were made to nourish
him, and animals were made to become the abode of fallen souls. Man, the
microcosm, is reason within a soul, which is in its turn contained in a
body. The whole body is organized with a view to this reason. The head,
the seat of reason, is round because this is the most perfect form. The
breast is the seat of generous passions, while the bestial appetites are
found in the belly and intestines.

The human soul, like the soul of the world, contains immortal and mortal
elements; the intelligence or reason, and sensuality. The immortality of
the soul is also proved by the memory. The subsequent union of life and
matter in the production of the universe is the work of an intermediate,
equivocal being, the _demiurgos_. Thus Plato opposes the eternity of the
intelligence to Ionic materialism, and the eternity of matter to the
monistic theory of the Eleatics.

In the genesis of nature we again find the synthetic conception of the
elements, which he estimates to be four; to which geometrical forms
correspond, and the world was finally organized after its human type. He
divides the soul into several distinct and independent powers, which are
ever revolving between life and death: they inhabit the stars and depend
upon them, since the soul which has been righteous on earth will be
happy after death in the star to which it was originally destined; but
those who on earth only desire here bodily pleasures will wander as
shades round the tombs, or will migrate into the bodies of various
animals. He constitutes the stars into contingent and sensible gods:
they have beautiful and immortal bodies of a round form, and are made of
fire. He asserts poetic inspiration and madness to be the result of
demoniac possession, and says with Socrates that those who deny demoniac
powers are themselves demoniacs.

We see from this account the mythical origin of all that concerns the
organization and genesis of the world, the destinies and nature of the
soul, since these are sublimated myths; the elements are first regarded
as deities, and the world is made in the image of man, and considered to
be alive; the stars and the earth are endowed with life and
intelligence; the fate of souls before and after death, their
recollection of a prior existence, their transmigrations and wanderings
around the tombs, demoniac possession in inspiration and madness, are
all very ancient mythical representations, which form a great part of
the theoretical and spiritual cosmogony of savages in all times and
places. We have seen that not only relatively civilized peoples, but
those which are quite savage divide souls into distinct parts:
throughout Africa, America, and Asia, there is a belief in the
transmigration of souls into animals, plants, and other objects. The
Tasmanians believed that their souls would ascend to the stars and abide
there; and all savages hold the demoniac possession of inspired persons,
of madmen, and of the sick, which has led to what may be called a
diabolic pathology. The general conception of the world as a living
animal, with all the tendencies ascribed to it by Plato, is only the
primeval fact of the animation and personification of phenomena applied
to the general idea of the universe. Hence it is easy to see how much of
Plato's physics and psychology are due to the necessary and historic
course of myth, and to the schools into which myth had been modified
before his time.

We must dwell more particularly on his theory of ideas, since in this
the advance made by Plato in the evolution of myth really consists, and
it marks a very definite stage which had and still has a powerful
influence on subsequent and modern thought.

We have already shown how, by the logical power of thought, this phase
in the ideal evolution of myth was reached, and we have traced it in an
inchoate form in various rude peoples, as well as in its ultimate
modification in Plato. In his writings it takes the form of a complete,
vast, and organic theory. The logical conceptions and representative
ideas, idols peculiar to the mind, which were at first involved in
fetishtic and anthropomorphic images, are now divested of their earlier
wrappings, and are classified as the intellectual ideas which they
really are, and which they have become by the innate and reflex exercise
of human thought. But on account of the faculty which ever governs our
immediate perception of internal and external things they could not in
Plato's time, nor indeed in that of many subsequent philosophers, remain
as simple intellectual signs of the process of reason. This faculty
influenced these conceptions, these psychical forms, whether particular,
specific, or general, and they became living subjects, like phenomena,
objects, shades, images in dreams, normal and abnormal hallucinations.
Thus the Ideas in Plato became, reflectively and theoretically,
_entities_ with an intrinsic existence, eternal, divine, and absolute
essences. But the fetish, the anthropomorphic idol, was not only
regarded as a living but as a causative subject; the same power was
likewise infused into the Ideas, and they were held to be causes of
particular things, of which they were the earlier and eternal type. Thus
the myth in the Platonic Ideas became scientific, but it continued to be
a myth; the substance varied, but the form was the same. The objective
phenomena of the world had first been personified, or their fanciful
images were assumed to be objective; now the world of reason was
personified, and mythology became intellectual instead of cosmic.

Those who opposed Plato's theory of ideas said that he realized
abstractions, or personified ideas; but no one, as I think, perceived
the natural process which led him to do so, nor explained the faculty by
which he was necessarily influenced. Plato's theory was only an ultimate
phase of the evolution of the vague and primitive animation of the
world, which had passed through fetishism, polytheism, and the worship
of the elements of nature, and had reached the entification and
subjectivity of ideas, which was also attained by natural science, after
passing through its mythical envelopment. We have noted the causes,
which in the case of the earlier philosophers happened to be objective,
while they were in Plato's case subjective, owing to the character and
temperament of his mind; both conduced to the development and æsthetic
splendour of this teaching among the Greeks. The teaching of Plato,
which had more or less influence on all the earlier civilized peoples,
of his own and subsequent times, and which was also involved in the
mythical representations of later savages, assumed an aspect which
varied with the special history, the ethnic temperament, the
geographical and extrinsic conditions of different peoples; but
considered in itself, it is always the same, and is the necessary result
of the evolution of myth and of thought. Since the evolution of myth
leads to the gradual genesis of science, which becomes more rational as
myth is transformed from the material to the ideal, ideas are
substituted for myths, and laws, as Vico well observes, for the canons
of poetry.

This noble and more rational theory of eternal and causative Ideas
resembles anthropomorphic polytheism in concentrating into one supreme
Idea the intellectual Zeus, the Being of beings, according to another
mythical and scientific representation by Aristotle, and it was
afterwards combined with the Semitic idea of the Absolute. This was
fused with the Logos, the Platonic demiurgos of Messianic ideas, and
afterwards produced the universal philosophy and religion of
Catholicism, which dominated and still dominates over thought with
vigorous tenacity, and extends into all the civilized world inhabited by
European races. We do not only trace the same thought, modified,
classified, and perfected in the Fourth Gospel, in the Councils, the
Fathers, and the schoolmen, but also in independent philosophies. In
our own time it has assumed new forms, derived from the rapid progress
made in cosmic and experimental sciences, even in those which are
apparently the most rationalizing. It is manifest in Hegel, Fichte, and
Schelling, nor is it difficult to trace it in the latest and artificial
theories of the schools of Schopenhauer and Hartmann. In all these cases
the entification of logical conceptions is evident; in all there is an
arbitrary personification of a conception or of a fundamental Idea.

In order fully to understand the evolution of thought in myth and
science, it is necessary to consider the other schools which arose in
Greece, prior to, and contemporaneously with, Plato, as we shall thus
obtain a more comprehensive idea of the course of such a development. In
addition to the natural and partly ideal schools, the Ionic, the
Eleatic, the Pythagorean and the Platonic, there arose those of
Leucippus, Democritus, and Epicurus, which might be called mechanical,
and that of Aristotle, which takes a middle course between the idea and
the fact, between the dynamic and the mechanical explanation of the
universe.

In an intellectual people like the Greeks there arose, in addition to
the speculative theories already mentioned, other opinions which were
derived from minds singularly free from mythical ideas; the world was
considered as a concourse of independent atoms; its genesis thus became
more conformable with abstract mathematical calculation, effected by
this combination of simple bodies and the evolution of elements. This
was what Leucippus, Democritus, and Epicurus undertook to teach, passing
beyond the natural and ideal myths, in order to take their stand on the
movement of isolated parts as the maker of the universe. Hence followed
the theory of atoms, and the mechanical construction of the world, of
bodies and souls, their continual composition and decomposition. Since,
however, these were mere speculations, not supported by experimental
methods and adequate instruments, mythical forms were confounded with
the mechanical explanation of the world, such as the altogether
anthropomorphic conception of gods who were dissolved and formed again;
the sensible effluvium from images, an effluvium which revealed the
ancient belief in the normal and abnormal personification of imaginary
forms, and of ideas. Yet the character of this teaching was progressive
and rational in comparison with the mythical and ideal theory of Plato,
and with the schools and religions which emanated from him, even up to
our time, and thought was strongly stimulated in its opposition to the
continuance of myth.

The influence of this school was confirmed by the Aristotelian teaching;
if on the one side Aristotle inclined towards the mythical entities of
Plato, and the old zoomorphic conception of the world, on the other his
theory of perception and of ideas, his amazing observations in
physiology and anatomy, and his natural classification of the animal
kingdom, induced a positive tendency of thought, an _a posteriori_
method of observation, which awakened the intelligence and predisposed
it to a more rational and scientific evolution. His geocentric ideas of
cosmogony, his logical forms, the human architecture of the world, his
conception of the Being who was the end and cause of motion in all
things, were indeed obstinately maintained by the philosophy of
Catholics and schoolmen, and served as an obstacle to the real progress
of science; but on the other hand, his general method of observing
nature, the discoveries which he made, and the tendency of his
researches, as well as the importance he assigned to consciousness in
the formation of ideas, did much to foster independent inquiry in the
history of human thought; and coupled with the earlier mechanical
schools, he prepared the way for the evolution of modern science. This
is not the place for tracing the simultaneous course of the evolution of
the ideal and mechanical schools during the ages which separate us from
their origin; and while the influence of the one gradually waned, the
other gained strength, although in a sporadic way, first among
privileged minds, and then more generally.

It necessarily happened that as the evolution of thought went on,
impelled by its early tendencies, both mechanical and positive, the
ideal system was also modified, and gave place to sounder and truer
theories. This great fact, the ultimate evolution of our own time, was
effected on the one side by psychological analysis, and on the other by
the direct and experimental observation of nature. Setting aside the
gradual preparation which led up to this point, we can consider
Descartes and Galileo as the representatives of these two great factors;
since the one by the analysis of thought, the other by natural
experiments, overthrew the mythical ideas, although without being aware
that the achievement would produce such grand results.

The Platonic Ideas were objective to the mind, and independent of it,
since they were regarded as a divine, concrete, absolute world in
themselves. The earlier evolution of myth and science relied upon this
and were resolved into it. But we know that the process of thought is
continuous in historic races, and that myth is gradually divested of its
personality and assumes a more intellectual form in the mind. Thus the
material Idea passed into an intellectual conception; that which first
appeared in an objective and extrinsic form became subjective and
intrinsic, a transition which was effected by the nominalists. This gave
rise to a cognition which was altogether psychological; at first reality
was wholly objective, and the ideas were only a sublime intellectual
myth, but now the objective world disappeared, and the intellect which
formulated the conception was the only real thing. In virtue of the
faculty of entification, only the mind and its ideas were real, the
world and all which it contained had a doubtful existence. This tendency
had its ultimate expression in Fichte, who created the universe by means
of the Ego, thus transforming the earlier objective myth into one which
was wonderfully subjective. Descartes doubted about everything beyond
the range of his own thought, and was the first to overthrow the former
ideal realism, and to lead the way to science, and to more rational
analysis. To him the teaching of Spinoza and Kant was really due, as
well as the English schools which had so much to do with the destruction
of the earlier mythical edifice of ideas.

But, as I have already observed, if this great rational progress were
important on the one side, on the other it produced a more spiritualized
form of myth, namely the subjective, which became still more powerful in
the philosophy of Kant. While some thinkers sought to resolve and
dissolve the objective myth, they did it in such a way as to add
strength to the subjective form of myth and science, for which Descartes
had prepared the way; the theory of Spinoza and of the German school in
general fundamentally consists in the substitution of entified forms and
dialectics of the mind for the earlier objective forms of ideas. A great
error was rectified, and the former phase of the intellectual evolution
of myth disappeared, in favour of another which, although still
erroneous, was more rational and independent.

The subjective and still mythical representations, either of the mind or
of external objects, were afterwards reduced to true science by positive
and experimental methods, aided by instruments, and confirmed by the
discoveries of Galileo and of his disciples throughout the civilized
world. He was in modern times another great factor of the dissolution of
myth, so far as it is definitive. Nature was made subordinate to weight
and measure, and to their mathematical and mechanical proportions in
various phenomena; these were deduced from experiment and the use of
instruments, the factors which in the hands of Galileo and his great
successors in all civilized nations, destroyed and are still destroying
the old mythical conception of the world. In astronomy they overthrew
the catholic tenet of the geocentric constitution of the heavens; they
shattered the spheres in which they were confined, opened infinite
space, and peopled it with an infinite number of stars, and in the
attraction of gravity they discovered the universal law of motion in the
firmament. Thus all the mythical representations of the system of the
world, whether Aristotelian, Ptolemaic, or Biblical, vanished for ever,
and the great zoomorphic body of the universe was dissolved; to be
replaced by worlds circulating in infinite space, subject to the laws of
number and of geometry.

Measure, weight, and proportion were applied to all celestial and
terrestrial phenomena, and physics, chemistry, and all the organic
sciences became the manifestation of facts, of observed and calculated
laws, arranged in a natural order, and in this way an immense advance
was made in all branches of science. The history of mankind, first
regarded as the arbitrary arrangement of a superior being, as it was
formulated in the teaching of Judaism and Christianity, had its own laws
in the facts of which it consisted, and thus the mythical conception
which endowed it with personal life was dissolved. The origin of things
was explained by this method of observation, and by these positive
conceptions; the records which had hitherto been regarded as a divine,
extrinsic revelation came to be considered as simple documents, in which
truth was to be separated from the myth which obscured and encompassed
it. So by degrees, from fact to fact, from analysis to analysis, by
observation, experiment, and decomposition, the rational, mechanical
explanation arose and gathered strength. The generation of things, the
variety of phenomena and their order, were derived from the primitive
chemical atom, and from the various changes of form and rapidity of
motion to which they are subjected. The old conception of atoms, which
had never been forgotten, and which had unconsciously swayed and
influenced the minds of men, reappears; but it reappears transformed by
observation, by weight and measure and experiment, and it has become a
science instead of a simple speculation. The atomistic evolution of the
ancients, accepted by one school of speculative thought, which sought to
overthrow the mythical representation of the world, was only an isolated
anticipation of a few philosophers; it has now become a scientific
evolution, common to all modern civilization. The theory of descent,
transformation, and the general evolution of species, followed as a
necessary corollary and immediate result of the dissolution of Plato's
mythical conception of specific ideas, and of all the generic but
material personifications with which nature had been peopled. When such
conceptions of the ideal world were dissipated, those of the actual
world of nature soon followed, and this de-personification of natural,
mythical species in the vast organic kingdom is one of the most splendid
intellectual achievements of the age.

This victory of the natural sciences has reacted on those which are
psychological, and on the theory of the mind, and has subjected them to
the necessities and form of this new phase of the evolution of thought.
The subjective had been substituted for the objective myth and had
created the forms of mind, its logical laws and intrinsic process, the
objective synthesis of the world, and it was now influenced by the
stupendous discoveries and analyses of other sciences, so that
psychology was in its turn transformed into a science, not only of
observation, but of experiment. Measure, weight, numerical proportion,
in short the experimental method, took possession of the facts, acts,
and processes of the mind, as of every other object and subject of
nature. In addition to the great names of modern psychologists in
England, we may mention among other experimental psychologists in
Germany, Fechner, Wundt, Lotze, Helmholtz, Weber, Kammler, etc.;
illustrious men in France and elsewhere might also be cited to show what
progress has been made and is about to be made in this field. The
destruction of myth and of the subjective myths of psychology is always
going on, and a positive science of mental phenomena has arisen, like
that of natural phenomena. The ultimate phase of myth is so near its end
that it has been possible to create a psychology implying the absence of
a soul. The scientific faculty has now indeed a complete ascendency over
the mythical representation with which it was originally coeval.

Yet we do not mean to say that myth is extinct. In the case of the great
majority of the human race, a small and elect portion excepted, myth and
all the superstitions which proceed from it persist in an ideal, cosmic,
spiritual, or religious form, and these are only slowly disappearing
among the common people, and even among the educated classes. Owing to
the primordial and innate necessity which it is so difficult to
overcome, science itself still nourishes myths within its pale, although
unconsciously and in their most rational form. Within our own
recollection _the imponderable_ was a tenet of physics, and this was
indeed, in spite of all the enlightenment of science, a mythical
entification of forces. The same mythical entifications were found in
physiology, in chemistry, in nearly all the sciences. Undoubtedly these
scientific myths had no anthropomorphic value, yet they are
notwithstanding truly mythical entifications, inasmuch as they virtually
personify laws, or mere modes of motion.

Ether, according to our present conception of it, differing in its laws
and influences from the atoms which constitute the world, and working
among and above them, is perhaps only a grand myth like that of the
imponderable, which has been exploded; that is, it is held to be a
material entity, while it may be only another modification of the
elementary matter in a state differing from the three already known to
us; some of Crooke's late experiments on one condition of extremely
gaseous matter leads to this assumption. The divided forces of matter,
and the dualism which still survives, are also mythical conceptions.
Although so much progress has been made in a rational direction, and
truth is widely diffused, yet the old mythical instinct constantly
reappears in some form or other. I must be permitted to say that this is
an evident proof of the truth of my theory. Unless myth were due to an
intrinsic psychical and organic law, it would not so persistently
reappear. As soon as men are rationally conscious of this entifying
faculty and its immediate effects on knowledge, the illusion will cease.
Myth will be destroyed in every kind of facts and phenomena, and
science, no longer the unconscious victim of this illusion, will advance
with caution and assurance.




CHAPTER VIII.

OF DREAMS, ILLUSIONS, NORMAL AND ABNORMAL HALLUCINATIONS, DELIRIUM, AND
MADNESS--CONCLUSION.


In the preceding chapters, I have shown, as I believe, the genesis of
myth, the fundamental faculty in which it necessarily originates, and
its evolution in man, particularly in the Aryan and Semitic races. We
have seen that the primitive and universal fact consists in the
immediate and spontaneous entification of natural phenomena and of the
ideas themselves; and we have resolved this fact into its elements, from
which all the generating sources of myth issue, that is, from the
immediate effects of the perception. Putting man out of the question, we
ascertained that the same innate necessity was common to the animal
kingdom.

In order to complete the theory, we must consider some other facts and
psychical phenomena, both normal and abnormal, so as to ascertain
whether these are not due to the same cause, as far as respects their
intrinsic forms; namely, the belief in the reality of images seen in
dreams, as well as in those which appear in illusions, in normal
hallucinations of the senses, and in those which are abnormal, in
ecstasy, in delirium, in madness, in idiocy, and dementia. In all these
mental conditions, we ascribe a body and material existence to images
which for various causes appear to be really presented to our senses.

If we are able to show that all such appearances are believed to have a
real existence in virtue of the same law and faculty of perception which
generated myth in its earliest manifestation, we shall have succeeded in
establishing a common genesis for all these various psychical phenomena,
thus affording no contemptible contribution to psychology in general,
and to the science of human thought.

To dream is not merely a normal act of man, but, as it appears from many
witnesses, it is common to all animals. In dreams the ordinary laws of
time and space are strangely modified, and images of all kinds appear,
sometimes confusedly, sometimes in a rational order, often in accordance
with the laws of association, while the voluntary exercise of thought
may be said to be dormant. This is, speaking generally, the condition
and nature of dreams, which we must presently consider adequately with
more subtle and exact analysis.

Before we trace the cause of the apparent reality of these images, and
the laws which govern it, let us consider man in his waking condition,
so as to ascertain at once the likeness and the difference between
these two states. We must first inquire whether the waking is absolutely
distinct from the dreaming state as far as the appearance of the images,
their nature, and mode of action are concerned. It has been observed by
many psychologists and physiologists that in the waking state, when
images do not arise from the immediate presence of objects, or are not
directed by the will to a definite aim, they appear, group themselves,
and disperse by the immediate association of ideas, and the measurements
of time and space are modified just as they are in dreams. These
observations are correct, and the phenomena may be verified by every one
for himself.

In this waking state, which really resembles that of dreams, only the
analogy of form has been perceived; the ideas of the objects present to
the mind have resembled those of images seen in dreams, but they have
continued to be mere ideas, presented to the imagination, whereas in
dreams the things seen have been supposed to have a real existence. In
this respect the analysis is partly true and partly false; it is not, as
we shall see, perfect and exact.

It sometimes happens, owing to special circumstances and conditions of
mind, or to peculiar temperaments, that the ideas of things do not
remain as mere _thoughts_ in the thinker's mind, but that they become so
intense that they are for the moment held to be real, precisely as in a
dream.

I do not here speak of abnormal or pathological conditions, or of
extraordinary phenomena, but of a normal and common condition. If there
is any novelty in the assertion, it is owing to a want of observation
and reflection, and to not attempting to trace the real nature of the
phenomena in which we take part, and which occur every day. The habitual
inaccuracy of observation has led to the use of many proverbs and
aphorisms in the interpretation of things which have been transmitted
from one generation to another, and are now accepted as indubitable
axioms. These are to be found in every branch of knowledge, and we have
an instance in the popular and scientific aphorism that in dreams images
appear to be real, and that in the waking state they always continue to
be mere thoughts and ideas.

This is not the fact, since, putting illusions and hallucinations out of
the question, thoughts and ideas sometimes assume the character and
nature of real objects, just as they do in dreams. This fact constitutes
the link and gradual assimilation of the two states, since in no series
of phenomena _natura facit saltum_.

When, for instance, as often happens, we abandon ourselves to a train of
thought, and our perception of surrounding objects is weakened by
inattention, we become as it were unconscious, and are only intent on
the thoughts and ideas which move us. Since no definite object
constrains the will to rule and guide these thoughts and ideas, that
condition of mind is established which we have shown to be identical in
form with the act of dreaming, for in this case also thoughts and ideas
have their origin in association alone. In this condition a phenomenon
peculiar to dreams may also occur which may be termed the suggestive
impulse; a sound or some sudden sensation produces an immediate
transformation of the image itself, and a new dream arises in conformity
with the nature of the new impression. Every one must, consciously or
unconsciously, have experienced such a phenomenon, and this special
characteristic of dreams may also take place in the waking condition
which I have described. I myself can bear witness to this fact, and will
mention one among several instances: I was once reading inattentively,
seated at my ease in a lounging chair, and my thoughts took quite
another direction, wandering vaguely from one thing to another. All at
once some people entered an adjoining room talking together; I heard
what they said indistinctly, but the word Florence reached my ears, and
I soon imagined myself to be in that city, and going on from one
association to another I continued for some time to see again the
places, monuments, and people I had known there. Yet I was fully awake,
and from time to time I brushed the flies from my face and glanced at
the clock on the chimney-piece, since I had to go out at three o'clock.

It appears from this fact, which will be confirmed by many of my
readers, that some waking states resemble those of dreams in form, and
moreover they are sometimes even alike in substance. Ideas and thoughts
in the conditions just indicated may not only be latent, active,
combined, or transformed by suggestive impulses, but ideas are
represented by images in such vivid relief that, until the observer
recollects himself, they are seen and felt by him with the same sense of
reality as in a dream. This mental transformation is however so
habitual, that the implicit conviction of being really awake, does not
allow us to observe what the actual nature of the phenomenon is, since
there is an immediate transition from an implicit perception of the
image as real to the habitual form of simple thought, without
distinguishing the difference between these two states of consciousness.
Any one who has long practised himself in the observation of such
distinctions will, however, be able to understand the psychical process
and to estimate its value.

It has often occurred to myself, in circumstances analogous to the
above, when thinking of persons or places at a distance, to see them
imaged before me in such vivid relief that I have been startled as if by
a morbid hallucination. Once, in passing through my chamber, my
attention was so strongly fixed on an absent person that I was not only
vividly conscious of his form, but also of his voice and gestures, so
that I was amazed by the lively image brought before me. I could adduce
other instances from my own experience and that of others to show that
in a waking and altogether normal state we may believe in the reality of
the image as we do in dreams.

This vivid and momentary realization of images is very common in the
lower classes, who often talk to themselves, and use gestures which show
that they are conversing at the moment with imaginary persons, who stand
before them, as if they were really there, in the same manner as in
dreams. Indeed, every one has experienced this phenomenon for himself,
especially when strongly excited by anger, sorrow, or hope. If it were
possible to reflect on the process of thought at the time we should
distinctly understand that we were dreaming while still awake.

The vivid imagination of artists is well known, so that they are able to
see and represent things and persons, either in words, with the pencil,
or the chisel, just as if they were actually present. The image so
vividly realized is a necessary condition of the exercise of their
respective arts. When great poets, such as Dante, Ariosto, Milton, and
Goethe, conceived and idealized their thoughts with every detail of
circumstances, persons, actions, expressions, and movements, no one can
deny that the images were vividly present to their minds, and that while
in the act of composition these were unconsciously regarded as having a
real existence. If these poetic descriptions are presented to the
attentive reader in such a vivid form as to transport him into a real
world, much more must the authors of these marvellous creations have
looked upon them as real at the moment of composition. The impression of
truthfulness is indeed produced by the fact that the writers saw these
things as though they were real. I speak of states of consciousness, not
of reflex observation, of intense moments of sensation and imagination,
which are unnoticed by the man who experiences them in his waking
moments. Such is the reader of a poem, a romance, or history, the
spectator of a picture, who is able for the time to abstract himself
from surrounding objects, and who implicitly believes that he sees those
places and persons, or whatever the book or painter has described or
represented. If suddenly interrupted, he rouses himself, and may be said
to awake to the present reality of things, as if startled from a dream.

Wigan relates that a celebrated portrait painter worked with such
quickness and facility that he painted more than three hundred portraits
in a year. When he was asked the secret of his rapid execution and of
the faithfulness of the likeness, he replied, "When any one proposes to
have his portrait taken, I look at him attentively for half an hour,
while sketching his features on the canvas; I then lay the canvas aside
and pursue the same method with another portrait, and so on. When I wish
to return to the first, I take his person into my mind and place it
before me as distinctly as if he were actually present. I set to work,
looking at the sitter from time to time, since I am able to see him
whenever I look that way." Talma asserted that when he was on the stage,
he was able by mere force of will to transform his audience into
skeletons, which affected him with such emotion as to add force and
energy to his action. Abercromby speaks of a man who had the faculty of
calling up visions with all the vividness of reality whenever he
pleased, by strongly fixing his attention on mental conceptions which
corresponded to them. Yet he was a sane man, in the prime of life,
perfectly intelligent, and versed in practical affairs.

A very slight withdrawal of the attention from surrounding objects is
all that is necessary to enable artists and some other persons to call
up these images with vivid distinctness, since even in the waking state
the image may for the moment appear to be actually before them. Any one
might attain to the same power of verification if the transition from
the real to the merely ideal image were not in the waking state so
instantaneous and easy; whereas in a dream the state of illusion is
uninterrupted, and it is physiologically impossible for the mind to pass
immediately from the image, which is believed to be real, to the simply
representative idea of the thing.

Even in the waking state, the image and representative idea of the thing
naturally tend to become, or to appear to be, actual realities, even in
a strictly normal condition of mind and body. Nor do they only
implicitly tend to become such by the innate impulse of the mind, but
they actually become so in fugitive moments of which man is scarcely
conscious, and they appear to him exactly as they do in dreams. Hence it
follows that there is no hard and fast line between the sleeping and
waking states, so far as the nature of images, their source, action, and
combinations are concerned, when men are distracted in mind, and the
course of their thoughts is not voluntarily directed to some definite
object; so that by a psychological process the phenomena of the waking
state may be partly transformed into those of dreams. The vivid
character of the image, presented to the senses as if actually there, is
common to both phenomena. The way in which we begin to dream shows how,
owing to our physiological conditions, we pass through regular stages
from the waking state into that of sleep.

  "Nuovo pensiero dentro a me si mise,
     Dal qual più altri nacquero e diversi;
     E tanto di uno in altro vaneggiai
     Che gli occhi per vaghezza ricopersi,
   E il pensamento in sogno trasmutai."[33]

So Dante writes in the "Purgatorio" with deep and subtle truth. Each man
can verify for himself the exactness of the great poet's description.

I myself can readily study the phenomena of dreams, since I never sleep
without dreaming so vividly that I remember all the circumstances in the
morning. I have used all sorts of artifices in order to trace the
beginning of sleep and dreams, and always with the same result, so that
I am certain of the accuracy of experiments which have been repeated a
hundred times. I have examined other persons who have made the same
observations, all of whom agree with me.

When repose, the herald of sleep and dreams, begins, my thoughts wander
in an irregular and somewhat confused manner. As they are gradually
subjected to the associations to which they successively give rise, they
are transformed into more vivid images, a vividness which is always in
inverse proportion to the attention. This gradually produces the state
which has been described by Maury and others as hypnagogic
hallucination; that is, the images seem to be real, although the subject
is still partly awake, and the voluntary exercise of thought is lost
from time to time in this species of incipient chaos. It is at this
point that images are really most intense, and that every idea assumes a
body and form, every image a reality: finally, when the body and the
brain have reached the physiological conditions of sleep, thoughts which
had been changed into hypnagogic images in the intermediate stage
between sleep and waking, are altogether transformed into the real
images of dreams.

By an effort of will I have often been able to surprise myself in this
intermediate stage, and the same thing has been done by others, and it
always appears that this is the real moment of transition from
wakefulness to dreaming, I have been able to verify the fact that the
first dream is only the continuation of our last waking thoughts, which
have now become dramatic and real I have also observed that this
intermediate stage between waking and dreaming, during which the images
are real and vivid, although we are still conscious of our real
condition, goes on for a long while, sometimes for a whole night, with
brief intervals of sleep. This has occurred to me when I was kept awake,
either when travelling at night, or when I had taken a large draught of
water before lying down (other liquids or food does not produce the
phenomenon) or if I have been looking during the day at objects
illuminated by dazzling sunshine. In all these circumstances the bright
and vivid images appear reduced to an almost microscopic scale, although
very distinct in form and colour; in ordinary cases, the images appear
of the ordinary size, but not without a tendency to become smaller.

I believe that there is a physical cause for the reduction and
attenuation of the images in the excessive excitement of the retina, or
central encephalic organ in which images are formed in conscious
concurrence with the cortical part of the hemispheres. Owing to the
excitement caused by wakefulness, by fatigue, by sunshine, or in some
cases by the condition of the nerves of the stomach, the objective
projection on psychical space, partly transmitted by heredity and
gradually formed by associations and local signs,[34] is arrested by the
innate force of the image on the organ, and it appears to be smaller and
in proportion with the relative smallness of the image which is produced
by minute vibrations and by the susceptibility of the cellule. This
intermediate and persistent stage of hypnagogic images serves in every
way to explain the physical genesis of involuntary hallucinations.

As a proof that the image physiologically assumes the form of a real
appearance, I may mention the experience of myself and others. When
suddenly awakened from a vivid dream I have sometimes, even when I was
fully awake, seen for an instant the figures of my dream still moving,
and projected on the wall. This fact shows that even the images of our
waking state have, in the physiological conditions of the brain, a
tendency to take real forms, so that they may be termed normal, or more
properly, inchoate hallucinations, corrected by the conscious efforts of
our waking state and external consciousness. So that it might be said
that dreams are at first the transformation of our waking thoughts into
normal images and hallucinations, and afterwards into those of dreams,
properly so called.

If the hypnagogic phase actually affects the cerebral cellules in
connection with the various senses of which they are the organs, the
phases of sleep and dreams, strictly so called, have more general
conditions. The idea, converted into an image presented to the senses,
may thus be said to have three stages: that of the waking state, which
depends as we have said on the intensity and vividness with which it is
reproduced, aided by a momentary detachment from the real environment;
secondly, the hypnagogic phase, in which there is the physiological
action of the nervous centres, which produce the image, though still
with the implicit consciousness of the waking state; and finally, the
actual dream, in which this implicit consciousness is almost always
wanting, and the psychical exercise of thought is completely transformed
into visions and figures which are believed to be real. This in its turn
depends upon the other two causes, and on the physiological relaxation
of the body, which is to a great extent isolated, so that the effectual
impulses of external nature are greatly attenuated.

In the waking state, the whole body and all its organs of relation and
movement are in tension. The cerebro-spinal axis virtually excites the
whole muscular and peripheral system in such a way that relaxation or
relative repose becomes impossible. But the brain, with all its
dependencies and appendices, is not only the organ of thought, but it
stimulates and directs our whole system, as numerous experiments have
shown. In the waking state both these functions are exercised equally,
as far as the impulses and functions of the body are concerned, and as
long as the psychical and organic characteristics of the waking state
continue. But in sleep the exciting influence of the brain is
diminished, and the brain transmits much less of the normal excitement
and normal tension to the spinal axis with its ramifications in the
afferent and efferent nerves; in the waking state an external impression
is promptly conveyed to the centres, whence it returns in corresponding
movements with the usual connection and rapidity, whether reflex or
deliberate. Since in sleep the relative condition is flaccid and torpid,
this action no longer takes place. For if the brain be affected by
strong impressions, and these are followed by corresponding movements
due to reflex action, as is often the case, even in sleep, the dreamer
is only obscurely conscious of them, and they almost wholly depend on
the spinal axis, and the peripheral ganglia.

As we have said, the function of the brain is duplex; it stimulates and
directs, and it is also sentient and conscious, and this second function
is persistent in dreams. Although the brain is no longer directed by a
power which dictates psychical acts and phenomena, yet its automatic
action is not destroyed, and to this the apparent reality of images
seen is owing, since there is no longer any distraction from the
external world, or, at all events, its impulses are so attenuated as to
be unobserved. In such conditions past images recur with an appearance
of reality owing to the mnemonic and automatic action of the brain; such
a tendency exists in the waking state, and the images are associated and
dissociated in a thousand ways, by means of analogies, resemblances,
former combinations of facts, and series of facts analogous to those of
the waking state, and are modified by suggestive impulses. We have
experimental proof, to which I can add my own irrefragable witness, that
the stimulating influence exerted by the brain in the waking state is
dormant in sleep, and that only its automatic act of representation
remains active, with the occasional exercise of an aroused and conscious
will.

The following strange and unpleasant phenomenon generally occurs to me
once or twice a year. All at once, in the midst of a deep sleep, I
become wide awake; I am fully conscious of myself, of the place where I
am, of my position and the like, and wish to move like a person who is
fully awake. Yet for some time this is impossible; the psychical,
cerebral faculty is perfectly awake, and master of itself, but not the
stimulating faculty, so that the limbs do not respond to the first
impulse of the will. All my efforts are unsuccessful; I only succeed in
escaping from this unpleasant situation by uttering with great
difficulty some inarticulate sound, which acts as a shock, and I thus
obtain the mastery of my body, for the nerves of speech and the muscular
movements of articulation also fail to answer to my will. If this occurs
when I am alone, the struggle is severe, and there is a violent shock to
the whole body before its equilibrium is restored and the motor function
of the brain resumes its office.

It is therefore manifest that the stimulating function of the brain is
dormant in sleep and dreams, but its automatic, psychical function
persists; it sometimes happens that the stimulus of the will is awakened
before the stimulus of motion, and that the brain may be aroused to
consciousness for some moments before it has resumed its normal
functions as a stimulating organ, which were attenuated and relaxed in
sleep. The abnormal condition of paralysis proves and confirms this
fact.

Let us now ascertain the cause of the various psychical and
physiological conditions which aim at and often succeed in presenting to
the mind a mere representative sign as a substantial and real image.
What is the cause of the apparent reality of dreams? The image is
clearly a psychical phenomenon, containing a sensible element of which
we are conscious; the fundamental faculty of the perception is exerted
on it as on a real object, and the immediate results are precisely
identical. The reader will remember that we have shown that a
phenomenon involves the intuitive idea of an active subject, so that the
image also, in accordance with the innate faculty of perception, must
normally appear to the mind as such. When this is not the case, it is
because the normal effect of natural phenomena, to which our attention
is constantly directed, and our mental education and hereditary
influence, have accustomed us to distinguish at once between the mere
idea and the real object, and thus we discern the difference between the
normal action of thought and sense, and illusions, hallucinations, and
dreams. But since these psychical and physiological conditions lose
their force when the habit and actions of our waking state are dormant,
the primitive and innate entification of the image quickly recurs, as we
can plainly see from the previous analysis.

This is so much the case, that some savage peoples even now find it hard
to distinguish real events from those of dreams, and this is owing to a
defect in their memory or to the imperfection of their language. In
fact, all civilized and barbarous peoples in the world have without
exception believed, and still believe, in the reality of images seen in
dreams, and their personification has been the source of an immense
number of myths. Even now, with all our civilization and advanced
science, not only the common people, but many of those in fashionable
and tolerably cultivated society, believe in the reality of dreams and
in their hallucinations, and derive from them fears, hopes, and warnings
for their future life.

I will give one instance in a thousand to prove the innate tendency even
in the act of dreaming to transform the image into a real object. It
appeared to me that I was in a large room filled with acquaintances and
strangers, who discussed an event which had really occurred in the city
a few days before. All at once I raised my eyes to the wall of the room,
and saw a large picture, representing a landscape with distant
mountains, streams, cottages, and animals. As I looked, the picture was
gradually transformed into a real object, and I found myself, together
with the company before mentioned, in the midst of the fields, on the
bank of the river, and within one of the cottages.

In another dream, I appeared to be conversing with an old soldier on the
shores of a lake; after some incoherent talk, he began to describe a
bloody battle in which he had taken part; he had not gone far before the
narrative was changed for an actual occurrence, and I was in the midst
of a real battle, such as the soldier had undertaken to describe.
Another night I dreamed that I was reading a tragic poem, relating
terrible deeds of blood and rapine, and suddenly I seemed to have become
an actor or real spectator of that which I had at first read in a book.
In another strange dream I was going over a difficult pass in a hired
carriage, and I seemed to see before me a friend from whom I had parted
on the previous day, when he got into an omnibus to return to the
country. I soon saw in the distance a large coach-builder's
establishment, a vast enclosure with sheds and carriages, and in the
_piazza_ I saw the manager, a man I knew, who had really some
appointment in a carriage manufactory; the building recalled by
association the familiar appearance of the high chimneys which rose
above the roof, and while thinking of those chimneys with my eyes fixed
on the manager, he appeared to me to be changed into a very high
chimney, still bearing a human face. Finally, not to multiply examples,
I remember a dream in which I was present at a popular disturbance,
where one woman, more furious than the rest, came to blows with her
husband, and called him a dog. Suddenly the scene changed, and I was
transported to a courtyard in which there were poultry, pigs, and a fine
dog of my acquaintance, called Lightning. Again the scene changed, and I
found myself in a country district with some friends, exposed to a
violent storm of thunder and lightning.

We clearly see from these facts that whatever may be presented to the
imagination is transformed into a real object in the dream itself, so
that it might be called a dream within a dream, and in the last instance
the transmutation passes through three images and consecutive objects.
This transmutation not only consists in the transition from our waking
thoughts to the image of our dreams, but it takes place in the act of
dreaming; such is the power of the faculty of perception, in which we
find the first origin of myth in man, and its roots also in the animal
kingdom. Thus the genesis of myth, as far as the entification of the
image is concerned, is the same as that of dreams.

The normal illusions of the senses, which are believed to be real by
primitive men, and by those ignorant of physical laws, have a similar
origin. The objection of such phenomena as a mirage, or the tremulous
effect produced in tropical regions by the refraction and reflection of
light on trees, rocks, and mountains, so well described by Humboldt, is
due to ignorance of the laws of nature, and this is in fact an
entification of the phenomenon, occasioned by the innate tendency to
animation which is proper to the perception. In this it is easy to trace
the genesis both of myth and dreams. The fact of hallucination is more
complex, even in its normal state, that is, in those general conditions
of mind and body in which reason has complete command over us.

Without entering into any analysis of the various forms of hallucination
of which many able psychologists and physicians of the insane have
treated, let us turn to the more ordinary cases in which an image of the
mind is projected on the external world so as to appear real. The roots
of such a phenomenon are strictly organic, and belong to the centres in
which the image is formed, as we have already observed; this image
sometimes stands out in such vivid relief on the psychical space that it
seems to be an external, not, as it usually appears in less vivid form,
an internal intuition. The hallucinations which Nicolai describes
himself to have experienced may be taken as a classical example. When
Andral was returning from an autopsy, he clearly saw the corpse
stretched before him as he entered his room. Goethe, Byron, and many
others, have been affected in the same way. I myself have occasionally
had hallucinations of the kind when in a perfectly healthy condition of
mind and body; one, in particular, of a very vivid character, occurred
when I awoke one morning and seemed to see a tall and venerable priest
entering my chamber. It is needless to multiply examples; similar facts
abound in classic books in English, French, German, and other languages.
Let us rather study the phenomenon and trace its origin.

It is clear on the one side that the images of the hallucinations of
sight or hearing appear to have a real existence, so that they may be
observed and studied with ease; and it is also certain that this image
has no external existence, and is simply a cerebral fact, due to the
organs adapted for perception. Without considering the cause of the
external projection, to which I have already alluded, since perhaps its
physiological and psychical genesis is not yet fully understood, we
must consider the image, so far as it is believed to be real.

In cases of normal hallucination the reason is intact, and the observer
is conscious of the illusion, yet notwithstanding this positive judgment
the image has an appearance of complete reality. The cause of this
illusion is evidently the same as that of the illusions of dreams, and
of the origin of myth; namely, that everywhere and always the mental or
natural phenomenon and its image are respectively entified. In the
normal waking state, habit and other causes on which we have touched
render our ideas of things altogether immaterial, as merely psychical
forms and representative signs, but when the excitement of the organs
increases, so as to present them to the consciousness as objective
images, then, owing to the interruption of the ordinary process, they
are suddenly entified, and appear as an external phenomenon.
Hallucinations are therefore explained by our theory, and it is further
confirmed by the hallucinations of animals, and especially by the
delirium of dogs and other animals affected by hydrophobia, or by
cerebral excitement artificially produced by alcoholic and exhilarating
drugs.

If a man is habitually subject to many and various hallucinations, and
his sane judgment esteems them to be such, they are undoubtedly unusual
phenomena, but they do not in any way injure the rational exercise of
the mind. It is only when he believes the images to be real that the
abnormal state begins, termed delirium if it is of short duration, and
madness if it is permanent. We must examine hallucination under these
new conditions.

In the delirium of fever, or in various forms of disease, the cerebral
excitement is so great that not only the deliberate exercise of reason,
but the power of estimating external objects is lost, and the organs of
the senses are so completely altered, that the perceptions themselves
are exaggerated and confused. In this state hallucination reaches its
highest point, and the patient sees, hears, and feels, directly or
indirectly, strange and terrible things: wild beasts, enemies of all
kind, torments; or again, pleasing and agreeable images. Independently
of the alteration in various sensations produced by the morbid
alteration of the special organs which induce them, the real cause of
this phenomenon consists in the objection of mental sensations and
images. Such an objection of images or sensations, considered in the act
which transforms them into a reality, depends on the same cause as all
other acts of perception; there is always an entification of the
phenomenon, which in this case is a vivid internal image, appearing to
be external and real.

The entification of images is still more direct and powerful because in
this morbid crisis the necessary corrections made by reason cannot take
place, since the sick man is for the time deprived of it, and he is in
fact a dreamer, whose condition is intensified by abnormal excitement.
Entification is now displayed in its nude and native state, and serves
to explain the constant mental process, and the true nature of the
representations of the intellect. The transition is easy from delirium
to madness, for although an insane person is not always delirious, but
sometimes calm and composed, yet there is a fundamental resemblance to
delirium in the change in his states of consciousness and its relative
organs, which imply a constant hallucination. The most famous and acute
physicians of the insane estimate that eighty out of a hundred insane
persons are subject to hallucinations. The morbid condition which
generates them is also produced by debility, by anæmia, and the senile
decay of the cerebral organs, since they occur in dementia, idiocy, and
old age, and the physiological and mental causes are the same; the power
of fixing the attention and governing the thoughts is diminished, owing
to the weakening of the vivid consciousness of the external world,
produced by a torpidity of the afferent organs. In these cases the
recollections which are not altogether lost sometimes reappear as
hallucinations. The hallucinations of madness, in its various forms of
dementia, idiocy, and dotage, are all, apart from their morbid and
organic conditions, derived from the same source which produces myths,
dreams, and normal hallucinations; the objective entification of images
is due to the innate faculty of the perception, which leads to the
immediate personification of any given phenomenon. We have shown that,
given a sensation, there naturally arises the implicit notion of a
subject and a cause, and this natural impulse is further developed by
the influence of heredity; both in man and animals the constant and
powerful sense of individual life is infused into the phenomenon
perceived.

The various forms of madness throw a clearer light on this necessary and
primitive fact of human and animal perception. The act of sensation may
then be said to be under its own direction, and generates itself in the
automatic exercise of the brain, as in dreams, without the explicit,
disturbing, and modifying influence of reflection, and the habit of
rational analysis. The act of sensation is spontaneously completed and
developed in and with its own constituents, and since it is isolated
from other modes and exercises of thought, its real nature appears. The
hallucinations of madness, produced by the mental realization of images,
either detached or in association, prove that all our mental images or
ideas have a tendency in themselves to become real objects of
consciousness; with this difference, that a sane man recognizes these
mental entifications by their mobility and incessant alterations, which
contrast with the fixity and permanence of external and cosmic
phenomena.

The following considerations will confirm the truth of these facts. In
our advanced state of civilization, thought may, after so many ages'
exercise, almost be said to have become part of the organism by the
indisputable effect of heredity; and the phenomenon of the recurrence to
memory of past facts and distant places is obvious and intelligible,
since our judgment of them is never subject to illusion, or only in rare
instances and in abnormal conditions. But this judgment is less obvious
and easy in the case of primitive savages who have advanced little
beyond the innate exercise of the intelligence. The rational analysis of
the states of consciousness has not been made, and hence their special
and general distinctions are seen with difficulty or not seen at all.
Consequently the primitive and natural amazement of man must have been
great, when by day, and still more in the lonely silence of night,
persons, places, and his own past acts recurred to his mind, and he was
able to contemplate them as if they were actually present. He was
incapable of giving an explanation of this marvellous fact in the
rational and reflective manner which is possible to psychologists and to
all civilized men. This revival of the past appeared to him as a fact in
its simple and spontaneous reality; he made no attempt to explain it,
but it was presented to his consciousness like all other natural facts.
The only explanation of the phenomenon appeared to him to be that these
images did not recur to the mind by the necessary action of the brain,
but that by their own spontaneous power they were recalled to take
their part within his breast: he supposed the phenomenon to be
objective, not subjective.

Prophecy, for instance, was often supposed to be a recollection, and
some primitive accounts of the genesis of things, handed down by
tradition, were reputed to be inspired, and objectively dictated to the
mind. The Platonic theory of reminiscence relies on these conceptions.
The power which recalled the images to memory was supposed to be
external, and identical with that which raises up the images of dreams;
primitive man traced a fanciful identity between the phenomena of memory
and of dreams, and the distinction between them was not supposed to
consist in the actual images, but in the modes of their appearance in
the waking or sleeping state. The images assumed in the memory a
relative reality, somewhat resembling those of dreams. In fact, some
savages do not clearly distinguish between the images of these states,
and see little difference between the spontaneous recollection of
things, the fancy, and dreaming. This also occurs in children, who at a
very early age often call by name absent persons and things which recur
to their memory; and on the other hand they do not distinguish the facts
of real life from those of dreams. I have observed this fact in several
children.

Among primitive peoples it often happens that an object with which they
are unfamiliar, but which has some analogy with those with which they
are acquainted, becomes associated with the latter, and is constituted
into a compound being, endowed with life. The Esquimaux believed the
vessels commanded by Ross to be alive, since they moved without oars.
When Cook touched at New Zealand, the inhabitants supposed his ship to
be a whale with sails. The Bosjesmanns ascribed life to a waggon, and
imagined that it required the nourishment of grass. When an Arauco saw a
compass, he believed that it was an animal; and the same belief has been
held by savages of musical instruments, such as grinding organs, which
play tunes mechanically. Herbert Spencer mentions similar behaviour in
some men belonging to one of the hill tribes in India; when they saw Dr.
Hooker pull out a spring measuring tape, which went back into its case
of itself, they were terrified and ran away, convinced that it was a
snake. From these facts, which might be multiplied indefinitely, it not
only appears that everything is spontaneously animated by man, but also
that the images of his memory are fused with those which are actually
present, since their respective factors are esteemed to be equally real.
This primitive objection of the images of the memory also occurs in the
mythical representations of dreams, which, as the images of absent
objects, have much in common with the images of the memory. In fact, all
peoples, as we have seen, have believed in the reality of dreams.

The North American Indians believe in the existence of two souls, one of
which remains in the body while the other wanders at pleasure during
the dream. The New Zealander supposes that the dreamer's soul leaves his
body, and that he meets the things of which he dreams in the course of
his wanderings. The Dyak also believes that the soul is absent during
sleep, and that the things seen in dreams really occur. Garcilasso
asserts that this was likewise the Peruvians' belief. A tribe in Java
abstains from waking a sleeper, since his soul is absent in dreams. The
Karens say that dreams are what the _là_ or soul sees during sleep. This
theory is also found among more civilized peoples, as for instance in
the Vedic philosophy and the Kabbala, and it has come down to our days
among the common people, and even among those of some culture.

One belief connected with dreams, generally diffused among all savage
and civilized peoples, is that of the appearance of dead men, or of
their ghosts. Of this all the traditions and popular myths in the world
are full. Such a belief, first excited by the vision of the dead in
dreams, is easily aroused in the savage or uneducated mind, even when he
recalls to memory while he is alone, and especially at night, the image
of one whom he loved in life. Affection, and the lively emotion of
sorrow and desire give such a life-like appearance to these images that
they become objectively present to the mind, to console the mourner, or,
on the other hand, to threaten the murderer. I have more than once heard
persons of all classes, after the death of children, of a husband or
wife, whom they have injured or imagine that they have injured, either
during life or by not fulfilling their last wishes, declare in all good
faith that the form of the dead is often present to their memory and
visible while they are awake; thus implying that the dead mercifully
appear to comfort their mourning friends, or else to reproach them for
not fulfilling their promises. In a word, these images did not seem to
them to be subjective, and an ordinary phenomenon of the memory, but
objective and personal apparitions within the soul. The cases are not
rare in certain dispositions of mind, in which the projection of these
images on the memory gradually produces madness. We must not forget that
psychical phenomena in general are very differently regarded by the
savage and the civilized man, since the latter is accustomed to
analysis, and to the real distinctions of things. If this canon is
forgotten we shall fall into grave errors in the attempt to interpret
the evolution and primitive history of thought and of humanity.

We shall more readily understand the nature and genesis of all these
hallucinations, and of normal and abnormal illusions, if we study
another phenomenon of frequent occurrence which I myself have often had
occasion to observe. I mean the illusion or hallucination which does not
consist in the absolute projection of an internal image with an external
semblance of reality, but which presents it in the twilight as an
object of uncertain form, either in a room or out of doors. It often
happens, as I and others have experienced from childhood, that a dress
or other object lying by chance on a chair, or on the ground, or hanging
on a piece of furniture or a peg, seen in connection with the other
things near it, is transformed into a person or animal, in a sitting or
standing posture or lying at full length, as if it had been a spectre or
phantasm; somewhat like the figures which we all take pleasure in
tracing in the strange and mobile forms of clouds. The fantastic figure
sometimes appears instantaneously and at the first glance, sometimes it
is only gradually made out; but in both cases, as we shall see, its
genesis is the same. Although in the former case that which in the
latter is gradually developed _appears_ to be developed all at once, yet
in reality it passes through the same stages.

Let us now consider the second mode; and in order to be perfectly
accurate, I will describe one out of many apparitions which I saw so
recently that its gradual formation is retained distinctly in my memory.
On a small three-legged table beside my bed there was a little oval
mirror, on which hung a woman's cap, which fell partly over the glass:
there was also an easy chair, on which I had thrown my shirt before
going to bed, while my shoes were as usual on the floor. I awoke towards
morning, and as I chanced to look round the large room, in the uncertain
light of a night-light which was almost burnt out, my eyes fell upon
the easy chair. Immediately I seemed to see a head above it,
corresponding to the mirror, and a vague and confused image of a person
seated there. As I am accustomed to do in similar cases, I closed my
eyes for a little, and on reopening them I looked at the appearance with
attention and interest; this time the person or phantasm had a less
confused outline, although I did not see the form distinctly, nor the
features, nor its precise position. Yet in this second observation, I
obtained an idea of it as a whole, and in details.

On further examination the face and person stood out more clearly, and
the features became more distinct, the longer I looked. Each accidental
fold or shadow on the cap was transformed into bright eyes, strongly
marked eyebrows, into the nose, mouth, hair, beard, and neck; so that as
I went on I had before me a perfectly chiselled face corresponding to
the type which had first flashed across my mind as the confused
impression of a face conveyed by the cap and mirror. The same process of
evolution was pursued with respect to the limbs, the breast, arms, legs,
and feet; parts of the body which at first appeared to be vague and
indeterminate gradually, and as if by enchantment issued distinctly from
every fold of the shirt, from every shadow, angle, and line, so as to
compose what Dante would call _una persona certa_. Finally I saw before
me a man dressed in white, of an athletic form, sitting in the easy
chair and looking fixedly at me: the whole body was in harmony with the
head, which had first resulted from the rude resemblance to a human
face. The image appeared to me so real and distinct that on rising from
the bed and gradually approaching it, its form did not vanish, even when
I was near enough to touch the object which produced it. An analysis
showed that the features, limbs, and position corresponded in every
point with the folds and relative position of the articles of dress
which had formed it. A similar process, issuing in such apparitions, is
a frequent cause of illusions, which in the case of ingenuous,
superstitious, and primitive peoples, may lead to the firm conviction
that they have seen an apparition. This has certainly been the case in
primitive and even in civilized times, and has given occasion to myths,
legends, and the worship of tutelary deities and saints.

If we consider the causes of such a phenomenon, and analyze its elements
and motives, we shall, I think, discover that it goes far to explain
many normal and abnormal hallucinations.

In the first place, there is in man a deep sense of the analogies of
things, partly developed by the organic tendency to regard any given
object of perception as subjective and causative, and to infuse into it
our own animal life, a tendency confirmed by education and the practice
of daily life. Such analogies, which find their expression in metaphor,
are very vivid and persistent in the vulgar and in those persons who
approximate most closely to the primitive ingenuousness of the
intelligence. The most frequent analogies are between natural phenomena
and objects and animal forms. Analogies are also found between the
various forms of inanimate natural objects, but the former are more
usual, and especially those which refer to the human form. There are
numerous and familiar instances of the names of men or women given to
mountains, rocks, and crags, because they have some remote resemblance
to some human feature or limb. Every day we may be called upon to see a
face in some mountain, stone, or trunk of a tree, in the outline of the
landscape, a wreath of mist or cloud. We are told to observe the eyes,
nose, mouth, the arms and legs, and so on.[35] Every one must remember
to have often heard of such resemblances, even if he has not himself
observed them. All the facts and laws which we have observed explain why
the sudden appearance of some vague form in an uncertain light,
reminding us in a confused way of the human figure, instantly causes us
to trace a resemblance to man rather than to any thing else. It must be
noted, as my experiment has already proved, that in this first sketch
of a phantasm in human form, a general, though indefinite type of the
whole figure has spontaneously arisen, to which it is made to
correspond. This is the key to the ultimate perception of the
phenomenon. What may be called the prophetic type of the figure which
will afterwards appear to us in all its details, although it may seem to
be produced by external resemblance, is in fact the product of the mind,
which has been unconsciously exercised in its construction.

In fact, out of the immense variety in faces, and in the general form of
persons, of gestures, fashions of dress, attitudes in rest and motion,
which are indelibly impressed on the memory, every one constructs
general types for himself; types which are revealed in the allusions
made in our daily conversation to the resemblances which we are
continually observing. These remain in the memory, with all the manifold
resemblances, as well as the ideal of certain types in which the
numerous forms we have seen and compared are formulated. We know that
when the memory has been dormant, which is often the case, it may be
awakened by the stimulus of association, of analogy, or of will, so as
to reproduce the forgotten ideas and sensations which are thus again
presented to the consciousness. When, therefore, one or more objects are
seen in an uncertain light, so as to present a confused appearance of
the human form, its general lineaments are unconsciously made by us to
correspond with the human type already existing in the memory, and this
type presides in the subsequent composition of the reproducing artist
who observes the phantasm. The unconscious mental labour which is
accomplished in the reproducing cellules of past impressions and ideas
by the instantaneous creation of the type, gathers round this type the
form and features corresponding with it, which had its earlier existence
in our own experience. The external pose and indefinite modification of
the objects appear to correspond with the gradual mnemonic revival of
the typal form, and they reciprocally stimulate and react on each other.
For while a fold, shadow, or line of the objects seen appear to
correspond with some feature of the mnemonic type, on the other hand, a
fold, shadow, or outline of the object recalls a feature of the inward
phantasm composed by the memory.

In this process the mnemonic details which are in accordance with the
pre-existing type, and sometimes also in accordance with some remarkable
face or person which was the first to present itself to the mind, serve
as a model for the accidental form of the external object or objects
which correspond to it; this in its turn recalls features which remain
in the memory, and in this way the external form of this particular
phantasm is gradually chiselled into full relief. The more intently we
regard the object which is modified to suit the mental image, the more
perfectly they agree together, and the apparition stands out with more
vivid distinctness. This will be the experience of every one to whom
such a phenomenon appears, and a dispassionate analysis of all the
phases of this fact must fully confirm our theory.

Such a fact, which is implicitly included in the general law we have
laid down for the origin of myth, will also as I think throw further
light on the origin of many hallucinations, both in normal conditions of
mind and in the abnormal state of nervous disorders. The different
appearances of objects, animals, and men, the voices, words, songs, and
conversations seen and heard in these hallucinations, are produced, by
an internal impulse as well as by a stimulus from without; they are
internal in the images and sensation already unconsciously impressed
upon the memory, and they are external in the accidentally modified form
in which they occur in sensible objects, so that they act reciprocally
as an incentive and impulse to each other.

If in normal hallucinations the vividness of the internal image is in
certain physiological conditions projected outwardly, the configuration
and accidental form of the external objects contribute to complete the
composition in accordance with the nature and design of this internal
image. Sometimes the physiological conditions of hallucination are so
powerful that it is at once produced by the appearance of an object
which has some analogy with the mental image. Whatever may be the
genesis and primitive character of the idea of space, and its psychical
and physiological relations to actual space--a question which has been
the theme of so much discussion in our time--it is certain that first
habit and then hereditary influence cause us to have the sensation and
apprehension of a psychical space, which may be termed artificial and
congenital, and upon which the various impressions of the senses are
spontaneously projected. Of this there is an evident proof in the fact
that if we look at the sun or any bright object, such as the windows of
a room in the day time, and then close our eyes, so as to make the
vision of external space impossible, the image of the sun, sometimes of
a different colour, or of the window, is projected into the darkness at
some distance from us, and moves about this psychical space. This
phenomenon also occurs in the subjective sensations of hearing, since
the sounds do not appear to be close to the ear, but at a distance. We
are not here called upon to discuss the causes which generate the
appearance of this psychical space, but the fact is indisputable; so
that conversely it becomes intelligible how the internal image may be
projected in the same way, or may at least appear to be externally
projected in hallucinations. This surprising phenomenon is only a
modification of the ordinary exercise of the psychical and physiological
faculties in the projection of images; of which, after the idea of space
has been formed by primitive experience, habit and education are the
chief factors.

Hallucinations, in the cases observed above, are due to an external
impulse; and this is especially the case in madness and other nervous
disorders; since a critical observation and clear discernment of things
is wanting, some object of vision, a voice, phrases, or sounds are much
more apt to act as a stimulus to a vast field of visual hallucinations,
or to a long succession of sentences and speeches. It is not, therefore,
wonderful that in an ecstasy, for instance, in which all the faculties
are concentrated on very few ideas and images, or perhaps on one only,
every external sign, whether obvious to sight or hearing, combined with
the mnemonic effort already explained, is modified to correspond with
these vivid and exalted images; thus constituting the wonderful
phenomenon of ecstasy. In such a case the ecstatic phenomenon in persons
subject to these nervous affections is often invested with fresh wonders
by the additional sensations of light and subjective colours; this is
not uncommon even in persons of a sane mind and body, but undoubtedly it
is more frequently the case in those whose mental and physical
conditions are abnormal. It is not rare to hear an ecstatic person
recount divine visions, suffused with extraordinary light and glory.

In order to contribute to the researches of others into the nature of
this phenomenon, I must be permitted--not from vanity, but from a
desire that my own imperfections may serve the cause of science however
slightly--to relate some facts, personal to myself, which bear upon the
question, facts of very general experience. From my childhood I have
had, both by day and night, various subjective sensations of light which
I was, as a person of perfectly sane mind, able to observe
dispassionately. After reading for a long while, or when fatigued by
sleeplessness, mental excitement, or some temporary gastric derangement,
I see clear flames circling before my eyes. These are in a small, oblong
form, arranged at brief intervals in concentric curves, and composing a
moving garland projected upon space, tinged with a yellowish light,
shading into vivid blue. Sometimes this figure is changed for stars,
twinkling in a vast and remote space, as in a firmament. In addition to
this phenomenon, I have about twenty times in the course of my life
experienced other subjective and more extraordinary sensations of light,
not unknown to others. This phenomenon occurs when I am in a normal
condition of health, and always begins with a confusion of sight, so
that I am unable to see objects and the faces of people distinctly;
after which everything within the range of vision becomes mobile and
tremulous. This state continues for ten minutes, and then clear and
distinct vision returns. Next a lucid circle, zig-zagged in acute
angles, appears close to the eyes, now on the right, now on the left.
It moves in a somewhat serpentine course, and is broken in the centre of
the lower half. It withdraws from the eye into subjective space, and the
shining band of which it is composed gradually loses its sharp angles,
and becomes wider and undulated, while still in motion.

Another remarkable sensation follows. The shining band, which has
dilated until it is withdrawn from the eyes, whether closed or open, to
an apparent distance of several yards, becomes tinted with all the
colours of the rainbow, standing out in such vivid splendour on the dark
background that I have never seen them equalled in nature. Indeed the
beauty of this phenomena is amazing. The band, inlaid with various
colours, now occupies the whole space, maintaining an equal distance
from the closed eyes, and moving continually with a rhythmic undulation,
while it constantly becomes more vivid. The moving circle continues to
dilate until it slowly fades, and at last completely disappears. From
its beginning to the end, the vision occupies from twenty to twenty-five
minutes.

Throughout the phenomenon I continue to be perfectly collected and free
in mind, so that I can observe it in all its details with perfect
calmness, and can also impart my observations to the persons with whom I
happen to be. Only when the subjective sensation has ceased, I feel an
obscure pain in the brow of the eye in which the phenomenon occurred.
This is readily explained by the well-known interlacing of the nerves,
and the action of the hemispheres.

Supposing that such phenomena occur, as they more readily do, in persons
predisposed to nervous affections, although not insane, in times and in
a society agitated by religious excitement, or in persons habitually
contemplative and occupied with spiritual images and thoughts; if in
moments of ecstatic emotion they should perceive, in addition to the
images proper to such conditions, these circling flames, which is very
likely to be the case, or the iridescent aureole we have described, they
would certainly accept and glorify the heavenly vision revealed to them.
The revolution of the bright stars or iridescent band, preceded by the
obscurity of vision which accompanies the ordinary ecstatic
hallucination, would certainly be ascribed to the saints or angels, and
would thus become more supernatural and consonant with the believer's
idea of heaven; and these very subjective sensations might often produce
the ecstatic vision, so ready to appear in the morbid conditions which
lead to hallucination.

According to the process previously described, by which the phenomenon
of natural hallucinations is produced by an external stimulus, these
luminous phenomena would revive the memory of angelic and saintly forms,
of which men were so profoundly conscious in times of religious
excitement, and would be regarded as their external signs, while they
would at the same time stimulate the appearance of such angelic
visions. Ultimately this would lead to the vast drama of celestial
hallucinations described for us in the accounts of many ecstatic
visions. They do not only occur in modern religions, but in those of the
old heathen, and in the rude and unformed beliefs of savages. The
ethnography of the most savage peoples of our time teaches us that the
origin of very many myths is to be found in normal and abnormal
hallucinations, and in the luminous visions which conform to their
mental conditions. Persons subject to nervous affections, from simple
epilepsy to madness and idiocy, were and still are supposed to be
inspired, and endowed with the power of prophesying and working
miracles; they are also venerated for relating the strange visions
presented to them in the crisis of their disorder. Africa, barbarous
Asia, America, Oceania, and the ignorant and superstitious people in
Europe itself, abound with such facts; they have occurred and are likely
to recur in civilized peoples of all times, including our own, as we
know only too well.

We have thus reduced the primitive origin of myth, of dreams, of all
illusions, of normal and abnormal hallucinations, to one unique fact and
genesis, to a fundamental principle; that is, to the primitive and
innate entification of the phenomenon, to whatever sensation it may be
referred. This fact is not exclusively human in its simple expression
and genesis, since it occurs in the lower animals; evidently in those
which are nearest to man, and by the necessary logic of induction in
all others, according to their sensations and modes of perception. In
the vast historic drama of opinions, beliefs, religions, mythical and
mytho-scientific theories which are developed in all peoples; and again,
in the infinite variety of dreams, illusions, mystic and nervous
hallucinations, all depend on the primitive and unique fact which is
also common to the animal kingdom, and identical with it; in man this is
also the condition of science and knowledge. I think that this
conclusion is not unworthy of the consideration of wise men and honest
critics, and that it will contribute to establish the definitive unity
of the general science of psychology, considered in the vast animal
kingdom as a whole, and in connection with the great theory of
evolution.

This primitive act of perception, the radical cause and genesis of all
mythical representations, and the physical and intellectual condition of
science itself, is also one of the factors and the æsthetic germ of all
the arts. The constraining power which generates the intentional
subjectivity of the phenomenon, and the entification of images, ideas,
and numerous normal and abnormal appearances, also unconsciously impels
man to project the image into a design, a sculpture, or a monument.
Since an idea or emotion naturally tends, as we have seen, to take an
external form in speech, gesture, or some other outward fact; so also it
tends to manifest itself materially and by means of various arts, and to
take the permanent form of some object. It is embodied in this way, as
it was embodied in fetishes in the way described in the foregoing
chapters. Owing to this innate cause, and by the instinct of imitation
which results from it, children as well as savages always attempt some
rude sketch of natural objects, or of the fanciful images to which they
have given rise. Drawings of animals and some other objects are found
among the lowest savages, such as the Tasmanians and Australians. Nor is
this fact peculiar to the lower historic races, and to those which are
still in existence, but it is also to be found in the dwellings and
remains of prehistoric man; carvings on stone of very ancient date have
been found, coeval with extinct and fossil animals, prior to the age of
our flora and fauna and to the present conformation of land and water.
There are many clear proofs of the extreme antiquity of the primitive
impulse to imitative arts. A stag's meta-tarsal bone, on which there was
a carving of two ruminants, was found in the cave of Savigny: in a cave
at Eyzies there was a fragmentary carving of two animals on two slabs of
schist; at La Madelaine there were found two so-called staves of office,
on which were representations of a horse, of reindeer, cattle, and other
animals; two outlines of men, one of a fore-arm, and one of a naked man
in a stooping position, with a short staff on his shoulder; there is
also the outline of a mammoth on a sheet of ivory; a statuette of a thin
woman without arms, found by M. Vibraye at Laugerie-Basse, and known by
the name of the immodest Venus; a drawing representing a man, or
so-called hunter, armed with a bow, and pursuing a male auroch, going
with its head down and of a fierce aspect; the man is perfectly naked,
and wears a pointed beard. Other designs of the chase and of animals
afford a clear proof of the remote period at which the primitive
instinct towards the imitative arts existed.

It is peculiar to man to portray things and animals, and to erect
monuments out of a superstitious feeling, or to glorify an individual or
the nation; the bower-birds and some cognate species may perhaps be
regarded as an exception, since they show a certain sense of beauty, and
an extrinsic satisfaction in gay colours, which indeed appears in many
animals. But art in the true sense and in its essential principle are
the act and product of man alone, of which I have demonstrated the cause
and comparative reasons in another work, so that it is unnecessary to
repeat them here. Some rare cases indicate an artistic construction
which is not an essential part of animal functions, and the sense of
form and colour occurs in some species. But this only shows that there
exist in the animal kingdom the roots of every art and sentiment
peculiar to man, subsequently perfected by him in an exclusive and
reflex manner, and this confirms the general truths of heredity and
evolution.

When primitive man draws or carves objects, he does not merely obey the
innate impulse to give an external form to the image already in his
mind, but while satisfying the æsthetic sentiment which actuates him, he
is conscious of some mysterious power and superstitious influence. This
sentiment is not only apparent in our own children, but among nearly all
savages, of which many instances might be given; some of them are even
afraid to look at a portrait, and shrink from it as from a living
person.

As time went on, a belief in spirits was developed from causes already
mentioned, the rude theory of incarnation followed as its corollary, and
this sentiment was naturally confirmed by incised and sculptured images;
for since they supposed a spirit to be present in every object whatever,
this was much more the case with incised or sculptured figures of men
and animals. In these figures the amulet, talisman, or _gris-gris_ of
savages especially consisted; portraits, however rude, of animals,
monsters, of the human form as a whole or in parts, as in the universal
phallic superstitions. The belief in spirits, resulting from the
personification of shadows, or of the image of a man's own soul which
was supposed to return from the tomb, had a mythical influence on the
mode and ceremonies of sepulture, on the position of corpses, on the
orientation of tombs, and their form. In fact, the mythical ideas of
spirits, and the fanciful place they took in the primitive idea of the
world, produced the custom of burying corpses in an upright, stooping,
or sitting position, and their situation with reference to the four
cardinal points. In America the cross which was placed in very early
times above the tombs is rightly supposed by Brinton to have been a
symbol of the four zones of the earth, relatively to the tomb itself and
to the human remains enclosed in it. One Australian tribe buries its
dead with their faces to the east; the Fijians are buried with the head
and feet to the west, and many of the North American Indians follow the
same custom. Others in South America double up the corpse, turning the
face to the east. The Peruvians place their mummies in a sitting
position, looking to the west; the natives of Jesso also turn the head
to the west. The modern Siamese never sleep with their faces turned to
the west, because this is the attitude in which they place their dead
before burning them on the funeral pile. Finally, the Greeks and all
other peoples, both civilized and barbarous, including ourselves, had
and continue to have special customs in burying their dead.

All the primitive artistic representations of the human form, the
orientation of tombs and temples and their peculiar form, were prompted
by these spiritualist and superstitious ideas; they expressed a
symbolism derived from mythical ideas of the constitution of the world,
of its organism, elements, and cosmic legends. This assertion might be
verified by all funereal, religious, and civil monuments, among all
peoples of the earth, in their most rudimentary form down to those of
our times, and above all in India, China, Central Asia, in Africa, and
particularly in Egypt, in America, in Europe, beginning with the Greeks
and passing through the Latins down to the Christianity of our day; nor
need we exclude the Oceanic races, and those of the two frigid zones.

Doubtless the purest æsthetic sentiment was gratified in the productions
of the plastic arts and of design in general when civilization was at
its highest perfection, among people peculiarly alive to this sentiment.
At the same time, for the great majority of peoples in early and
subsequent ages down to our own time, there was and is the consciousness
of a _numen_, in the proper meaning of the word, within the statue or
effigy, and these were unconsciously entified by the same law which
leads to the entification of natural phenomena; the august presence of
the gods and an artificial symbol of the living organism of the world
were contained in the material form. While this sentiment took a higher
development in art, and was gradually emancipated from its mythical
bonds, it never altogether disappeared in artistic creations; and there
are still many who would, like some uncultured peoples of early and
modern times, cover up their images when they are about to commit some
action which might be displeasing to these idols of the gods or saints.
If we were to gauge the sentiments which really animate a man of the
people, even when he; looks at the statue of a great man, we should
find that in addition to his æsthetic satisfaction, he unconsciously
imagines that the spirit of the dead man is infused into the image and
is able to enjoy the admiration of the observers.

The-worship of images in all times and places is essentially founded on
this belief in the incarnation of spirits and the _numen_ of fetishes.
There is indeed no real difference between the superstitious adoration
of a savage, addressed to his fetish, and the worship of images in many
religions of modern civilization. Although people of culture, and the
scholastic theory of religions, may distinguish indirect and respectful
veneration from direct worship, yet it cannot be denied that the
majority of the faithful directly adore the image. The general belief in
relics, consisting of bones, hair, clothes, etc., is plainly an
evolution of the amulets and _gris-gris_ of savages. This fetishtic and
idolatrous sentiment has by a gradual and necessary development been
infused even into speech and writing, for written forms have been hung
on plants as fetishes and idols, or placed in the temples as the symbol
of perpetual prayer, and the Buddhists even erect prayer-mills. We have
analogous instances among ourselves, when texts of Scripture or the
words of some saint are rolled up into a kind of amulet and worn round
the neck. The same sentiment is shown in the costly offering of lamps
kept constantly burning before images as the means of obtaining help and
favour; and in the visits made to a given number of churches, thus
transforming number into a mysterious, entified, and efficacious power,
in the same way that every ancient people, whether barbarous or
civilized, mythically venerated certain numbers; the Peruvians, for
instance, and some other American peoples regarded the number "four" as
sacred.

In addition to the cherished remembrance always inspired by portraits of
those we love, a breathing of life, as if the dead or absent person were
communicating with us in spirit, is perhaps unconsciously infused into
the picture while we look at it. These are transient states of
consciousness, of which we are scarcely aware, although they do not
escape the notice of careful observers. Any dishonour or insult offered
to images, whether sacred or profane, deeply moves both the learned and
unlearned, both barbarous and civilized peoples, not merely as a base
and sacrilegious act against the person represented, but from an
instinctive and spontaneous feeling that he is actually present in the
image. Any one who analyzes the matter will find it impossible to
separate these two sentiments, and many disgraceful and sanguinary
scenes which have led to the gallows or the stake have actually resulted
from the identification of the image with the thing represented.

Even when a man of high culture and refined taste for beauty stands
before the canvas or sculpture of some great ancient or modern artist,
his spiritual and æsthetic enjoyment of these wonderful works is, as he
will find from the observation of his inmost emotions, combined with the
animation and personification of what he sees; he is so far carried away
by the beauty and truth of the representation that the passions
represented affect him as if they were those of real persons. This
relative perfection of a work of art, either in the way the objects
stand out, in the varied diffusion of light and shade, in the movement
and expression of figures, in the effect of the whole in its details and
background, is all heightened and confirmed by the underlying
entification of images. The process we have before described by which a
confused group of objects appear to us as a human form or phantasm is
also effected in this case in a more subtle way and with less effort of
memory; it is all ultimately due to the primitive fact of animal
perception. Our imagination can supply the resemblance, the limbs,
colour, and design in a picture in which a face, figure, or landscape
are slightly sketched, or in a roughly chiselled statue. We often hear
the complaint that a work of art is too highly finished, and it wearies
and displeases us because it leaves nothing for the imagination to
supply. The remark reveals the fact, of which we are all implicitly
conscious, that we are ourselves in part the artificers of every
external phenomenon.

We need not stop to prove a truth well-known to all, that architecture
and all kinds of monuments lend themselves to a symbolism derived from
ancient and primitive popular ideas. This was the case in India,
Mesopotamia, Phoenicia, Egypt, Judæa, Greece, Ancient and Christian
Rome, and in the ancient remains found in savage countries and in
America. The freemasons of the Middle Ages united the earliest and most
varied traditions with the symbols of Christianity. We unconsciously
carry on the same traditions, preserving some of their forms, although
the meaning of the symbol is lost. Tombs in the open air which enclosed
a spirit, and round which the shades roamed, were the first sacred
buildings, from which by an easy and intelligible evolution of ideas,
temples, with a similar orientation, and other works of architecture,
both religious and civil, were derived. If we follow, step by step, the
development of the tomb into the temple, the palace, and the triumphal
arch, we shall see how the outward form and the human and cosmic myth
were reciprocally enlarged. Ethnography, archæology, and the history of
all peoples indicate their gradual evolution, so that it is only
necessary to allude to it; proofs abound for any intelligent reader.
Even in modern architecture the arrangement of parts, the general form,
the ornaments and symbols relating to mythical ideas, still persist,
although we are no longer conscious of their meaning; just as human
speech now makes use of a simple phonetic sign as if it were an
algebraic notation, in which the philologist can trace the primitive and
concrete image whence it proceeded. The arts also, like other human
products, follow the general evolution of myth in their historic course;
the primitive fetish is afterwards perfected by more explicit spiritual
beliefs, and is combined with cosmic myths; these are slowly transformed
into symbolic representations, which dissolve in their turn, and give
place to the expression of the truth and to forms which more fully
satisfy the natural sense of beauty and its adaptation to special ends.

The arts of singing and of instrumental music have the same origin and
evolution as the others. Vico, Strabo, and others have asserted that
primitive men spoke in song, and there is great truth in the remark.
Since gesture and pantomime help out the meaning of imperfect speech,
which was at first poor in the number of words and their relative forms,
and this is still the case among many peoples, so song, vocal
modulation, and the rhythmic expression of speech seem to stimulate
emotion. In truth, the mental and physiological effort which tends by
vocal enunciation to present the image or emotion in an external form,
is on the one hand not yet fully disintegrated, and on the other the
greater or less intensity of feeling involved in primitive languages a
corresponding vocal modulation to supplement it, just as it required
gesture and pantomime. Thus speech, gesture, and song, in the larger
sense of the word, had their origin together. This is also true of many
of the languages of modern savages, and of those of more civilized
peoples, such as the Chinese, which have not quite attained inflection;
in this case the frequent repetition of the same monosyllable conveys a
different meaning, not only from its relative position, but from the
modulation and tone in which it is uttered. The same thing may be
observed in children who are just beginning to talk.

Rhythm, or the graduated and alternate action and reaction with which a
vibration begins and ends, is a universal law in the manifestation and
movements of all natural phenomena; a law which is revealed on a grand
scale in all the recurring periods of nature, whether astral, telluric,
or meteorological, as well as in the form and manifold phases of
organisms and their modes of reproduction. This universal law also
applies to the whole mental and organic system of animals and men,
whenever they become conscious of their own existence. The same
universal rhythm constitutes the fundamental form of sound in the
vibration of metallic bars, or of strings, and becomes perceptible to
the external senses by means of our organ of hearing, as also by the
external and innate necessity slowly developed by our habits of
consciousness, which may be termed the external causes of its organic
evolution and constitution.

By these organic and cosmic tendencies, and by the intrinsic impulse
towards modulation of sound already explained, speech first issued from
the human breast in harmonious accents and rhythmic form, and these
became in their turn the causes and genesis of versification and metre.
The classic experiments of Helmholtz show that each note may be regarded
as a harmonic whole, owing to the complementary sounds which accompany
it in its complete development. With reference to our own race, the
genesis of the composition of verse and metre are shown by the
researches made by Westphal and others into the metrical system of the
Vedic Aryans, the Turanians, and the Greeks, since the fact that their
metres were the same implies a common origin. The demonstration is
complete, if we compare the iambic metre of Archilochus with that of the
Vedic hymns. There are in both three series of iambuses--the dimeter,
the cataleptic trimeter, and the acataleptic.[36]

This observation applies to the physical and physiological conditions of
the phenomenon, since primitive men could not speak without rhythmic
modulation of words. We are not quite without hope of discovering by
induction the origin of wind or stringed instruments which accompanied
the songs, after the specification of the modes of speech was so far
advanced as to distinguish singing--which had already become an
art--from the daily necessity of reciprocal communication in words. In
this research we must proceed step by step, aided by minute observation,
lest we should accept an hypothesis which does not correspond with the
facts.

Not only man, but some animals--among others a species of mouse found in
South Africa--naturally uses his limbs to moderate or strengthen the
light of vision. This mouse was observed to shade its eyes with its
forepaws in order to look at some distant object under a blazing sun, as
we should do in like conditions. In man, whose arms and hands are
readily adapted to this primitive art, the habit is common, even among
the rudest savages. Putting sight out of the question that we may
consider hearing, which is our present theme, reflex movements, either
casual or habitual, have certainly induced primitive men to place their
hands on the mouth, either so as to suppress the sound or to augment it
by using both hands as a kind of shell. It is easy to imagine the use of
shells or other hollow objects as a vehicle of sound, either for
amusement or some other cause, and these rude instruments might serve as
the first step to the invention of wind instruments. Reflection on these
spontaneous experiments would readily lead to the search for some mode
of prolonging or imitating the voice. In these attempts men might be
guided by their observation of the whistle and song of birds, whose
beaks may have served as a model for the construction of the flute and
reed-pipe. Pott traces the word for sound to the root _svar_, and hence,
after some natural phonetic changes, we have in Lithuanian _szwilpti_
for the song of birds. Of all natural objects, different kinds of reeds
and the hollow stalks of plants are, owing to their hollow and
cylindrical form, best adapted for the imitation of a bird's beak and
the sonorous transmission of breath. In many languages the word for a
flute is the same as that for a reed. In Sanscrit, _vança_ and _vênu_
mean a flute and bamboo; in Persian, _nâ_ and _nây_ mean a flute and
reed; in Greek [Greek: donas], and in Latin _calamus_, have the same
double meaning, and many more examples might be given.

Stringed instruments are a more elaborate invention, and may have been
suggested by the vibration of a bow-string when it is twanged. The bow
is common to all modern savages, and was also found among extinct
peoples and those which are now civilized, as well as in prehistoric
times. The Sanscrit word for a stringed instrument, _tata_ or _vitata_,
is derived from the root _tan_, to stretch. Pictet observes that one
name for a lute is _rudri_, from _rud_, to lament, that is, a plaintive
instrument; in Persian we have _rod_ for song, music, or a stringed
instrument. The etymology of _arcus_ is the same; the root _arc_ not
only means to hurl, but to sing or resound. Homer and Rannjana often
allude to the sonorousness of the bow and its string. Homer says in
speaking of the bow of Pandarus, "_stridit funis, et nervus valde
sonuit_." And when Ulysses drew his avenging bow, the cord emitted a
clear sound like the voice of a swallow. _Lôcàka_, another name for a
cord, also means one who speaks, from _lòc_, _loqui_; and the Persian
_rûd_, _rôda_, a bow-string, also means a song. In the Veda the root
_arc'_ is used in speaking of the roaring wind, or of a long echoing
sound. Again _tâvara_, a bow-string, is from _tan_, to stretch, to
sound. The Greek [Greek: tonos] must be referred to the same root, and
signifies, a bow-string, a sound, an accent, a tone. Benfey traces the
Greek [Greek: lura], in which this root is wanting, through [Greek:
ludra], or _rudra_. Kuhn confirms this transformation by the analogy
between the Vedic god _Rudra_ and the Greek Apollo, both of whom are
armed with a bow. Rudra, like Apollo, is a great physician; the former
is called _kapardin_, from his mode of wearing his long hair, and
_vanku_ from his tortuous gait as the god of storms; to the latter the
epithets of [Greek: achers echomes] and [Greek: loxias] are applied; the
mouse was sacred to Rudro, and Apollo had the surname of Smintheus, from
the mouse, [Greek: Smintha], which was his symbol.

These wind and stringed instruments were not, in their primitive forms,
at once used as an accompaniment to song. Before such use was possible,
there must have been considerable progress in the specification of
language, and special songs must have been disintegrated from common
speech, which was at first an inchoate song. Possibly some rude
instruments were invented for amusement or some other purpose before
this specification had taken place. At any rate the use of various
instruments for accompaniment was preceded by gesticulation, or the
spontaneous striking of some object which coincided with animated
speech, or which accompanied it in sonorous cadences.

The rhythm which stimulated primitive men to speak in song, also
impelled them to accompany it with gestures and movements of the body,
and this was the origin of the dance, which, when the body moved in
correspondence with cadenced utterances, was at first merely the
accompaniment of song. Tradition, modern ethnography, and the primitive
habits of children bear witness to this fact. In addition to the
rhythmic motion of all parts of the body, there is the practice of
spontaneously beating time with the hands and feet, which were doubtless
the first instruments used by man as a musical accompaniment. Hence,
owing to the facility of, construction, there arose percussion
instruments, which were at first made of stone or pieces of wood. So
that singing, dancing, accompaniment with the limbs or with some rudely
fashioned object arose almost simultaneously, as soon as the process of
specification had established a distinction between song and ordinary
speech. The first simple instruments which we have described only made
the song, shout, war-dance, or religious ceremony more effective.

When chanted speech was formulated in a fixed order by means of rhythm
and the modulations of the voice, it became verse, and the melody
itself, as the simple expression of the song which had been cast into
verse, or even into an inarticulate chant, was naturally evolved from
it. An artistic education is not needed in order to experience the
pleasure of rhythmic order in the succession of sound, for a
predisposition of the nervous system will suffice. Savages, children,
and even animals are sensible of rhythm, which is the order and symmetry
of sensations. The dance, as Beauquier justly observes, is the practical
form of rhythmic motion and the gesture of music. The motion impressed
by sound on the internal organism tends to manifest itself in external
gesture, and in fact, the rhythm of the music is repeated in dancing in
the limbs and in the whole body of the dancer. The rhythm, regarded in
its material cause, need not be accompanied by any very musical sound.
The percussion instruments were at first only used to mark and intensify
the rhythm.

Melody may be termed a fusion of rhythm and sounds of different pitches,
united in time, and assuming a regular and symmetrical form; melody, as
others also have observed, constitutes the whole of music, since
without it harmony itself is vague and indefinite. Notwithstanding the
numerous elements which may be discerned in melody, and the labour
implied in its analysis, it is the facile and spontaneous creation of
man, at any rate in its simplest expression; uneducated people, ignorant
of music, are able to invent very tolerable melodies, of which we have
instances in popular and national songs, which are generated by the
musical fancy of those unconscious of the laws of music. Melody has an
independent existence, while harmony serves to accentuate its form, and
conduces to its subsequent progress among peoples capable of developing
it in all its power.[37]

Music has a powerful influence upon all the senses. It has at all times
been supposed to have a healing power, and in the Middle Ages it was
believed to cure epilepsy, madness, convulsions, hysteria, and all forms
of nervous affections; while in our own time it is usefully employed in
cerebral diseases, since it has both a stimulating and soothing effect.
Women, since they are generally more nervous and sensitive than men, are
more especially affected by music. Animals as well as man are influenced
by it, as it has been shown by exact and numerous experiments. Every one
knows that many birds can be taught airs, which they sing with taste and
lively satisfaction. The major key, with its regular proportions, its
full and gradual sounds, arouses in man a sense of life and joy, while
the minor key excites languor and invincible sadness, and animals are
affected in the same way.

It is evident that the formation of the scale, the essential foundation
of music, varies with, the epoch, climate, habits, and physiological
conditions of the different races which have successively adopted the
diatonic, the major, and minor scales. The music of the Chinese differs
from our own, and while it is equally elaborate, it does not quite
please us, and the same may be said of the music of the Indians, of the
ancient Egyptians, and others. Undoubtedly our scale is more convenient
and conformable to art, setting aside the physiological conditions of
race, since the notes separated by regular intervals form a more
spiritual and independent, in short a more artistic system.

Such are briefly the characteristics of the genesis of song and of
music, the actual conditions which make them possible, and their effect
on man and animals. We must now consider the subject from the mythical
point of view, as we have done in the case of the other arts. We know
that the image and emotions are mythically personified by us, and this
fanciful reality is afterwards infused into the words used in its
expression. It follows from this that speech is not only spontaneously
and unconsciously personified as the material covering of the idea or
emotion enclosed in it, but that the same thing occurs in language as a
whole, at first vaguely, but afterwards in a definite and reflective
manner, in consequence of intellectual development. Among all civilized
peoples, whether extinct or still in existence, speech is not only
personified in the complex idea or language, but it is deified. It is
well known that this is the case in all phases of Eastern Christianity,
and that the other Christian churches have since identified the
Græco-Eastern idea of the Logos with the Messianic ideas engrafted upon
it. If among the prehistoric peoples which most resemble modern savages,
speech was personified by the necessity of the perceptive faculty, a
vague power was certainly ascribed to it, and even a simple murmur or
whisper was supposed to have a direct and personal influence on things,
men, and animals. Magic, which is the primitive expression of fetishtic
power, embodied in a man, had its most efficacious form in the utterance
of words, cries, whispers, or songs, referring to the malign or to the
healing and beneficent arts, and it was employed to arouse or to calm
storms, to destroy or improve the harvest, or for like purposes.

Beginning with the traditions of our race, even prior to its dispersion,
there are plain proofs that words and songs were originally employed for
exorcisms and magic in various diseases, and for incantations directed
against men or things. _Kar_ means to bewitch, as in German we have
_einem etwas anthun_, in low Latin _facturare_, in Italian
_fattucchiere_, and from _Kar_ we have _carmen_, a song or magic
formula. The goddess _Carmenta_, who was supposed to watch over
childbirth, derived her name from _carmen_, the magic formula which was
used to aid the delivery. The name was also used for a prophetess, as
_Carmenta_, the mother of Evander. Servio tells us that the augurs were
termed _carmentes_.[38] The Sanscrit _mâya_, meaning magic or illusion
and, in the Veda, wisdom, is derived from _man_, to think or know; from
_man_ we have _mantra_, magic formula or incantation; in Zend, _manthra_
is an incantation against disease, and hence we have the Erse _manadh_,
incantation or juggling, and _mòniti_ in Lithuanian. The linguistic
researches of Pictet, Pott, Benfey, Kuhn, and others show that in
primitive times singing, poetry, hymns, the celebration of rites, and
the relation of tales, were identical ideas, expressed in identical
forms, and even the name for a nightingale had the same derivation. So
also the names of a singer, poet, a wise man, and a magician, came from
the same root.

Among all historic and savage peoples it was the general practice to use
exorcism by means of magic formulas and incantations, combined with the
noise of rude instruments; this was part of the pathology, meteorology,
and demonology which dated from the beginning of speech, and the first
rude ideas of fetishes and spirits have persisted in various forms down
to our days. We have a plain proof of this in a work dedicated to Pius
IX. by M. Gaume, in which he sets forth the virtue of holy water against
the innumerable powers of evil which, as he declares, still people the
cosmic spaces, and similar rites may be traced in the liturgies of all
modern religions. This belief is directly founded on the fanciful
personification and incarnation of a power in speech itself, in song,
and in sound. David had similar ideas of dancing and its accessories,
and the walls of Jericho are said to have fallen at the sound of the
trumpets, as if these contained the spirit of God. The Patagonians, to
quote a single instance from among savages, drive away the evil spirits
of diseases with magic songs, accompanied by drums on which demons are
painted. To these mythical ideas we must refer the worship of trees,
which involves that of birds, so far as they whistle and sing.

The worship of trees and groves is universal: peculiar trees, groves,
and woods are worshipped in Tahiti, in the Fiji Islands, and throughout
Polynesia; in barbarous Asia, in Europe, America, and the whole of
Africa. Cameron, Schweinfurth, Stanley, and other modern travellers in
Africa give many instances of this. Schweinfurth describes such a
worship among the Niam-Niam, who hold that the forest is inhabited by
invisible beings. This worship is naturally combined with that of birds,
which become the confidants of the forest, repeat the mysteries of
mother earth, and sometimes become interpreters and prophets to man.

Birds, by their power of moving through the air as lords of the aerial
space, by their arts of building, by the beauty of their plumage, their
secret haunts in the forests and rocks, by their frequent appearance
both by day and night, and by the variety of their songs, must
necessarily have excited the fetishtic fancy of primitive men. The
worship of birds was therefore universal, in connection with that of
trees, meteors, and waters. They were supposed to cause storms; and the
eagle, the falcon, the magpie, and some other birds brought the
celestial fire on the earth. The worship of birds is also common in
America, and in Central America the bird voc is the messenger of
Hurakau, the god of storms. The magic-doctors of the Cri, of the
Arikari, and of the Indians of the Antilles, wore the feathers and
images of the owl as an emblem of the divine inspiration by which they
were animated. Similar beliefs are common in Africa and Polynesia.[39]
It is well known that the Egyptians worshipped the ibis, the hawk, and
other birds, and that the Greeks worshipped birds and trees at Dodona,
in consequence of a celebrated oracle. In Italy the lapwing and the
magpie became Pilumnus and Picus, who led the Sabines into Picenus.
Divination by eagles and other birds was practised at Rome, and German,
Slav, and Celtic traditions abound in similar myths.[40] Nor are they
wanting in the Bible itself, in which we hear of the trees of knowledge
and of life, of some celebrated trees in the times of the patriarchs, of
the raven and the dove sent out as messengers. The Old Testament speaks
of the worship of groves at Ashtaroth in Canaan, of sacrifices under the
green trees, and we know that such worship occurred in the Semitic races
of Numidia and elsewhere.

The simultaneous elaboration of myths relating to trees and birds as
objects of worship, as beneficent or malign powers, and as the
transmitters of oracles, necessarily confirmed and extended the
personifications of speech and song, and were fused through many sources
into a whole, which represented a supernatural agent, endowed with the
power of a mediator, of a good or evil spirit or idol. This ultimately
led to a universal conception of the efficacy of sound, considered as
the manifestation of occult powers. In this mythically spiritual
atmosphere, all peoples formerly lived and in great part still continue
to live.

As the innate impulse led to the entification of speech and of the
singing of men and animals, so it also led to the mythical
personification of dancing and instrumental music, in which nearly all
peoples have recognized a demoniac and deliberate power. For this
reason, dancing and the noise of rude instruments generally accompanied
solemn religious and civil ceremonies, and any remarkable cosmic,
astral, or meteorological fact; and in polytheistic times the deities of
poetry, dancing, and music served to accentuate and classify ideas.

The instrument became a fetish, and was invested with a mysterious power
resembling that which was supposed to exist in all utterances of the
animal world. Indeed, instruments were, and still are among savages,
regarded as sacred and as an integral part of public worship, so that
each had its definite function and office. This need not surprise us,
since for such men every object is a fetish, which contains a soul. The
Karens, a tribe in Burmah, believe that their arms, knives, utensils,
etc., have all a _kelap_ or soul, which is termed a _wong_ by the
negroes of West Africa. The same belief is found in a more explicit form
among the Algonquins, the Fijians, and the aforesaid Karens, whose
beliefs are characteristic of all peoples which have reached this stage
of mythical conceptions. The different objects belonging to a dead man,
and his instruments, arms, and utensils, are laid in his tomb, or burnt
with his body, and this is owing to the belief that the souls of these
objects follow their possessor into another life. The same custom
unfortunately extends to persons, and there are instances of this evil
practice among relatively civilized nations; the massacre which takes
place at the death of a king of Dahomey is well known, and is revolting
from the number of victims and from the mode of their sacrifice. It is
therefore easy to imagine the way in which musical instruments and the
sounds produced by them were personified, since these manifestations
seemed to approximate more closely to those of animals.

Fetishtic beliefs concerning magic songs or sounds were, as we have
seen, confirmed by the influence naturally exerted on men and animals in
their normal or abnormal state by rhythmic and musical sounds, however
rude and unformed they may be. Theophrastus tells us that blowing a
flute over the affected limb was supposed to cure gout; the Romans
recited _carmina_ to drive away disease and demons: the old Slav word
for physician, _vraçi_, comes from a root which means to murmur; in
Servian, _vrac_ is a physician, and _balii_, an enchanter or physician.
The use of incantations as a remedy prevailed among the Greeks in
Homer's time. The Atarva-Veda retains the old formula of imprecation
against disease, and the Zendavesta divides physicians into three
classes, those which cure with the knife, with herbs, and with magic
formulas. Kuhn believes that the Latin word _mederi_ refers to these
proceedings, comparing with it the Sanscrit _méth_, _mêdh_, to oppose or
curse. Pictet traces the meaning of exorciser in another Sanscrit word
for a physician: _Bhisag_ from _sag_, _sang_, tojurbo gate.

As the civilization of the historic races advanced, poetry, singing, and
musical instruments became more perfect, and were classified as reflex
arts. Among the more intellectual classes the earlier fetishtic ideas
connected with them almost disappeared, while in the case of the common
people, the fetish was idealized, but not therefore lost; it persisted,
and still persists, under other forms. Polytheism, modified to suit the
place, time, and race, and yet essentially the same, offers us a more
ideal form of the arts, each of which was personified as a god, and
taken together they formed a heavenly company, which generated and
presided over the arts. The greatest poets and philosophers of antiquity
retained a sincere belief in the inspiration of every creation of art;
and this was only a more noble and intellectual form of the first rude
and indefinite conception by which the arts were embodied in a material
shape.

Of all the Aryan peoples, Greece represented her Olympus in the most
glorious mythical form, set forth by all the arts of description. From
the polytheistic point of view, nothing can be æsthetically more perfect
than the myths of Apollo and the Muses, which personify harmony in
general, and whatever is peculiar to the arts. Such conceptions, by
which the arts of speech, song, vocal and instrumental music were
embodied in myths, did not disappear as time went on, but were
perpetuated in another form. Music, which was always becoming more
elaborate, continued to be the highest inspiration, a divine power, an
external and harmonious manifestation of celestial beings, of eternal
life, and the order of the world. This conception was shadowed forth in
the Pythagorean theory of the mythical harmony of the spheres: that
school regarded the world as a musical system, an harmonious dance of
planets.

The fetishtic and mythical origin common to all the arts is clearly
shown by the fact that at a period relatively advanced, but still very
remote, they were formulated in the temple, a symbolic representation of
their deities, to be found even among the most primitive peoples. The
evolution of the arts towards a more rational conception, divested of
mythical and religious influence, took the form of releasing each art
from bondage to the temple, and enabling it to assume a more distinct,
free, and secular personality, an evolution which was however somewhat
difficult and slow in the case of vocal and instrumental music. Although
in our own time it has achieved a field for itself, yet in oratorios and
ecclesiastical music the old conception remains.

The joys of the Elysian fields and of Paradise, as rewards of the good
and faithful after death, varying in details with the moral and mythical
beliefs of various peoples, were heightened by concerts and musical
symphonies, as, owing to natural evolution and the introduction of
Oriental ideas, if appears even in the Christian conception of Paradise.
For the great majority of believers, earthly music is only an echo of
that celestial music, and participates in its divine efficacy. In the
Christian Paradise there were saints to preside over the instruments,
the singing, and music; the visions of the ecstatic, the hallucinations
of the mystic, and the precious memories and images of the dead, are
often combined with sweet and heavenly music, and this completes the
fetishtic idea which enters into every phenomenon with which man has to
do. For if inanimate objects and instruments were supposed by the
primitive savage to have a soul which followed the shade of the dead man
into the mythical abode beyond the grave, in modern religions the
earthly instruments, the fanciful idols of the common people and of
mystics, also resound in Elysium and the heavens, touched and inspired
by choirs of angels and by seraphic powers.

The deep and sonorous music of bells, of organs, and other
ecclesiastical instruments, the chants which resound through vaulted
roofs amid the assembled worshippers, ecclesiastical lights, and the
fumes of incense, inspire many Christians with a deep and æsthetic sense
of the divine presence; and at such moments their vivid faith joins
heaven and earth in the same harmonious emotion. The music, chants, and
harmony, combined with other solemn rites, are unconsciously embodied
by us, entering into our hearts as they circle round the church, and
they become the mysterious language of celestial powers. We are once
more immersed in the world of fancy and of myth, purified however by the
evolution it has undergone. This exalted state of mind is also
experienced by those who listen to profane music, since the harmony and
modulation of sound, and the expression given to it by the combination
of various instruments, immediately affect the soul of the listener as a
whole, without the aid of reflection, and a substantial entity which
deliberately fulfils its spontaneous cycle of development is thus
created; in a word, the harmonies they hear are unconsciously
personified. Any one who makes a deep and careful analysis of his states
of consciousness in these circumstances will admit the truth of this
assertion.

The ordinary modes of expression respecting music, which are in use not
only among uneducated people, but among those who are educated and
civilized, display the earlier and innate belief in the mythical
representations of this art. The expressions may be often heard: What
divine music! What angelic harmony! This song is really seraphic! and
the like. Such expressions not only bear witness to the old mythical
sentiment, and to the ultimate development of its form, but they also
indicate the actual sentiments of the speaker. The personifying power of
the human intelligence is such as to recur spontaneously, even in one
who has abandoned these ancient illusions, if he surrenders himself for
a while to his natural instinct. It has often happened that a man who
listens to a melodious and beautiful piece of music is gradually aroused
and excited by its sweet power, so as to be carried away into a world of
new sensations, in which all our sentiments and affections, our deepest,
tenderest, and dearest aspirations blossom afresh in our memory, and are
fused into and strengthened by these harmonies; we seem to be
transported into ethereal regions, and unconsciously surrender ourselves
to their influence. This kind of natural ecstasy is not produced merely
by the physiological effects of music on the organism, by the education
of our sense of beauty, and of our reminiscences of earlier mythical
emotions, but also by the innate impulse which still persists, leading
us to idealize and vivify all natural phenomena, and also our own
sensations.

But if among the common people, the devout, and occasionally also among
people of culture, this highest art is not divested of its mythical
environment, which still persists, although in a more ideal form, yet it
has followed and still follows the general evolution of human ideas. The
art of music was identified with song and with the mythical personality
ascribed to it, of which these instruments were the extrinsic and
harmonious echo; at first, like the other arts, it, was a religious
conception and entity pertaining to the Church, but it gradually
assumed a character of its own, was dissociated from the Church, and
became a secular art, diverging more and more from the mythical ideas
with which it had before been filled. When instruments increased in
number, and became more perfect in quality; when harmony, strictly so
called, was developed and became more efficient, instrumental music
still continued to be the servant of vocal music, and was employed to
give emphasis, relief, warmth, and colour to the art of song, which
continued to be supreme. Song had its peculiar musical character, and
the human voice, alone or in a chorus, might be regarded as the type of
instrumental music, rendered more effective by the words which expressed
the ideas and sentiments of such songs by harmonizing the various vocal
instruments in accordance with their tones and varying _timbre_.
Instrumental music, by the melodious harmony of artificial sounds, had
however a vast field peculiar to itself, and an existence independent of
the human voice. This was and is, in addition to its release from the
bonds of myth, the necessary result of the evolution of this highest
art.

Instrumental music, considered in itself, with the symphony as its
highest expression, has been declared by a learned writer to be the
grandest artistic creation, and the ultimate form of art in which the
vast cycle of all things human will find its development. A symphony is
an architectural construction of sounds, mobile in form, and not
absolutely devoid of a literary meaning. Yet we must not seek in
instrumental music for that which it cannot afford, such as the ideas
contained in words. Any one must admit the futility of the attempt to
give a dramatic interpretation or language to instrumental music, who
reads the description attempted by Lenz and other writers of some of
Beethoven's sonatas. Instrumental music does not lend itself to these
interpretations, since it is an art with an independent existence. We
have observed that in its first development it was used as an
accompaniment to the voice, or associated with the movements of the
body, or with the dance, and consequently had not the independence which
was gradually achieved, until it culminated in the symphony.
Instrumental music adds nothing to literature, nor to the expression of
ideas and sentiments, but in it pure music consists, and it is the very
essence of the art. Literature and poetry belong to a definite order of
ideas and emotions; music is only able to afford musical ideas and
sentiments. Instrumental music has its peculiar province as the supreme
art which composes its own poems by means of the order, succession, and
harmony of sounds; it delights, ravishes, and moves us by exciting the
emotional part of our nature, and thus arouses a world of ideas which
may be modified at pleasure, and which may, by the powerful means at its
disposal, produce effects of which instruments merely used for
accompanying the voice are incapable. When instrumental music was
released from all servitude to other arts, as well as from all positive
sense of religious emotions or mythical and symbolic prejudice, thought
was able to create the art of sounds, which contains in itself a special
aim and meaning.

We have thus reached the term of our arduous and fatiguing journey. We
flatter ourselves that a truth has been gleaned from it, and this
conviction is not, due to a presumptuous reliance on our powers, but on
the conscientious honesty of our researches, combined with a great yet
humble love of truth. Others, who are better endowed with genius and
learning will judge of our success, and we shall willingly submit to
their criticism and correction, so long as they are fair and
unprejudiced and only aim at the truth. From animal perception, and the
mental and physical fact into which it is to be resolved, we have traced
the root which in man's case grows into a mighty tree; the first germ of
all the mythical ideas of every people upon earth. The subjectivity of
which animals and man are spontaneously conscious in every internal and
external phenomenon, the subsequent entification of ideas, even after
thought has attained to these more rational forms, are the great factors
of myth in all its forms, of superstitions, of religions, and also of
science. We have reduced all the normal and abnormal sources of these
fanciful ideas to that single source which we have just indicated.
Penetrating below the kingdom of man into that of animals, we have there
discovered where the germ was formed, and this completes the doctrine of
evolution and bears witness to its truth. The evolution of myth went
through the regular process, by which it was formulated and simplified,
until it was resolved into all the sciences and rational arts, and was
thus transformed into a positive science, passing through an ulterior
stage of myth and science before it took the definitive form of a purely
intellectual conception.

We have seen that the source of myth is the same as that of science,
since perception is the condition of both, and the process pursued is
identical, although the subject on which the faculty of thought is
exercised is changed. Therefore the problem of myth, which includes
every achievement of the human understanding, and fills all sociology,
is transformed into the problem of civilization. Thought has run its
course in the vast evolution from myth to science, which is rendered
possible by the permanence and duration of a powerful and vigorous race,
and hence came the gradual transition from the illusions which involve
the ignorance and servitude of the majority of the people to truth and
liberty, since these are released from their earlier wrappings, and the
human race rises to a sense of its nobility and highest good. We have
considered this evolution as a whole and in its details, and have seen
that every achievement of the human understanding passes through the
same phases, and reaches the same goal. We have adduced witnesses to
confirm our own observation from history and ethnography in general,
apart from any bias for a religious and scientific system. We believe
that in this way alone there can be any true progress in the science
which we have undertaken to consider in this essay.

The result of the inquiry shows that by a slow yet inevitable evolution
man rose from his primeval condition of error, illusion, and servitude
to his fellow man, to that degree of truth and liberty of which he is
capable: he was so made that he necessarily advanced to the grand height
which has been attained by the most laborious and intelligent of the
human race. He rises higher, and is more sensible of his own dignity, in
proportion as he becomes, within the limits of his nature, the artificer
of his own greatness and civilization. While many peoples have become
extinct, others have, owing to their natural incapacity, remained in a
savage and barbarous condition, while others again have attained to a
certain amount of civilization, but their mental evolution has stopped
short. Our own race, originally, as I believe, Aryo-Semitic, for it is
possible that these two powerful branches were derived from a common
stock, has persisted without interruption in spite of many adversities
and revolutions, and has displayed in successive generations the
progress of general civilization, and the goal which man is able to
reach in his highest perfection of mind and body, favoured by the
physical and biological conditions of climate. In this race, whether
with respect to myth and science or to civilization, the theory of
evolution has practically been carried out in all its phases and
degrees.

Science and freedom were the great factors of civilization, or of
progress in every kind of conceptions, sentiments, and social
conditions: the first dissolved and destroyed the matrix of myth in
which the intelligence was at first enveloped, and liberty, which was
wholly due to science, made steady progress a matter of certainty. So
that it may be said that the whole web of human history, so far as it
consists in civilization or the progress of all good things, of the
arts, and of every intellectual and material achievement, was the
conflict of science, and her offspring freedom, against ignorance, and
the despotism which results from ignorance, under all the social forms
in which they are manifested. So that all good and wise men, sincere
lovers of the dignity of mankind and of the welfare of society and of
the individual, ought to feel a deep reverence and love for these two
powers, and to be ready to give up their lives to them. For if--which in
the present condition of the world is an impossible hypothesis--they
were to fail, the human race would be irretrievably lost, since these
are our real liberators from barbarism, which have upheld mankind in the
struggle against it, under whatever name these principles have
appeared.

I am aware that my theory will meet with many obstinate and zealous
opponents in Italy, since I use the simple terms of reason and science,
unqualified by other arguments, and I maintain the absolute independence
of free thought. Opposition is the more likely since science and freedom
have been held responsible for sectarian intemperance, for the
disturbances of the lower orders, for the inevitable disasters, the
social and intellectual aberrations both of the learned and of the
common peoples: science and freedom are held to have repeated the wiles
of the serpent in Eden. But I am not uneasy at the thought of such
opposition, since the progress of the human race has been owing to the
fact that men convinced of the truth took no heed of the superstitious
and interested war waged against them, sometimes from ignorance of
things in general and of the law which governs civilization, sometimes
from honest conviction.

The falsity of the accusation so generally made against science and
freedom will appear if we consider that all the benefits we now enjoy,
civil, scientific, and material, and which are especially enjoyed by the
men who inveigh most strongly against these two factors, are solely
derived from science and freedom. Without them we should be in the
civil, intellectual, and material condition of the kingdom of Dahomey,
and in the savage and barbarous state of all primitive peoples. If the
misunderstanding of truth or an imperfect science is injurious, it must
not therefore be rejected. Science is the constant and vigilant
generator of all social improvement, and the most formidable enemy of
the tyranny of a despot, of an oligarchy, or of the multitude, whether
it take a religious or secular form. Since sharp instruments are
powerful aids to civilization and material prosperity, they are not to
be altogether set aside because some persons die miserably by them. As I
have always maintained, and now repeat with still stronger conviction,
science and freedom, the ever watchful guardians of the human race, are
and must always remain the sole remedies for the evils which threaten
us. I do not dispute the beneficent influence of other factors combined
with these, but, taken alone, they would be powerless, and if science
were eclipsed they would be transformed into fresh causes of servitude
and ignorance, as it has often appeared in past times when the laws of
science and of freedom have been set at nought. I therefore declare
science and freedom to be the portion of all, and they should be as
widely diffused as possible, since the way to knowledge and a worthy
life is open to all men. It is a blasphemy against heaven and earth to
presume, in the so-called interest of civil order, to keep the majority
of the people in the ignoble servitude of ignorance, and men do not
perceive that they thus become ready for any disturbance, and the tools
of rogues and agitators.

I hope and pray that reverence for science and freedom may ever
increase in Italy. It will be an evil day for her if such reverence be
lost, and she will become with every other people in like case a
wretched spectacle, and will fall into such abject misery as to become
the laughing-stock of every civilized nation. It will be understood that
I do not erect science and liberty into fetishes to be generally adored:
they are only sacred means to a more sacred end, namely, to enable men
to practise and not merely to apprehend the truth, which in other words
is goodness. Science and freedom are valuable only so far as they teach,
persuade, and enable us to improve ourselves and others; to exercise
every private and public virtue; to claim only what is due to ourselves,
while making the needful sacrifice to the common good; to have a respect
for humanity, and to venerate knowledge only so far as it is combined
with virtue; to attempt in every way to alleviate the miseries of
others, to deliver their minds from ignorance and error; to do right for
its own sake without coveting rewards in heaven or on earth; to submit
to no dictation but that of truth and goodness.

With these sacred objects in view, whatever may be said to the contrary,
we shall, in addition to the ineffable fruition of truth for its own
sake, ever draw nearer to the ideal of the human race, and the time will
come when an apparent Utopia shall be actually realized, in accordance
with the mode and process of growing civilization. Not by excesses,
tumults, and folly, but by unshaken firmness and tenacity we shall
promote science and freedom. If this modest essay has done anything to
show the necessity of such culture, and in what way science and freedom,
and these two factors only, have brought forth fruit throughout the
history of the human race, my labour will be richly rewarded, and I may
say with satisfaction--_dies non perdidi!_




FOOTNOTES.

[1] Simrock wrote: "Myth is the earliest form in which the mind of
heathen peoples recognized the universe and things divine."

[2] _Kumaríla_, in reply to the opponents who inveighed against the
immorality of his gods, wrote that the fable relates how Prajâpati, the
lord of creation, violated his own daughter. But what does this signify?
Prajâpati is one name for the sun, so called because he is the lord of
light. His daughter Ushas is the dawn, and in declaring that he fell in
love with her, it is only meant that when the sun rises, it follows the
dawn. So also, when it is said that Indra seduced Ahalyâ, we are not to
suppose that God committed such a crime, but Indra is the sun, and
Ahalyâ is the night; and so we may say that the night is seduced and
conquered by the morning sun. This, and other instances may be found in
Max Müller's _History of Ancient Sanscrit Literature_. Other instances
might be given.

[3] Vico writes: "The human mind is naturally inclined to project itself
on the object of its external senses." And again, "Common speech ought
to bear witness to ancient popular customs, celebrated in times when the
language was formed." So again: "Men ignorant of the natural causes of
things assign to them their own nature...." In another place: "The
physical science of ignorant men is a kind of common metaphysics, by
which they assign the causes of things which they do not understand to
the will of the gods." Again: "Ignorant and primitive men transform all
nature into a vast living body, sentient of passions and affections."

[4] See, among other authorities for the most important phenomena of
animals in their natural associations, the profoundly learned work by
the well-known A. Espinas: _Des sociétés animales: étude de Psychologie
comparée_, Paris, 2nd edit., 1879.

[5] I stated in my former essay on the fundamental law of the
intelligence in the animal kingdom that philosophy was only the research
into the psychical manifestations of the animal kingdom, and into those
peculiar to man, in connection with the respective organisms in which
they act, and with the estimate of their power as cosmic factors in the
general harmony of the forces of the world.

[6] See, with respect to the primitive unity of the Aryan and Semitic
races, the works of the great philologist, T.G. Ascoli, and others.

[7] "Although it (psychology), still makes some show, yet the old
psychology is condemned. Its conditions of existence have disappeared in
its new environment. Its methods no longer suffice for the increasing
difficulties of the task and the larger requirements of the scientific
spirit. It is constrained to live upon its past. Its wisest
representatives have vainly attempted a compromise, loudly asserting
that facts must be observed, and that a large part should be assigned to
experience. Their concessions are unavailing, for however sincerely
meant, they are not actually carried out. As soon as they set to work
the taste for pure speculation again possesses them. Moreover, no reform
of what is radically false can be effectual, and ancient psychology is a
bastard conception, doomed to perish from the contradictions which it
involves."--Ribot, _Psychologie Allemande Contemporaine_. Paris, 1879.

[8] _Della legge fondamentale della intelligenza nel regno animale._
Milano. Dumolard, 1877.

[9] See, among other works on the subject, _Die Herabkunft des Feuers
und des Gottertranks_, by Adalbert Kuhn; and _Croyances et Légendes de
l'Antiquité_, by A. Maury.

[10] See Wuttke, _Deutscher Volksaberglauber_; Tylor, _Primitive
Culture_; Hanusch, Rochholz, and others.

[11] _The Worship of Animals and Plants_, Part I. _Fortnightly Review_,
1869. The same argument is generally used; see Tylor, _Early History of
Mankind_, 1865; Lubbock, _Origin of Civilization_, 1870; Herbert
Spencer, _Fortnightly Review_, May, 1870; Waitz, _Anthropologie der
Naturvölker_; Bastian, _Mensch in der Geschichte_.

[12] See Alger's _Critical History of the Doctrine of a Future Life_.

[13] Arbrousset, _The Basutos_.

[14] Muir, _Sanscrit Texts_.

[15] Burton, _West Africa_; Tylor, _Primitive Culture_.

[16] Pictet, Origines Indo-Eoropéennes.

[17] The Hawaïans, for example, have only one term for love, friendship,
esteem, gratitude, benevolence, etc.--_aloha_; while they have distinct
words for different degrees in a single natural phenomenon. Thus
_aneane_, gentle breeze; _matani_, wind; _pahi_, the act of breathing
through the mouth; _hano_, breathing through the nose. See Hale's
_Polynesian Dictionary_. All peoples have slowly attained to typical
ideas, and many are even now in process of formation. Thus, the Finns,
Lapps, Tartars, and Mongols, have no generic words for _river_, although
even the smallest streams have their names. They have not a word to
express _fingers_ in general, but special words for thumb, fore-finger,
etc. They have no word for tree, but special words for _pine_, _birch_,
_ash_, etc. In the Finn language, the word first used for _thumb_ was
afterwards applied to fingers generally, and the special word for the
bay in which they lived came to be used for all bays. See Castren,
_Vorlesungen über Finnische Mythologie_. This original confusion in the
definition of scientific ideas, and the successive alternations by which
they were re-cast, may be gathered from the analysis of language, and
from facts which still occur among uncultured and ignorant people. When
the inhabitants of Mallculo saw dogs for the first time, they called
them _brooàs_, or pigs. The inhabitants of Tauna also call the dogs
imported thither _buga_, or pigs. When the inhabitants of a small island
in the Mediterranean saw oxen for the first time, they called them
_horned asses_.

[18] See Gaussin's _Langue Polynésienne_.

[19] This process of the evolution of primitive myth and of fetishes,
will be more elaborately considered in Chapter VII., when we come to
speak generally of the historic evolution of science and of myth. The
repetition is not superfluous, since it is necessary for the complete
understanding of my theory.

[20] For example, in ancient Roman mythology the _Fons_ was first
adored, then _Fontus_, the father of all sources, and finally _Janus_, a
solar myth, the father of Fontus. Janus, as the sun, was the producer of
all water, which rose by evaporation and fell again in rain.

[21] The Sanscrit word _Vayúnâ_, meaning light, was personified in
Aurora, and afterwards signified the intelligence, or inward light; a
symbolical evolution of myth towards a rational conception. The worship
of heaven and earth, united in a common type, is found among all Aryan
peoples, and among other races. The Germans worshipped _Hertha_, the
original form of _Erde_, earth. The Letts worshipped _Mahte_, or
_Mahmine_, mother earth. So did the Magyars, and the Ostiaks adored the
earth under the Slavonic name of _Imlia_. In China sacrifices to the
divine earth _Heou-tou_ and to the heaven _Tien_ were fundamental rites.
In North America the Shawnees invoked earth as their great ancestress.
The Comanchi adored her as their common mother. In New Zealand heaven
and earth are worshipped as _Rangi_ and _Papi_. (Grey: _Polynesian
Mythology_.) The myth of Apollo, light, sun, heat, combined also with
serpent worship, is found modified in a thousand ways among all peoples,
savages included. See Schwartz, _Urspung der Mythologie_; J. Fergusson,
_Tree and Serpent Worship_; Herbert Spencer, _The Origin of Animal
Worship_; Maury, _Religions de la Grèce Antique_. They also appeared
among the Hebrew and kindred races. We find in the book of Job that God
"by His spirit had garnished the heavens; His hand has formed the
crooked serpent" (Job xxvi. 13), expressions which are almost Vedic.
From celestial phenomena the myth of the Apollo Serpent descended to
impersonate the phenomena of earth, of which we have examples in the
Greek fable of the Python, and others. Apollo again appears as the god
which agitates and dissolves the waters, and the serpent as the winding
course of a river, and also as other sources of water. The sun causes
the river water to evaporate, which is symbolized by the dragon's
conflict with Apollo, and the victory of the latter. The monster, as
Forchhammer observes, is formed during the childhood of Apollo, that is,
at a time of year when the sun has not attained his full force. When the
serpent's body begins to putrefy, the reptile, in mythical language,
takes the new name of Python, or he who becomes putrid. The serpent
Python, in accordance with the continual transformations of myth,
becomes the Hydra of Lerna, and Hercules, another solar myth, is
substituted for Apollo. This Hydra is transformed again into Typhon, a
fresh personification of the forces of nature and of the atmosphere,
conspiring against heaven. The seven-headed Hydra reappears in another
form in the Rig-Veda, where the rain cloud is compared to the serpent
whom head rests on seven springs. I have Max Müller's authority for the
vigorous alternation of myths in those primitive ages, their extreme
mobility, their resolution into vivified physical forms, and the slight
consistency of specific types. Aurora and Night are often substituted
for each other, and although in the original conception of the birth of
Apollo and Artemis they were certainly both considered to be children of
the night, Leto and Latona, yet even so the place or island where,
according to the fable, they were born is Ortygia or Delos, or sometimes
called by both names at once. Delos means the land of light, but
Ortygia, although the name is given to different places, is Aurora, or
the land of Aurora. (Gerhard, _Griechische Mythologie_.) Ortygia is
derived from _Ortyx_, a quail. In Sanscrit the quail is called
_Vartikâ_, the bird which returns, because it is one of the birds to
return in spring. This name _Vartikâ_ is given in the Veda to one of the
numerous beings which are set free and brought to life by the _Ascini_,
that is, by day and night, and _Vartikâ_ is one of several names for the
dawn. _Vartikâ's_ story is very short: she was swallowed, but delivered
by the Asvini. She was drawn by them from the wolf's throat. Hence we
have Ortygia, the land of quails, the east; the isle which issued
miraculously from the floods, where Leto begot his solar twins, and also
Ortygia, a name given to Artemis, the daughter of Leto, because she was
born in the east. The _Druh_, crimes and darkness may in their
subsequent development be contrasted with these ancient myths. Aurora is
represented by them as driving away the odious gloom of the _Druh_. The
powers of darkness, the _Druh_ and _Rakshas_ were called _Adeva_, and
the shining gods were called _Adruh_. Kuhn believes that the German
words _trügen_ and _lügen_ are derived from _Druh_.

[22] Michel Bréal: _Hercule et Cacus_.

[23] We are not here concerned with _a priori_ metaphysics, but with the
psychical and organic dispositions slowly produced by evolution and by
consciousness in its cosmic relations. The organic nature of these
reflex phenomena is due to the fact that in the long course of ages
their exercise has, through physiological evolution, first become
voluntary or spontaneous, and then unconscious.

[24] The double meaning is projected into objects. The primitive meaning
of _dexter_ was _fitting_, _capable_, and it was then applied to the
side of the material body. Sansc. _dacs_, to hasten. Ascoli, _Studi
linquistici_.

[25] A careful reader will not hold this repetition to be unnecessary,
since it explains from another point of view the fundamental fact of
perception and its results. It is here considered with reference to the
three elements which constitute this fact.

[26] This great truth was observed by Vico, the most advanced of modern
psychologists, in his views of primitive psychology.

[27] In Chinese, for example, and in many other languages, there are
many words to indicate the tail of a fish, a bird, etc., but no word for
a tail in general. Even an intelligent savage does not accurately
distinguish between the subjective and the objective, between the
imaginary and the real; this is the most important result of a
scientific education. Tylor, _Primitive Culture_; Steinhauser, _Religion
des Nègres_; Brinton, _Myths of the World_. The objective form of
conceptions and emotions, which are subsequently transformed into
spirits, are found among the superior races of our day, in the Christian
hierarchy of angels, in popular tradition, and in spiritualism.

[28] Fetishism may be observed in the civilized Aryan races, but still
more plainly among the Chinese and cognate races, among the Peruvians,
Mexicans, etc. Castren, in his _Finnische Mythologie_ says that we find
extraordinary instances of the lowest stage of fetishism among the
Samoeides, who directly worship all natural objects in themselves. The
Finns, who are comparatively civilized heathens, have attained to a
higher phase of belief. But numerous examples, in every part of the
world, will occur to the intelligent reader.

[29] _Numen_ really means the manifestation of power, from _nuere_.
Varro makes Attius say: "Multis nomen vestrum numenque ciendo." In
Lucretius we have _mentis numen_, and also _Numen Augusti_. An
inscription discovered by Mommsen runs as follows:

     "P. Florus, etc. Dianae numine jussu posuit."


[30] The illustrious Du Bois Reymond delivered a lecture a few years
ago, in which he made it clear that the Semitic idea of one Almighty God
led to the later and modern conception of the unity of forces and the
rational interpretation of the system of the universe. This important
testimony of so able a man confirms the theory set forth some years ago
in the work of which I have reproduced a part in the text.

[31] Some Jewish Christians of the Semitic race took refuge in a
district of Syria, and retained their primitive faith without further
development, under the name of Nazarenes or Ebionites. In the fourth
century, Epiphanius and Jerome found these primitive Christians constant
to the old dogma, while Aryan Christianity had made gigantic strides,
both in its ideas and social organization. Among the Semites, even when
they have partially accepted the dogma, it was and is unproductive.

[32] Aristot., _De anima_; Cic., _De legibus_; Diog., Lae.

[33] A new thought entered my mind, whence others, differing from the
first, arose; and as I roamed from one to another I was tempted to close
my eyes, and thought was changed into a dream.

[34] See the theory by Lotze of local signs in the formation of the idea
of space, completed and modified by Wundt and others.

[35] Sometimes the name of a person, or of some part of the human form,
has been bestowed on a natural object without reference to their
analogy, but in this case the epithet has the converse effect of leading
us to imagine that it possesses the features or limbs of the human form.
And this is of equal value for our present inquiry.

[36] While these sheets were passing through the press, I was informed
of Berg's work on the Enjoyment of Music. ("_Die Lust an der Musik._"
Berlin, 1879.) Berg, who is a realist, inquires what is the source of
the pleasure we experience from the regular succession of sounds, which
he holds to be the primary essence of music. He finds the cause in some
of Darwin's theories and researches. Darwin observes that the epoch of
song coincides with that of love in the case of singing animals, birds,
insects, and some mammals; and from this Berg concludes that primitive
men, or rather anthropoids, made use of the voice to attract the
attention of females. Hence a relation was established between singing
and the sentiments of love, rivalry, and pleasure; this relation was
indissolubly fused into the nature by heredity, and it persisted even
after singing ceased to be excited by its primitive cause. This applies
to the general sense of pleasure in music. We have next to inquire why
the ear prefers certain sounds to others, certain combinations to
others, etc. Berg holds that it depends on negative causes, that the ear
does not select the most pleasing but the least painful sounds. He
relies on Helmholtz's fundamental theory of sounds. It seems to me that
although Helmholtz's theory is true, that of Berg is erroneous, since he
is quite unable to prove his assertion that the effect produced by music
is a negative pleasure. Moreover, the Darwinian observations to which he
traces the origin of the enjoyment of music, not only rely on an
arbitrary hypothesis, but do not explain why males should derive any
advantage from their voice, nor what pleasure and satisfaction females
find in it. And this, as Reinach justly observes in the _Revue
Philosophique_, is the point on which the problem turns.

Clark has recently suggested in the American Naturalist another theory
worthy of consideration. A musical sound is never simple but complex; it
consists of one fundamental sound, and of other harmonic sounds at close
intervals; the first and most perceptible intervals are the 8th, 5th,
4th, and 3rd major. Each of the simple sounds which, taken together,
constitute the whole sound, causes the vibration of a special group of
fibres in the auditory nerve. This fact, often repeated, generates a
kind of organic predisposition which is confirmed by heredity. If from
any cause one of these groups is set in motion, the other groups will
have a tendency to vibrate. Therefore, if a singing animal, weary of
always repeating the same note, wishes to vary its height, he will
naturally choose one of the harmonic sounds of the first. The ultimate
origin of the law of melody in organized beings is therefore only the
simultaneous harmony, realized in sounds, of inorganic nature. This
theory is confirmed by the analysis which has been often made of the
song of some birds: the intervals employed by these are generally the
same as those on which human melody is founded, the 8th, 5th, 4th, and
3rd major. Reinach, however, observes that Beethoven, who in his
Pastoral Symphony has reproduced the song of the nightingale, the
cuckoo, and the quail, makes their melodies to differ from those
assigned to them by Clark.

The method and direction of the theories proposed by these authors are
excellent; but I do not believe that they have discovered the real
origin of the sense of music and dancing. I think that the suggestion
given in the text, although it requires development, is nearer the
truth. Consciousness of the great law by which things exist in a
classified form seems to me to be the cause of the sense of graduated
pleasure, which constitutes the essence of all the arts.

[37] See Beauquier's "_Philosophie de la Musique_."

[38] Serv. on the Æneid. What the oracles sang was termed _carmentis_:
the seers used to be called _carmentes_, and the books in which their
sayings were inscribed were termed _carmentorios_.

[39] See Girard de Rialle: _Mythologie Comparée_. Vol. I. Paris, 1878. A
valuable and learned work.

[40] The intense character of the worship of groves in Italy appears
from Quintilianus, who says, in speaking of Ennius: "_Ennium sicut
sacros vetustate lucos adoremus_."




INDEX.

  A priori ideas, their definition, 7, 8;
    the source of myth, 9
  Abstraction, unconscious and explicit, 138;
    its degrees, 139-150.
  Æschylus, 110
  Alger on the doctrine of a future life, 74
  Animals and man, their intimate connection, 19;
    their embryogenic evolution, 19;
    their complete identity, 22;
    their self-consciousness, 50;
    the projection of themselves on other
    animals and phenomena, 51, 53, 54, 55, 161;
    experiments on, 60-64.
  Animation of extrinsic phenomena, 28, 58-65, 111, 125-128
  Anthropomorphism, 90, 97, 106, 181
  Apprehension, act of, 116;
    by animals, 118;
    psychical law of, 119;
    three elements of, 120;
    by a man, 122-127
  Arbrousset on the Basutos, 75
  Aristotle, his teaching, 231
  Aryan family, its primitive unity with the Semitic, 31;
    its mythology, 179, 197, 219;
    its conception of Christianity, 184-192

  Bridgman, Laura, 207

  Christ, the apotheosis of man, 187
  Christianity, its diffusion, 178-192;
    its anthropomorphism, 181

  Dead, the worship of, 15
  Demoniacal beliefs, 77, 78, 79
  Descartes, 234
  Doric school, 211
  Dreams, 253, 259, 270

  Entification, the term, 153;
    of speech, 310
  Eleatic school, 211
  Epicarmos, 109
  Evolution, of monotheism, 151;
    of the faculties of myth and science, 157;
    of language, 201-204;
    of writing, 209;
    of music, 295-303
  Experiments on animals, 60-64

  Fetish worship, 78, 94-97, 163, 168, 291, 311
  Finns, their mythology, 101

  Galileo, 235
  Greece, her philosophy, 210-217;
    her mythology, 99, 130

  Hallucinations, 272, 281
  Hawaïans, their concrete language, 86

  Ionic school, 210

  Kant, 233

  M'Lennan on the worship of plants and animals, 73
  Man, his intimate connection with animals, 19-23;
    his psychical force, 26;
    estimated according to his absolute value, 35;
    his power of reflection, 23, 52, 163;
    his connection with the universal system, 36
  Mannhardt, his _Deutsche Mythologie_, 100
  Max Müller, his theory of myth, 11, 99
  Mara, incubus, 77
  Monotheism, not the first intuition of man, 104
    its evolution, 151
  Multiplicity of souls, believed by various races, 165
  Myth, the spontaneous form of human intelligence, 1;
    its persistence, 3, 33, 136;
    its germ interchangeable with that of science, 9, 131, 132;
    its problem unsolved, 12;
    its gradual disappearance, 33;
    its constant forms, 40;
    its origin in reflex power, 91;
    its second form, 95;
    its evolution into science, 113;
    its various stages, 160-174
  Mythology, Indian, 10;
    Finnish, 101;
    Vedic, Greek, and Latin, 130, 198;
    its historic results, 175-192;
    Aryan, 179, 196, 219;
    Pagan, 184
  Music, its evolution, 295-305

  New Zealand, original meaning of words, 89

  Perception, primitive human, 69;
    identical in man and in animals, 133;
    the product and cause of myth, 153
  Personification, by animals, 66;
    by man, 80;
    of internal perceptions, 81;
    of homologous types, 81;
    of specific types, 84;
  Pindar, 199
  Platonic school, 220-230
  Polynesian language, 89
  Polytheism, its origin, 98
  Pythagorean school, 214-217

  Reflex power in man, 23, 52;
    its slow growth, 163
  Ribot, his _Psychologie Allemande_, 39
  Roman mythology, 95

  Sanscrit roots, 201
  Science, a factor of intellectual life, 4;
    its germ interchangeable with myth, 9, 131, 132;
    as a whole, revealed in its several parts, 35;
    its effect on myth, 112,194
  Semitic idea, 177;
    race, 191
  Social life based on the order of nature, 38
  Societies, the genesis of, 30
  Sociology, its foundation in the study of myth, 41, 45
  Sophocles, 110
  Spencer, his Sociology, 14

  Tahiti, 89
  Tasmanians, their customs, 42-44
  Thales, his teaching, 212
  Transmigration of souls, 166
  Tylor on Primitive Culture, 14, 16;
    his theory of animism, 16

  Veda, the personification of phenomena, 71;
    Vedic mythology, 76, 98, 130, 219;
    Vedic hymn, 217
  Victory of the natural sciences, 237

  Zeller on monotheism, 108

  THE END.






End of the Project Gutenberg EBook of Myth and Science, by Tito Vignoli

*** END OF THIS PROJECT GUTENBERG EBOOK MYTH AND SCIENCE ***

***** This file should be named 17802-8.txt or 17802-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/7/8/0/17802/

Produced by R. Cedron, Janet Blenkinship and the Online
Distributed Proofreaders Europe at http://dp.rastko.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***