HUCKLEBERRY FINN, By Mark Twain, Part 8.

The Project Gutenberg EBook of Adventures of Huckleberry Finn, Part 8
by Mark Twain (Samuel Clemens)

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Adventures of Huckleberry Finn, Part 8
       Chapters XXXVI. to The Last

Author: Mark Twain (Samuel Clemens)

Release Date: June 28, 2004 [EBook #7107]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK HUCKLEBERRY FINN, PART 8. ***




Produced by David Widger

Part 8.

CONTENTS.

ILLUSTRATIONS.

EXPLANATORY

IN this book a number of dialects are used, to wit:  the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary "Pike County" dialect; and four modified varieties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech.

I make this explanation for the reason that without it many readers would suppose that all these characters were trying to talk alike and not succeeding.

THE AUTHOR.

CHAPTER XXXVI.

AS soon as we reckoned everybody was asleep that night we went down the lightning-rod, and shut ourselves up in the lean-to, and got out our pile of fox-fire, and went to work.  We cleared everything out of the way, about four or five foot along the middle of the bottom log.  Tom said we was right behind Jim's bed now, and we'd dig in under it, and when we got through there couldn't nobody in the cabin ever know there was any hole there, because Jim's counter-pin hung down most to the ground, and you'd have to raise it up and look under to see the hole.  So we dug and dug with the case-knives till most midnight; and then we was dog-tired, and our hands was blistered, and yet you couldn't see we'd done anything hardly.  At last I says:

"This ain't no thirty-seven year job; this is a thirty-eight year job, Tom Sawyer."

He never said nothing.  But he sighed, and pretty soon he stopped digging, and then for a good little while I knowed that he was thinking. Then he says:

"It ain't no use, Huck, it ain't a-going to work.  If we was prisoners it would, because then we'd have as many years as we wanted, and no hurry; and we wouldn't get but a few minutes to dig, every day, while they was changing watches, and so our hands wouldn't get blistered, and we could keep it up right along, year in and year out, and do it right, and the way it ought to be done.  But WE can't fool along; we got to rush; we ain't got no time to spare.  If we was to put in another night this way we'd have to knock off for a week to let our hands get well—couldn't touch a case-knife with them sooner."

"Well, then, what we going to do, Tom?"

"I'll tell you.  It ain't right, and it ain't moral, and I wouldn't like it to get out; but there ain't only just the one way:  we got to dig him out with the picks, and LET ON it's case-knives."

"NOW you're TALKING!"  I says; "your head gets leveler and leveler all the time, Tom Sawyer," I says.  "Picks is the thing, moral or no moral; and as for me, I don't care shucks for the morality of it, nohow.  When I start in to steal a nigger, or a watermelon, or a Sunday-school book, I ain't no ways particular how it's done so it's done.  What I want is my nigger; or what I want is my watermelon; or what I want is my Sunday- school book; and if a pick's the handiest thing, that's the thing I'm a- going to dig that nigger or that watermelon or that Sunday-school book out with; and I don't give a dead rat what the authorities thinks about it nuther."

"Well," he says, "there's excuse for picks and letting-on in a case like this; if it warn't so, I wouldn't approve of it, nor I wouldn't stand by and see the rules broke—because right is right, and wrong is wrong, and a body ain't got no business doing wrong when he ain't ignorant and knows better.  It might answer for YOU to dig Jim out with a pick, WITHOUT any letting on, because you don't know no better; but it wouldn't for me, because I do know better.  Gimme a case-knife."

He had his own by him, but I handed him mine.  He flung it down, and says:

"Gimme a CASE-KNIFE."

I didn't know just what to do—but then I thought.  I scratched around amongst the old tools, and got a pickaxe and give it to him, and he took it and went to work, and never said a word.

He was always just that particular.  Full of principle.

So then I got a shovel, and then we picked and shoveled, turn about, and made the fur fly.  We stuck to it about a half an hour, which was as long as we could stand up; but we had a good deal of a hole to show for it. When I got up stairs I looked out at the window and see Tom doing his level best with the lightning-rod, but he couldn't come it, his hands was so sore.  At last he says:

"It ain't no use, it can't be done.  What you reckon I better do?  Can't you think of no way?"

"Yes," I says, "but I reckon it ain't regular.  Come up the stairs, and let on it's a lightning-rod."

So he done it.

Next day Tom stole a pewter spoon and a brass candlestick in the house, for to make some pens for Jim out of, and six tallow candles; and I hung around the nigger cabins and laid for a chance, and stole three tin plates.  Tom says it wasn't enough; but I said nobody wouldn't ever see the plates that Jim throwed out, because they'd fall in the dog-fennel and jimpson weeds under the window-hole—then we could tote them back and he could use them over again.  So Tom was satisfied.  Then he says:

"Now, the thing to study out is, how to get the things to Jim."

"Take them in through the hole," I says, "when we get it done."

He only just looked scornful, and said something about nobody ever heard of such an idiotic idea, and then he went to studying.  By and by he said he had ciphered out two or three ways, but there warn't no need to decide on any of them yet.  Said we'd got to post Jim first.

That night we went down the lightning-rod a little after ten, and took one of the candles along, and listened under the window-hole, and heard Jim snoring; so we pitched it in, and it didn't wake him.  Then we whirled in with the pick and shovel, and in about two hours and a half the job was done.  We crept in under Jim's bed and into the cabin, and pawed around and found the candle and lit it, and stood over Jim awhile, and found him looking hearty and healthy, and then we woke him up gentle and gradual.  He was so glad to see us he most cried; and called us honey, and all the pet names he could think of; and was for having us hunt up a cold-chisel to cut the chain off of his leg with right away, and clearing out without losing any time.  But Tom he showed him how unregular it would be, and set down and told him all about our plans, and how we could alter them in a minute any time there was an alarm; and not to be the least afraid, because we would see he got away, SURE.  So Jim he said it was all right, and we set there and talked over old times awhile, and then Tom asked a lot of questions, and when Jim told him Uncle Silas come in every day or two to pray with him, and Aunt Sally come in to see if he was comfortable and had plenty to eat, and both of them was kind as they could be, Tom says:

"NOW I know how to fix it.  We'll send you some things by them."

I said, "Don't do nothing of the kind; it's one of the most jackass ideas I ever struck;" but he never paid no attention to me; went right on.  It was his way when he'd got his plans set.

So he told Jim how we'd have to smuggle in the rope-ladder pie and other large things by Nat, the nigger that fed him, and he must be on the lookout, and not be surprised, and not let Nat see him open them; and we would put small things in uncle's coat-pockets and he must steal them out; and we would tie things to aunt's apron-strings or put them in her apron-pocket, if we got a chance; and told him what they would be and what they was for.  And told him how to keep a journal on the shirt with his blood, and all that. He told him everything.  Jim he couldn't see no sense in the most of it, but he allowed we was white folks and knowed better than him; so he was satisfied, and said he would do it all just as Tom said.

Jim had plenty corn-cob pipes and tobacco; so we had a right down good sociable time; then we crawled out through the hole, and so home to bed, with hands that looked like they'd been chawed.  Tom was in high spirits. He said it was the best fun he ever had in his life, and the most intellectural; and said if he only could see his way to it we would keep it up all the rest of our lives and leave Jim to our children to get out; for he believed Jim would come to like it better and better the more he got used to it.  He said that in that way it could be strung out to as much as eighty year, and would be the best time on record.  And he said it would make us all celebrated that had a hand in it.

In the morning we went out to the woodpile and chopped up the brass candlestick into handy sizes, and Tom put them and the pewter spoon in his pocket.  Then we went to the nigger cabins, and while I got Nat's notice off, Tom shoved a piece of candlestick into the middle of a corn- pone that was in Jim's pan, and we went along with Nat to see how it would work, and it just worked noble; when Jim bit into it it most mashed all his teeth out; and there warn't ever anything could a worked better. Tom said so himself. Jim he never let on but what it was only just a piece of rock or something like that that's always getting into bread, you know; but after that he never bit into nothing but what he jabbed his fork into it in three or four places first.

And whilst we was a-standing there in the dimmish light, here comes a couple of the hounds bulging in from under Jim's bed; and they kept on piling in till there was eleven of them, and there warn't hardly room in there to get your breath.  By jings, we forgot to fasten that lean-to door!  The nigger Nat he only just hollered "Witches" once, and keeled over on to the floor amongst the dogs, and begun to groan like he was dying.  Tom jerked the door open and flung out a slab of Jim's meat, and the dogs went for it, and in two seconds he was out himself and back again and shut the door, and I knowed he'd fixed the other door too. Then he went to work on the nigger, coaxing him and petting him, and asking him if he'd been imagining he saw something again.  He raised up, and blinked his eyes around, and says:

"Mars Sid, you'll say I's a fool, but if I didn't b'lieve I see most a million dogs, er devils, er some'n, I wisht I may die right heah in dese tracks.  I did, mos' sholy.  Mars Sid, I FELT um—I FELT um, sah; dey was all over me.  Dad fetch it, I jis' wisht I could git my han's on one er dem witches jis' wunst—on'y jis' wunst—it's all I'd ast.  But mos'ly I wisht dey'd lemme 'lone, I does."

Tom says:

"Well, I tell you what I think.  What makes them come here just at this runaway nigger's breakfast-time?  It's because they're hungry; that's the reason.  You make them a witch pie; that's the thing for YOU to do."

"But my lan', Mars Sid, how's I gwyne to make 'm a witch pie?  I doan' know how to make it.  I hain't ever hearn er sich a thing b'fo'."

"Well, then, I'll have to make it myself."

"Will you do it, honey?—will you?  I'll wusshup de groun' und' yo' foot, I will!"

"All right, I'll do it, seeing it's you, and you've been good to us and showed us the runaway nigger.  But you got to be mighty careful.  When we come around, you turn your back; and then whatever we've put in the pan, don't you let on you see it at all.  And don't you look when Jim unloads the pan—something might happen, I don't know what.  And above all, don't you HANDLE the witch-things."

"HANNEL 'm, Mars Sid?  What IS you a-talkin' 'bout?  I wouldn' lay de weight er my finger on um, not f'r ten hund'd thous'n billion dollars, I wouldn't."

CHAPTER XXXVII.

THAT was all fixed.  So then we went away and went to the rubbage-pile in the back yard, where they keep the old boots, and rags, and pieces of bottles, and wore-out tin things, and all such truck, and scratched around and found an old tin washpan, and stopped up the holes as well as we could, to bake the pie in, and took it down cellar and stole it full of flour and started for breakfast, and found a couple of shingle-nails that Tom said would be handy for a prisoner to scrabble his name and sorrows on the dungeon walls with, and dropped one of them in Aunt Sally's apron-pocket which was hanging on a chair, and t'other we stuck in the band of Uncle Silas's hat, which was on the bureau, because we heard the children say their pa and ma was going to the runaway nigger's house this morning, and then went to breakfast, and Tom dropped the pewter spoon in Uncle Silas's coat-pocket, and Aunt Sally wasn't come yet, so we had to wait a little while.

And when she come she was hot and red and cross, and couldn't hardly wait for the blessing; and then she went to sluicing out coffee with one hand and cracking the handiest child's head with her thimble with the other, and says:

"I've hunted high and I've hunted low, and it does beat all what HAS become of your other shirt."

My heart fell down amongst my lungs and livers and things, and a hard piece of corn-crust started down my throat after it and got met on the road with a cough, and was shot across the table, and took one of the children in the eye and curled him up like a fishing-worm, and let a cry out of him the size of a warwhoop, and Tom he turned kinder blue around the gills, and it all amounted to a considerable state of things for about a quarter of a minute or as much as that, and I would a sold out for half price if there was a bidder.  But after that we was all right again—it was the sudden surprise of it that knocked us so kind of cold. Uncle Silas he says:

"It's most uncommon curious, I can't understand it.  I know perfectly well I took it OFF, because—"

"Because you hain't got but one ON.  Just LISTEN at the man!  I know you took it off, and know it by a better way than your wool-gethering memory, too, because it was on the clo's-line yesterday—I see it there myself. But it's gone, that's the long and the short of it, and you'll just have to change to a red flann'l one till I can get time to make a new one. And it 'll be the third I've made in two years.  It just keeps a body on the jump to keep you in shirts; and whatever you do manage to DO with 'm all is more'n I can make out.  A body 'd think you WOULD learn to take some sort of care of 'em at your time of life."

"I know it, Sally, and I do try all I can.  But it oughtn't to be altogether my fault, because, you know, I don't see them nor have nothing to do with them except when they're on me; and I don't believe I've ever lost one of them OFF of me."

"Well, it ain't YOUR fault if you haven't, Silas; you'd a done it if you could, I reckon.  And the shirt ain't all that's gone, nuther.  Ther's a spoon gone; and THAT ain't all.  There was ten, and now ther's only nine. The calf got the shirt, I reckon, but the calf never took the spoon, THAT'S certain."

"Why, what else is gone, Sally?"

"Ther's six CANDLES gone—that's what.  The rats could a got the candles, and I reckon they did; I wonder they don't walk off with the whole place, the way you're always going to stop their holes and don't do it; and if they warn't fools they'd sleep in your hair, Silas—YOU'D never find it out; but you can't lay the SPOON on the rats, and that I know."

"Well, Sally, I'm in fault, and I acknowledge it; I've been remiss; but I won't let to-morrow go by without stopping up them holes."

"Oh, I wouldn't hurry; next year 'll do.  Matilda Angelina Araminta PHELPS!"

Whack comes the thimble, and the child snatches her claws out of the sugar-bowl without fooling around any.  Just then the nigger woman steps on to the passage, and says:

"Missus, dey's a sheet gone."

"A SHEET gone!  Well, for the land's sake!"

"I'll stop up them holes to-day," says Uncle Silas, looking sorrowful.

"Oh, DO shet up!—s'pose the rats took the SHEET?  WHERE'S it gone, Lize?"

"Clah to goodness I hain't no notion, Miss' Sally.  She wuz on de clo'sline yistiddy, but she done gone:  she ain' dah no mo' now."

"I reckon the world IS coming to an end.  I NEVER see the beat of it in all my born days.  A shirt, and a sheet, and a spoon, and six can—"

"Missus," comes a young yaller wench, "dey's a brass cannelstick miss'n."

"Cler out from here, you hussy, er I'll take a skillet to ye!"

Well, she was just a-biling.  I begun to lay for a chance; I reckoned I would sneak out and go for the woods till the weather moderated.  She kept a-raging right along, running her insurrection all by herself, and everybody else mighty meek and quiet; and at last Uncle Silas, looking kind of foolish, fishes up that spoon out of his pocket.  She stopped, with her mouth open and her hands up; and as for me, I wished I was in Jeruslem or somewheres. But not long, because she says:

"It's JUST as I expected.  So you had it in your pocket all the time; and like as not you've got the other things there, too.  How'd it get there?"

"I reely don't know, Sally," he says, kind of apologizing, "or you know I would tell.  I was a-studying over my text in Acts Seventeen before breakfast, and I reckon I put it in there, not noticing, meaning to put my Testament in, and it must be so, because my Testament ain't in; but I'll go and see; and if the Testament is where I had it, I'll know I didn't put it in, and that will show that I laid the Testament down and took up the spoon, and—"

"Oh, for the land's sake!  Give a body a rest!  Go 'long now, the whole kit and biling of ye; and don't come nigh me again till I've got back my peace of mind."

I'D a heard her if she'd a said it to herself, let alone speaking it out; and I'd a got up and obeyed her if I'd a been dead.  As we was passing through the setting-room the old man he took up his hat, and the shingle- nail fell out on the floor, and he just merely picked it up and laid it on the mantel-shelf, and never said nothing, and went out.  Tom see him do it, and remembered about the spoon, and says:

"Well, it ain't no use to send things by HIM no more, he ain't reliable." Then he says:  "But he done us a good turn with the spoon, anyway, without knowing it, and so we'll go and do him one without HIM knowing it—stop up his rat-holes."

There was a noble good lot of them down cellar, and it took us a whole hour, but we done the job tight and good and shipshape.  Then we heard steps on the stairs, and blowed out our light and hid; and here comes the old man, with a candle in one hand and a bundle of stuff in t'other, looking as absent-minded as year before last.  He went a mooning around, first to one rat-hole and then another, till he'd been to them all.  Then he stood about five minutes, picking tallow-drip off of his candle and thinking.  Then he turns off slow and dreamy towards the stairs, saying:

"Well, for the life of me I can't remember when I done it.  I could show her now that I warn't to blame on account of the rats.  But never mind—let it go.  I reckon it wouldn't do no good."

And so he went on a-mumbling up stairs, and then we left.  He was a mighty nice old man.  And always is.

Tom was a good deal bothered about what to do for a spoon, but he said we'd got to have it; so he took a think.  When he had ciphered it out he told me how we was to do; then we went and waited around the spoon-basket till we see Aunt Sally coming, and then Tom went to counting the spoons and laying them out to one side, and I slid one of them up my sleeve, and Tom says:

"Why, Aunt Sally, there ain't but nine spoons YET."

She says:

"Go 'long to your play, and don't bother me.  I know better, I counted 'm myself."

"Well, I've counted them twice, Aunty, and I can't make but nine."

She looked out of all patience, but of course she come to count—anybody would.

"I declare to gracious ther' AIN'T but nine!" she says.  "Why, what in the world—plague TAKE the things, I'll count 'm again."

So I slipped back the one I had, and when she got done counting, she says:

"Hang the troublesome rubbage, ther's TEN now!" and she looked huffy and bothered both.  But Tom says:

"Why, Aunty, I don't think there's ten."

"You numskull, didn't you see me COUNT 'm?"

"I know, but—"

"Well, I'll count 'm AGAIN."

So I smouched one, and they come out nine, same as the other time.  Well, she WAS in a tearing way—just a-trembling all over, she was so mad.  But she counted and counted till she got that addled she'd start to count in the basket for a spoon sometimes; and so, three times they come out right, and three times they come out wrong.  Then she grabbed up the basket and slammed it across the house and knocked the cat galley-west; and she said cle'r out and let her have some peace, and if we come bothering around her again betwixt that and dinner she'd skin us.  So we had the odd spoon, and dropped it in her apron-pocket whilst she was a- giving us our sailing orders, and Jim got it all right, along with her shingle nail, before noon.  We was very well satisfied with this business, and Tom allowed it was worth twice the trouble it took, because he said NOW she couldn't ever count them spoons twice alike again to save her life; and wouldn't believe she'd counted them right if she DID; and said that after she'd about counted her head off for the next three days he judged she'd give it up and offer to kill anybody that wanted her to ever count them any more.

So we put the sheet back on the line that night, and stole one out of her closet; and kept on putting it back and stealing it again for a couple of days till she didn't know how many sheets she had any more, and she didn't CARE, and warn't a-going to bullyrag the rest of her soul out about it, and wouldn't count them again not to save her life; she druther die first.

So we was all right now, as to the shirt and the sheet and the spoon and the candles, by the help of the calf and the rats and the mixed-up counting; and as to the candlestick, it warn't no consequence, it would blow over by and by.

But that pie was a job; we had no end of trouble with that pie.  We fixed it up away down in the woods, and cooked it there; and we got it done at last, and very satisfactory, too; but not all in one day; and we had to use up three wash-pans full of flour before we got through, and we got burnt pretty much all over, in places, and eyes put out with the smoke; because, you see, we didn't want nothing but a crust, and we couldn't prop it up right, and she would always cave in.  But of course we thought of the right way at last—which was to cook the ladder, too, in the pie.  So then we laid in with Jim the second night, and tore up the sheet all in little strings and twisted them together, and long before daylight we had a lovely rope that you could a hung a person with.  We let on it took nine months to make it.

And in the forenoon we took it down to the woods, but it wouldn't go into the pie.  Being made of a whole sheet, that way, there was rope enough for forty pies if we'd a wanted them, and plenty left over for soup, or sausage, or anything you choose.  We could a had a whole dinner.

But we didn't need it.  All we needed was just enough for the pie, and so we throwed the rest away.  We didn't cook none of the pies in the wash- pan—afraid the solder would melt; but Uncle Silas he had a noble brass warming-pan which he thought considerable of, because it belonged to one of his ancesters with a long wooden handle that come over from England with William the Conqueror in the Mayflower or one of them early ships and was hid away up garret with a lot of other old pots and things that was valuable, not on account of being any account, because they warn't, but on account of them being relicts, you know, and we snaked her out, private, and took her down there, but she failed on the first pies, because we didn't know how, but she come up smiling on the last one.  We took and lined her with dough, and set her in the coals, and loaded her up with rag rope, and put on a dough roof, and shut down the lid, and put hot embers on top, and stood off five foot, with the long handle, cool and comfortable, and in fifteen minutes she turned out a pie that was a satisfaction to look at. But the person that et it would want to fetch a couple of kags of toothpicks along, for if that rope ladder wouldn't cramp him down to business I don't know nothing what I'm talking about, and lay him in enough stomach-ache to last him till next time, too.

Nat didn't look when we put the witch pie in Jim's pan; and we put the three tin plates in the bottom of the pan under the vittles; and so Jim got everything all right, and as soon as he was by himself he busted into the pie and hid the rope ladder inside of his straw tick, and scratched some marks on a tin plate and throwed it out of the window-hole.

CHAPTER XXXVIII.

MAKING them pens was a distressid tough job, and so was the saw; and Jim allowed the inscription was going to be the toughest of all.  That's the one which the prisoner has to scrabble on the wall.  But he had to have it; Tom said he'd GOT to; there warn't no case of a state prisoner not scrabbling his inscription to leave behind, and his coat of arms.

"Look at Lady Jane Grey," he says; "look at Gilford Dudley; look at old Northumberland!  Why, Huck, s'pose it IS considerble trouble?—what you going to do?—how you going to get around it?  Jim's GOT to do his inscription and coat of arms.  They all do."

Jim says:

"Why, Mars Tom, I hain't got no coat o' arm; I hain't got nuffn but dish yer ole shirt, en you knows I got to keep de journal on dat."

"Oh, you don't understand, Jim; a coat of arms is very different."

"Well," I says, "Jim's right, anyway, when he says he ain't got no coat of arms, because he hain't."

"I reckon I knowed that," Tom says, "but you bet he'll have one before he goes out of this—because he's going out RIGHT, and there ain't going to be no flaws in his record."

So whilst me and Jim filed away at the pens on a brickbat apiece, Jim a- making his'n out of the brass and I making mine out of the spoon, Tom set to work to think out the coat of arms.  By and by he said he'd struck so many good ones he didn't hardly know which to take, but there was one which he reckoned he'd decide on.  He says:

"On the scutcheon we'll have a bend OR in the dexter base, a saltire MURREY in the fess, with a dog, couchant, for common charge, and under his foot a chain embattled, for slavery, with a chevron VERT in a chief engrailed, and three invected lines on a field AZURE, with the nombril points rampant on a dancette indented; crest, a runaway nigger, SABLE, with his bundle over his shoulder on a bar sinister; and a couple of gules for supporters, which is you and me; motto, MAGGIORE FRETTA, MINORE OTTO.  Got it out of a book—means the more haste the less speed."

"Geewhillikins," I says, "but what does the rest of it mean?"

"We ain't got no time to bother over that," he says; "we got to dig in like all git-out."

"Well, anyway," I says, "what's SOME of it?  What's a fess?"

"A fess—a fess is—YOU don't need to know what a fess is.  I'll show him how to make it when he gets to it."

"Shucks, Tom," I says, "I think you might tell a person.  What's a bar sinister?"

"Oh, I don't know.  But he's got to have it.  All the nobility does."

That was just his way.  If it didn't suit him to explain a thing to you, he wouldn't do it.  You might pump at him a week, it wouldn't make no difference.

He'd got all that coat of arms business fixed, so now he started in to finish up the rest of that part of the work, which was to plan out a mournful inscription—said Jim got to have one, like they all done.  He made up a lot, and wrote them out on a paper, and read them off, so:

1.  Here a captive heart busted. 2.  Here a poor prisoner, forsook by the world and friends, fretted his sorrowful life. 3.  Here a lonely heart broke, and a worn spirit went to its rest, after thirty-seven years of solitary captivity. 4.  Here, homeless and friendless, after thirty-seven years of bitter captivity, perished a noble stranger, natural son of Louis XIV.

Tom's voice trembled whilst he was reading them, and he most broke down. When he got done he couldn't no way make up his mind which one for Jim to scrabble on to the wall, they was all so good; but at last he allowed he would let him scrabble them all on.  Jim said it would take him a year to scrabble such a lot of truck on to the logs with a nail, and he didn't know how to make letters, besides; but Tom said he would block them out for him, and then he wouldn't have nothing to do but just follow the lines.  Then pretty soon he says:

"Come to think, the logs ain't a-going to do; they don't have log walls in a dungeon:  we got to dig the inscriptions into a rock.  We'll fetch a rock."

Jim said the rock was worse than the logs; he said it would take him such a pison long time to dig them into a rock he wouldn't ever get out.  But Tom said he would let me help him do it.  Then he took a look to see how me and Jim was getting along with the pens.  It was most pesky tedious hard work and slow, and didn't give my hands no show to get well of the sores, and we didn't seem to make no headway, hardly; so Tom says:

"I know how to fix it.  We got to have a rock for the coat of arms and mournful inscriptions, and we can kill two birds with that same rock. There's a gaudy big grindstone down at the mill, and we'll smouch it, and carve the things on it, and file out the pens and the saw on it, too."

It warn't no slouch of an idea; and it warn't no slouch of a grindstone nuther; but we allowed we'd tackle it.  It warn't quite midnight yet, so we cleared out for the mill, leaving Jim at work.  We smouched the grindstone, and set out to roll her home, but it was a most nation tough job. Sometimes, do what we could, we couldn't keep her from falling over, and she come mighty near mashing us every time.  Tom said she was going to get one of us, sure, before we got through.  We got her half way; and then we was plumb played out, and most drownded with sweat.  We see it warn't no use; we got to go and fetch Jim So he raised up his bed and slid the chain off of the bed-leg, and wrapt it round and round his neck, and we crawled out through our hole and down there, and Jim and me laid into that grindstone and walked her along like nothing; and Tom superintended.  He could out-superintend any boy I ever see.  He knowed how to do everything.

Our hole was pretty big, but it warn't big enough to get the grindstone through; but Jim he took the pick and soon made it big enough.  Then Tom marked out them things on it with the nail, and set Jim to work on them, with the nail for a chisel and an iron bolt from the rubbage in the lean- to for a hammer, and told him to work till the rest of his candle quit on him, and then he could go to bed, and hide the grindstone under his straw tick and sleep on it.  Then we helped him fix his chain back on the bed-leg, and was ready for bed ourselves.  But Tom thought of something, and says:

"You got any spiders in here, Jim?"

"No, sah, thanks to goodness I hain't, Mars Tom."

"All right, we'll get you some."

"But bless you, honey, I doan' WANT none.  I's afeard un um.  I jis' 's soon have rattlesnakes aroun'."

Tom thought a minute or two, and says:

"It's a good idea.  And I reckon it's been done.  It MUST a been done; it stands to reason.  Yes, it's a prime good idea.  Where could you keep it?"

"Keep what, Mars Tom?"

"Why, a rattlesnake."

"De goodness gracious alive, Mars Tom!  Why, if dey was a rattlesnake to come in heah I'd take en bust right out thoo dat log wall, I would, wid my head."

Why, Jim, you wouldn't be afraid of it after a little.  You could tame it."

"TAME it!"

"Yes—easy enough.  Every animal is grateful for kindness and petting, and they wouldn't THINK of hurting a person that pets them.  Any book will tell you that.  You try—that's all I ask; just try for two or three days. Why, you can get him so in a little while that he'll love you; and sleep with you; and won't stay away from you a minute; and will let you wrap him round your neck and put his head in your mouth."

"PLEASE, Mars Tom—DOAN' talk so!  I can't STAN' it!  He'd LET me shove his head in my mouf—fer a favor, hain't it?  I lay he'd wait a pow'ful long time 'fo' I AST him.  En mo' en dat, I doan' WANT him to sleep wid me."

"Jim, don't act so foolish.  A prisoner's GOT to have some kind of a dumb pet, and if a rattlesnake hain't ever been tried, why, there's more glory to be gained in your being the first to ever try it than any other way you could ever think of to save your life."

"Why, Mars Tom, I doan' WANT no sich glory.  Snake take 'n bite Jim's chin off, den WHAH is de glory?  No, sah, I doan' want no sich doin's."

"Blame it, can't you TRY?  I only WANT you to try—you needn't keep it up if it don't work."

"But de trouble all DONE ef de snake bite me while I's a tryin' him. Mars Tom, I's willin' to tackle mos' anything 'at ain't onreasonable, but ef you en Huck fetches a rattlesnake in heah for me to tame, I's gwyne to LEAVE, dat's SHORE."

"Well, then, let it go, let it go, if you're so bull-headed about it.  We can get you some garter-snakes, and you can tie some buttons on their tails, and let on they're rattlesnakes, and I reckon that 'll have to do."

"I k'n stan' DEM, Mars Tom, but blame' 'f I couldn' get along widout um, I tell you dat.  I never knowed b'fo' 't was so much bother and trouble to be a prisoner."

"Well, it ALWAYS is when it's done right.  You got any rats around here?"

"No, sah, I hain't seed none."

"Well, we'll get you some rats."

"Why, Mars Tom, I doan' WANT no rats.  Dey's de dadblamedest creturs to 'sturb a body, en rustle roun' over 'im, en bite his feet, when he's tryin' to sleep, I ever see.  No, sah, gimme g'yarter-snakes, 'f I's got to have 'm, but doan' gimme no rats; I hain' got no use f'r um, skasely."

"But, Jim, you GOT to have 'em—they all do.  So don't make no more fuss about it.  Prisoners ain't ever without rats.  There ain't no instance of it.  And they train them, and pet them, and learn them tricks, and they get to be as sociable as flies.  But you got to play music to them.  You got anything to play music on?"

"I ain' got nuffn but a coase comb en a piece o' paper, en a juice-harp; but I reck'n dey wouldn' take no stock in a juice-harp."

"Yes they would.  THEY don't care what kind of music 'tis.  A jews-harp's plenty good enough for a rat.  All animals like music—in a prison they dote on it.  Specially, painful music; and you can't get no other kind out of a jews-harp.  It always interests them; they come out to see what's the matter with you.  Yes, you're all right; you're fixed very well.  You want to set on your bed nights before you go to sleep, and early in the mornings, and play your jews-harp; play 'The Last Link is Broken'—that's the thing that 'll scoop a rat quicker 'n anything else; and when you've played about two minutes you'll see all the rats, and the snakes, and spiders, and things begin to feel worried about you, and come.  And they'll just fairly swarm over you, and have a noble good time."

"Yes, DEY will, I reck'n, Mars Tom, but what kine er time is JIM havin'? Blest if I kin see de pint.  But I'll do it ef I got to.  I reck'n I better keep de animals satisfied, en not have no trouble in de house."

Tom waited to think it over, and see if there wasn't nothing else; and pretty soon he says:

"Oh, there's one thing I forgot.  Could you raise a flower here, do you reckon?"

"I doan know but maybe I could, Mars Tom; but it's tolable dark in heah, en I ain' got no use f'r no flower, nohow, en she'd be a pow'ful sight o' trouble."

"Well, you try it, anyway.  Some other prisoners has done it."

"One er dem big cat-tail-lookin' mullen-stalks would grow in heah, Mars Tom, I reck'n, but she wouldn't be wuth half de trouble she'd coss."

"Don't you believe it.  We'll fetch you a little one and you plant it in the corner over there, and raise it.  And don't call it mullen, call it Pitchiola—that's its right name when it's in a prison.  And you want to water it with your tears."

"Why, I got plenty spring water, Mars Tom."

"You don't WANT spring water; you want to water it with your tears.  It's the way they always do."

"Why, Mars Tom, I lay I kin raise one er dem mullen-stalks twyste wid spring water whiles another man's a START'N one wid tears."

"That ain't the idea.  You GOT to do it with tears."

"She'll die on my han's, Mars Tom, she sholy will; kase I doan' skasely ever cry."

So Tom was stumped.  But he studied it over, and then said Jim would have to worry along the best he could with an onion.  He promised he would go to the nigger cabins and drop one, private, in Jim's coffee-pot, in the morning. Jim said he would "jis' 's soon have tobacker in his coffee;" and found so much fault with it, and with the work and bother of raising the mullen, and jews-harping the rats, and petting and flattering up the snakes and spiders and things, on top of all the other work he had to do on pens, and inscriptions, and journals, and things, which made it more trouble and worry and responsibility to be a prisoner than anything he ever undertook, that Tom most lost all patience with him; and said he was just loadened down with more gaudier chances than a prisoner ever had in the world to make a name for himself, and yet he didn't know enough to appreciate them, and they was just about wasted on him.  So Jim he was sorry, and said he wouldn't behave so no more, and then me and Tom shoved for bed.

CHAPTER XXXIX.

IN the morning we went up to the village and bought a wire rat-trap and fetched it down, and unstopped the best rat-hole, and in about an hour we had fifteen of the bulliest kind of ones; and then we took it and put it in a safe place under Aunt Sally's bed.  But while we was gone for spiders little Thomas Franklin Benjamin Jefferson Elexander Phelps found it there, and opened the door of it to see if the rats would come out, and they did; and Aunt Sally she come in, and when we got back she was a-standing on top of the bed raising Cain, and the rats was doing what they could to keep off the dull times for her.  So she took and dusted us both with the hickry, and we was as much as two hours catching another fifteen or sixteen, drat that meddlesome cub, and they warn't the likeliest, nuther, because the first haul was the pick of the flock.  I never see a likelier lot of rats than what that first haul was.

We got a splendid stock of sorted spiders, and bugs, and frogs, and caterpillars, and one thing or another; and we like to got a hornet's nest, but we didn't.  The family was at home.  We didn't give it right up, but stayed with them as long as we could; because we allowed we'd tire them out or they'd got to tire us out, and they done it.  Then we got allycumpain and rubbed on the places, and was pretty near all right again, but couldn't set down convenient.  And so we went for the snakes, and grabbed a couple of dozen garters and house-snakes, and put them in a bag, and put it in our room, and by that time it was supper-time, and a rattling good honest day's work:  and hungry?—oh, no, I reckon not!  And there warn't a blessed snake up there when we went back—we didn't half tie the sack, and they worked out somehow, and left.  But it didn't matter much, because they was still on the premises somewheres.  So we judged we could get some of them again.  No, there warn't no real scarcity of snakes about the house for a considerable spell.  You'd see them dripping from the rafters and places every now and then; and they generly landed in your plate, or down the back of your neck, and most of the time where you didn't want them.  Well, they was handsome and striped, and there warn't no harm in a million of them; but that never made no difference to Aunt Sally; she despised snakes, be the breed what they might, and she couldn't stand them no way you could fix it; and every time one of them flopped down on her, it didn't make no difference what she was doing, she would just lay that work down and light out.  I never see such a woman.  And you could hear her whoop to Jericho.  You couldn't get her to take a-holt of one of them with the tongs.  And if she turned over and found one in bed she would scramble out and lift a howl that you would think the house was afire.  She disturbed the old man so that he said he could most wish there hadn't ever been no snakes created.  Why, after every last snake had been gone clear out of the house for as much as a week Aunt Sally warn't over it yet; she warn't near over it; when she was setting thinking about something you could touch her on the back of her neck with a feather and she would jump right out of her stockings.  It was very curious.  But Tom said all women was just so.  He said they was made that way for some reason or other.

We got a licking every time one of our snakes come in her way, and she allowed these lickings warn't nothing to what she would do if we ever loaded up the place again with them.  I didn't mind the lickings, because they didn't amount to nothing; but I minded the trouble we had to lay in another lot.  But we got them laid in, and all the other things; and you never see a cabin as blithesome as Jim's was when they'd all swarm out for music and go for him.  Jim didn't like the spiders, and the spiders didn't like Jim; and so they'd lay for him, and make it mighty warm for him.  And he said that between the rats and the snakes and the grindstone there warn't no room in bed for him, skasely; and when there was, a body couldn't sleep, it was so lively, and it was always lively, he said, because THEY never all slept at one time, but took turn about, so when the snakes was asleep the rats was on deck, and when the rats turned in the snakes come on watch, so he always had one gang under him, in his way, and t'other gang having a circus over him, and if he got up to hunt a new place the spiders would take a chance at him as he crossed over. He said if he ever got out this time he wouldn't ever be a prisoner again, not for a salary.

Well, by the end of three weeks everything was in pretty good shape.  The shirt was sent in early, in a pie, and every time a rat bit Jim he would get up and write a little in his journal whilst the ink was fresh; the pens was made, the inscriptions and so on was all carved on the grindstone; the bed-leg was sawed in two, and we had et up the sawdust, and it give us a most amazing stomach-ache.  We reckoned we was all going to die, but didn't.  It was the most undigestible sawdust I ever see; and Tom said the same./

But as I was saying, we'd got all the work done now, at last; and we was all pretty much fagged out, too, but mainly Jim.  The old man had wrote a couple of times to the plantation below Orleans to come and get their runaway nigger, but hadn't got no answer, because there warn't no such plantation; so he allowed he would advertise Jim in the St. Louis and New Orleans papers; and when he mentioned the St. Louis ones it give me the cold shivers, and I see we hadn't no time to lose. So Tom said, now for the nonnamous letters.

"What's them?"  I says.

"Warnings to the people that something is up.  Sometimes it's done one way, sometimes another.  But there's always somebody spying around that gives notice to the governor of the castle.  When Louis XVI. was going to light out of the Tooleries a servant-girl done it.  It's a very good way, and so is the nonnamous letters.  We'll use them both.  And it's usual for the prisoner's mother to change clothes with him, and she stays in, and he slides out in her clothes.  We'll do that, too."

"But looky here, Tom, what do we want to WARN anybody for that something's up?  Let them find it out for themselves—it's their lookout."

"Yes, I know; but you can't depend on them.  It's the way they've acted from the very start—left us to do EVERYTHING.  They're so confiding and mullet-headed they don't take notice of nothing at all.  So if we don't GIVE them notice there won't be nobody nor nothing to interfere with us, and so after all our hard work and trouble this escape 'll go off perfectly flat; won't amount to nothing—won't be nothing TO it."

"Well, as for me, Tom, that's the way I'd like."

"Shucks!" he says, and looked disgusted.  So I says:

"But I ain't going to make no complaint.  Any way that suits you suits me. What you going to do about the servant-girl?"

"You'll be her.  You slide in, in the middle of the night, and hook that yaller girl's frock."

"Why, Tom, that 'll make trouble next morning; because, of course, she prob'bly hain't got any but that one."

"I know; but you don't want it but fifteen minutes, to carry the nonnamous letter and shove it under the front door."

"All right, then, I'll do it; but I could carry it just as handy in my own togs."

"You wouldn't look like a servant-girl THEN, would you?"

"No, but there won't be nobody to see what I look like, ANYWAY."

"That ain't got nothing to do with it.  The thing for us to do is just to do our DUTY, and not worry about whether anybody SEES us do it or not. Hain't you got no principle at all?"

"All right, I ain't saying nothing; I'm the servant-girl.  Who's Jim's mother?"

"I'm his mother.  I'll hook a gown from Aunt Sally."

"Well, then, you'll have to stay in the cabin when me and Jim leaves."

"Not much.  I'll stuff Jim's clothes full of straw and lay it on his bed to represent his mother in disguise, and Jim 'll take the nigger woman's gown off of me and wear it, and we'll all evade together.  When a prisoner of style escapes it's called an evasion.  It's always called so when a king escapes, f'rinstance.  And the same with a king's son; it don't make no difference whether he's a natural one or an unnatural one."

So Tom he wrote the nonnamous letter, and I smouched the yaller wench's frock that night, and put it on, and shoved it under the front door, the way Tom told me to.  It said:

Beware.  Trouble is brewing.  Keep a sharp lookout. UNKNOWN FRIEND.

Next night we stuck a picture, which Tom drawed in blood, of a skull and crossbones on the front door; and next night another one of a coffin on the back door.  I never see a family in such a sweat.  They couldn't a been worse scared if the place had a been full of ghosts laying for them behind everything and under the beds and shivering through the air.  If a door banged, Aunt Sally she jumped and said "ouch!" if anything fell, she jumped and said "ouch!" if you happened to touch her, when she warn't noticing, she done the same; she couldn't face noway and be satisfied, because she allowed there was something behind her every time—so she was always a-whirling around sudden, and saying "ouch," and before she'd got two-thirds around she'd whirl back again, and say it again; and she was afraid to go to bed, but she dasn't set up.  So the thing was working very well, Tom said; he said he never see a thing work more satisfactory. He said it showed it was done right.

So he said, now for the grand bulge!  So the very next morning at the streak of dawn we got another letter ready, and was wondering what we better do with it, because we heard them say at supper they was going to have a nigger on watch at both doors all night.  Tom he went down the lightning-rod to spy around; and the nigger at the back door was asleep, and he stuck it in the back of his neck and come back.  This letter said:

Don't betray me, I wish to be your friend.  There is a desprate gang of cut-throats from over in the Indian Territory going to steal your runaway nigger to-night, and they have been trying to scare you so as you will stay in the house and not bother them.  I am one of the gang, but have got religgion and wish to quit it and lead an honest life again, and will betray the helish design. They will sneak down from northards, along the fence, at midnight exact, with a false key, and go in the nigger's cabin to get him. I am to be off a piece and blow a tin horn if I see any danger; but stead of that I will BA like a sheep soon as they get in and not blow at all; then whilst they are getting his chains loose, you slip there and lock them in, and can kill them at your leasure.  Don't do anything but just the way I am telling you; if you do they will suspicion something and raise whoop-jamboreehoo. I do not wish any reward but to know I have done the right thing. UNKNOWN FRIEND.

CHAPTER XL.

WE was feeling pretty good after breakfast, and took my canoe and went over the river a-fishing, with a lunch, and had a good time, and took a look at the raft and found her all right, and got home late to supper, and found them in such a sweat and worry they didn't know which end they was standing on, and made us go right off to bed the minute we was done supper, and wouldn't tell us what the trouble was, and never let on a word about the new letter, but didn't need to, because we knowed as much about it as anybody did, and as soon as we was half up stairs and her back was turned we slid for the cellar cupboard and loaded up a good lunch and took it up to our room and went to bed, and got up about half- past eleven, and Tom put on Aunt Sally's dress that he stole and was going to start with the lunch, but says:

"Where's the butter?"

"I laid out a hunk of it," I says, "on a piece of a corn-pone."

"Well, you LEFT it laid out, then—it ain't here."

"We can get along without it," I says.

"We can get along WITH it, too," he says; "just you slide down cellar and fetch it.  And then mosey right down the lightning-rod and come along. I'll go and stuff the straw into Jim's clothes to represent his mother in disguise, and be ready to BA like a sheep and shove soon as you get there."

So out he went, and down cellar went I. The hunk of butter, big as a person's fist, was where I had left it, so I took up the slab of corn- pone with it on, and blowed out my light, and started up stairs very stealthy, and got up to the main floor all right, but here comes Aunt Sally with a candle, and I clapped the truck in my hat, and clapped my hat on my head, and the next second she see me; and she says:

"You been down cellar?"

"Yes'm."

"What you been doing down there?"

"Noth'n."

"NOTH'N!"

"No'm."

"Well, then, what possessed you to go down there this time of night?"

"I don't know 'm."

"You don't KNOW?  Don't answer me that way. Tom, I want to know what you been DOING down there."

"I hain't been doing a single thing, Aunt Sally, I hope to gracious if I have."

I reckoned she'd let me go now, and as a generl thing she would; but I s'pose there was so many strange things going on she was just in a sweat about every little thing that warn't yard-stick straight; so she says, very decided:

"You just march into that setting-room and stay there till I come.  You been up to something you no business to, and I lay I'll find out what it is before I'M done with you."

So she went away as I opened the door and walked into the setting-room. My, but there was a crowd there!  Fifteen farmers, and every one of them had a gun.  I was most powerful sick, and slunk to a chair and set down. They was setting around, some of them talking a little, in a low voice, and all of them fidgety and uneasy, but trying to look like they warn't; but I knowed they was, because they was always taking off their hats, and putting them on, and scratching their heads, and changing their seats, and fumbling with their buttons.  I warn't easy myself, but I didn't take my hat off, all the same.

I did wish Aunt Sally would come, and get done with me, and lick me, if she wanted to, and let me get away and tell Tom how we'd overdone this thing, and what a thundering hornet's-nest we'd got ourselves into, so we could stop fooling around straight off, and clear out with Jim before these rips got out of patience and come for us.

At last she come and begun to ask me questions, but I COULDN'T answer them straight, I didn't know which end of me was up; because these men was in such a fidget now that some was wanting to start right NOW and lay for them desperadoes, and saying it warn't but a few minutes to midnight; and others was trying to get them to hold on and wait for the sheep- signal; and here was Aunty pegging away at the questions, and me a- shaking all over and ready to sink down in my tracks I was that scared; and the place getting hotter and hotter, and the butter beginning to melt and run down my neck and behind my ears; and pretty soon, when one of them says, "I'M for going and getting in the cabin FIRST and right NOW, and catching them when they come," I most dropped; and a streak of butter come a-trickling down my forehead, and Aunt Sally she see it, and turns white as a sheet, and says:

"For the land's sake, what IS the matter with the child?  He's got the brain-fever as shore as you're born, and they're oozing out!"

And everybody runs to see, and she snatches off my hat, and out comes the bread and what was left of the butter, and she grabbed me, and hugged me, and says:

"Oh, what a turn you did give me! and how glad and grateful I am it ain't no worse; for luck's against us, and it never rains but it pours, and when I see that truck I thought we'd lost you, for I knowed by the color and all it was just like your brains would be if—Dear, dear, whyd'nt you TELL me that was what you'd been down there for, I wouldn't a cared.  Now cler out to bed, and don't lemme see no more of you till morning!"

I was up stairs in a second, and down the lightning-rod in another one, and shinning through the dark for the lean-to.  I couldn't hardly get my words out, I was so anxious; but I told Tom as quick as I could we must jump for it now, and not a minute to lose—the house full of men, yonder, with guns!

His eyes just blazed; and he says:

"No!—is that so?  AIN'T it bully!  Why, Huck, if it was to do over again, I bet I could fetch two hundred!  If we could put it off till—"

"Hurry!  HURRY!"  I says.  "Where's Jim?"

"Right at your elbow; if you reach out your arm you can touch him.  He's dressed, and everything's ready.  Now we'll slide out and give the sheep- signal."

But then we heard the tramp of men coming to the door, and heard them begin to fumble with the pad-lock, and heard a man say:

"I TOLD you we'd be too soon; they haven't come—the door is locked. Here, I'll lock some of you into the cabin, and you lay for 'em in the dark and kill 'em when they come; and the rest scatter around a piece, and listen if you can hear 'em coming."

So in they come, but couldn't see us in the dark, and most trod on us whilst we was hustling to get under the bed.  But we got under all right, and out through the hole, swift but soft—Jim first, me next, and Tom last, which was according to Tom's orders.  Now we was in the lean-to, and heard trampings close by outside.  So we crept to the door, and Tom stopped us there and put his eye to the crack, but couldn't make out nothing, it was so dark; and whispered and said he would listen for the steps to get further, and when he nudged us Jim must glide out first, and him last.  So he set his ear to the crack and listened, and listened, and listened, and the steps a-scraping around out there all the time; and at last he nudged us, and we slid out, and stooped down, not breathing, and not making the least noise, and slipped stealthy towards the fence in Injun file, and got to it all right, and me and Jim over it; but Tom's britches catched fast on a splinter on the top rail, and then he hear the steps coming, so he had to pull loose, which snapped the splinter and made a noise; and as he dropped in our tracks and started somebody sings out:

"Who's that?  Answer, or I'll shoot!"

But we didn't answer; we just unfurled our heels and shoved.  Then there was a rush, and a BANG, BANG, BANG! and the bullets fairly whizzed around us! We heard them sing out:

"Here they are!  They've broke for the river!  After 'em, boys, and turn loose the dogs!"

So here they come, full tilt.  We could hear them because they wore boots and yelled, but we didn't wear no boots and didn't yell.  We was in the path to the mill; and when they got pretty close on to us we dodged into the bush and let them go by, and then dropped in behind them.  They'd had all the dogs shut up, so they wouldn't scare off the robbers; but by this time somebody had let them loose, and here they come, making powwow enough for a million; but they was our dogs; so we stopped in our tracks till they catched up; and when they see it warn't nobody but us, and no excitement to offer them, they only just said howdy, and tore right ahead towards the shouting and clattering; and then we up-steam again, and whizzed along after them till we was nearly to the mill, and then struck up through the bush to where my canoe was tied, and hopped in and pulled for dear life towards the middle of the river, but didn't make no more noise than we was obleeged to. Then we struck out, easy and comfortable, for the island where my raft was; and we could hear them yelling and barking at each other all up and down the bank, till we was so far away the sounds got dim and died out.  And when we stepped on to the raft I says:

"NOW, old Jim, you're a free man again, and I bet you won't ever be a slave no more."

"En a mighty good job it wuz, too, Huck.  It 'uz planned beautiful, en it 'uz done beautiful; en dey ain't NOBODY kin git up a plan dat's mo' mixed-up en splendid den what dat one wuz."

We was all glad as we could be, but Tom was the gladdest of all because he had a bullet in the calf of his leg.

When me and Jim heard that we didn't feel so brash as what we did before. It was hurting him considerable, and bleeding; so we laid him in the wigwam and tore up one of the duke's shirts for to bandage him, but he says:

"Gimme the rags; I can do it myself.  Don't stop now; don't fool around here, and the evasion booming along so handsome; man the sweeps, and set her loose!  Boys, we done it elegant!—'deed we did.  I wish WE'D a had the handling of Louis XVI., there wouldn't a been no 'Son of Saint Louis, ascend to heaven!' wrote down in HIS biography; no, sir, we'd a whooped him over the BORDER—that's what we'd a done with HIM—and done it just as slick as nothing at all, too.  Man the sweeps—man the sweeps!"

But me and Jim was consulting—and thinking.  And after we'd thought a minute, I says:

"Say it, Jim."

So he says:

"Well, den, dis is de way it look to me, Huck.  Ef it wuz HIM dat 'uz bein' sot free, en one er de boys wuz to git shot, would he say, 'Go on en save me, nemmine 'bout a doctor f'r to save dis one?'  Is dat like Mars Tom Sawyer?  Would he say dat?  You BET he wouldn't!  WELL, den, is JIM gywne to say it?  No, sah—I doan' budge a step out'n dis place 'dout a DOCTOR, not if it's forty year!"

I knowed he was white inside, and I reckoned he'd say what he did say—so it was all right now, and I told Tom I was a-going for a doctor.  He raised considerable row about it, but me and Jim stuck to it and wouldn't budge; so he was for crawling out and setting the raft loose himself; but we wouldn't let him.  Then he give us a piece of his mind, but it didn't do no good.

So when he sees me getting the canoe ready, he says:

"Well, then, if you re bound to go, I'll tell you the way to do when you get to the village.  Shut the door and blindfold the doctor tight and fast, and make him swear to be silent as the grave, and put a purse full of gold in his hand, and then take and lead him all around the back alleys and everywheres in the dark, and then fetch him here in the canoe, in a roundabout way amongst the islands, and search him and take his chalk away from him, and don't give it back to him till you get him back to the village, or else he will chalk this raft so he can find it again. It's the way they all do."

So I said I would, and left, and Jim was to hide in the woods when he see the doctor coming till he was gone again.

CHAPTER XLI.

THE doctor was an old man; a very nice, kind-looking old man when I got him up.  I told him me and my brother was over on Spanish Island hunting yesterday afternoon, and camped on a piece of a raft we found, and about midnight he must a kicked his gun in his dreams, for it went off and shot him in the leg, and we wanted him to go over there and fix it and not say nothing about it, nor let anybody know, because we wanted to come home this evening and surprise the folks.

"Who is your folks?" he says.

"The Phelpses, down yonder."

"Oh," he says.  And after a minute, he says:

"How'd you say he got shot?"

"He had a dream," I says, "and it shot him."

"Singular dream," he says.

So he lit up his lantern, and got his saddle-bags, and we started.  But when he sees the canoe he didn't like the look of her—said she was big enough for one, but didn't look pretty safe for two.  I says:

"Oh, you needn't be afeard, sir, she carried the three of us easy enough."

"What three?"

"Why, me and Sid, and—and—and THE GUNS; that's what I mean."

"Oh," he says.

But he put his foot on the gunnel and rocked her, and shook his head, and said he reckoned he'd look around for a bigger one.  But they was all locked and chained; so he took my canoe, and said for me to wait till he come back, or I could hunt around further, or maybe I better go down home and get them ready for the surprise if I wanted to.  But I said I didn't; so I told him just how to find the raft, and then he started.

I struck an idea pretty soon.  I says to myself, spos'n he can't fix that leg just in three shakes of a sheep's tail, as the saying is? spos'n it takes him three or four days?  What are we going to do?—lay around there till he lets the cat out of the bag?  No, sir; I know what I'LL do.  I'll wait, and when he comes back if he says he's got to go any more I'll get down there, too, if I swim; and we'll take and tie him, and keep him, and shove out down the river; and when Tom's done with him we'll give him what it's worth, or all we got, and then let him get ashore.

So then I crept into a lumber-pile to get some sleep; and next time I waked up the sun was away up over my head!  I shot out and went for the doctor's house, but they told me he'd gone away in the night some time or other, and warn't back yet.  Well, thinks I, that looks powerful bad for Tom, and I'll dig out for the island right off.  So away I shoved, and turned the corner, and nearly rammed my head into Uncle Silas's stomach! He says:

"Why, TOM!  Where you been all this time, you rascal?"

"I hain't been nowheres," I says, "only just hunting for the runaway nigger—me and Sid."

"Why, where ever did you go?" he says.  "Your aunt's been mighty uneasy."

"She needn't," I says, "because we was all right.  We followed the men and the dogs, but they outrun us, and we lost them; but we thought we heard them on the water, so we got a canoe and took out after them and crossed over, but couldn't find nothing of them; so we cruised along up- shore till we got kind of tired and beat out; and tied up the canoe and went to sleep, and never waked up till about an hour ago; then we paddled over here to hear the news, and Sid's at the post-office to see what he can hear, and I'm a-branching out to get something to eat for us, and then we're going home."

So then we went to the post-office to get "Sid"; but just as I suspicioned, he warn't there; so the old man he got a letter out of the office, and we waited awhile longer, but Sid didn't come; so the old man said, come along, let Sid foot it home, or canoe it, when he got done fooling around—but we would ride.  I couldn't get him to let me stay and wait for Sid; and he said there warn't no use in it, and I must come along, and let Aunt Sally see we was all right.

When we got home Aunt Sally was that glad to see me she laughed and cried both, and hugged me, and give me one of them lickings of hern that don't amount to shucks, and said she'd serve Sid the same when he come.

And the place was plum full of farmers and farmers' wives, to dinner; and such another clack a body never heard.  Old Mrs. Hotchkiss was the worst; her tongue was a-going all the time.  She says:

"Well, Sister Phelps, I've ransacked that-air cabin over, an' I b'lieve the nigger was crazy.  I says to Sister Damrell—didn't I, Sister Damrell?—s'I, he's crazy, s'I—them's the very words I said.  You all hearn me: he's crazy, s'I; everything shows it, s'I.  Look at that-air grindstone, s'I; want to tell ME't any cretur 't's in his right mind 's a goin' to scrabble all them crazy things onto a grindstone, s'I?  Here sich 'n' sich a person busted his heart; 'n' here so 'n' so pegged along for thirty-seven year, 'n' all that—natcherl son o' Louis somebody, 'n' sich everlast'n rubbage.  He's plumb crazy, s'I; it's what I says in the fust place, it's what I says in the middle, 'n' it's what I says last 'n' all the time—the nigger's crazy—crazy 's Nebokoodneezer, s'I."

"An' look at that-air ladder made out'n rags, Sister Hotchkiss," says old Mrs. Damrell; "what in the name o' goodness COULD he ever want of—"

"The very words I was a-sayin' no longer ago th'n this minute to Sister Utterback, 'n' she'll tell you so herself.  Sh-she, look at that-air rag ladder, sh-she; 'n' s'I, yes, LOOK at it, s'I—what COULD he a-wanted of it, s'I.  Sh-she, Sister Hotchkiss, sh-she—"

"But how in the nation'd they ever GIT that grindstone IN there, ANYWAY? 'n' who dug that-air HOLE? 'n' who—"

"My very WORDS, Brer Penrod!  I was a-sayin'—pass that-air sasser o' m'lasses, won't ye?—I was a-sayin' to Sister Dunlap, jist this minute, how DID they git that grindstone in there, s'I.  Without HELP, mind you—'thout HELP!  THAT'S wher 'tis.  Don't tell ME, s'I; there WUZ help, s'I; 'n' ther' wuz a PLENTY help, too, s'I; ther's ben a DOZEN a-helpin' that nigger, 'n' I lay I'd skin every last nigger on this place but I'D find out who done it, s'I; 'n' moreover, s'I—"

"A DOZEN says you!—FORTY couldn't a done every thing that's been done. Look at them case-knife saws and things, how tedious they've been made; look at that bed-leg sawed off with 'm, a week's work for six men; look at that nigger made out'n straw on the bed; and look at—"

"You may WELL say it, Brer Hightower!  It's jist as I was a-sayin' to Brer Phelps, his own self.  S'e, what do YOU think of it, Sister Hotchkiss, s'e? Think o' what, Brer Phelps, s'I?  Think o' that bed-leg sawed off that a way, s'e?  THINK of it, s'I?  I lay it never sawed ITSELF off, s'I—somebody SAWED it, s'I; that's my opinion, take it or leave it, it mayn't be no 'count, s'I, but sich as 't is, it's my opinion, s'I, 'n' if any body k'n start a better one, s'I, let him DO it, s'I, that's all.  I says to Sister Dunlap, s'I—"

"Why, dog my cats, they must a ben a house-full o' niggers in there every night for four weeks to a done all that work, Sister Phelps.  Look at that shirt—every last inch of it kivered over with secret African writ'n done with blood!  Must a ben a raft uv 'm at it right along, all the time, amost.  Why, I'd give two dollars to have it read to me; 'n' as for the niggers that wrote it, I 'low I'd take 'n' lash 'm t'll—"

"People to HELP him, Brother Marples!  Well, I reckon you'd THINK so if you'd a been in this house for a while back.  Why, they've stole everything they could lay their hands on—and we a-watching all the time, mind you. They stole that shirt right off o' the line! and as for that sheet they made the rag ladder out of, ther' ain't no telling how many times they DIDN'T steal that; and flour, and candles, and candlesticks, and spoons, and the old warming-pan, and most a thousand things that I disremember now, and my new calico dress; and me and Silas and my Sid and Tom on the constant watch day AND night, as I was a-telling you, and not a one of us could catch hide nor hair nor sight nor sound of them; and here at the last minute, lo and behold you, they slides right in under our noses and fools us, and not only fools US but the Injun Territory robbers too, and actuly gets AWAY with that nigger safe and sound, and that with sixteen men and twenty-two dogs right on their very heels at that very time!  I tell you, it just bangs anything I ever HEARD of. Why, SPERITS couldn't a done better and been no smarter. And I reckon they must a BEEN sperits—because, YOU know our dogs, and ther' ain't no better; well, them dogs never even got on the TRACK of 'm once!  You explain THAT to me if you can!—ANY of you!"

"Well, it does beat—"

"Laws alive, I never—"

"So help me, I wouldn't a be—"

"HOUSE-thieves as well as—"

"Goodnessgracioussakes, I'd a ben afeard to live in sich a—"

"'Fraid to LIVE!—why, I was that scared I dasn't hardly go to bed, or get up, or lay down, or SET down, Sister Ridgeway.  Why, they'd steal the very—why, goodness sakes, you can guess what kind of a fluster I was in by the time midnight come last night.  I hope to gracious if I warn't afraid they'd steal some o' the family!  I was just to that pass I didn't have no reasoning faculties no more.  It looks foolish enough NOW, in the daytime; but I says to myself, there's my two poor boys asleep, 'way up stairs in that lonesome room, and I declare to goodness I was that uneasy 't I crep' up there and locked 'em in!  I DID.  And anybody would. Because, you know, when you get scared that way, and it keeps running on, and getting worse and worse all the time, and your wits gets to addling, and you get to doing all sorts o' wild things, and by and by you think to yourself, spos'n I was a boy, and was away up there, and the door ain't locked, and you—" She stopped, looking kind of wondering, and then she turned her head around slow, and when her eye lit on me—I got up and took a walk.

Says I to myself, I can explain better how we come to not be in that room this morning if I go out to one side and study over it a little.  So I done it.  But I dasn't go fur, or she'd a sent for me.  And when it was late in the day the people all went, and then I come in and told her the noise and shooting waked up me and "Sid," and the door was locked, and we wanted to see the fun, so we went down the lightning-rod, and both of us got hurt a little, and we didn't never want to try THAT no more.  And then I went on and told her all what I told Uncle Silas before; and then she said she'd forgive us, and maybe it was all right enough anyway, and about what a body might expect of boys, for all boys was a pretty harum- scarum lot as fur as she could see; and so, as long as no harm hadn't come of it, she judged she better put in her time being grateful we was alive and well and she had us still, stead of fretting over what was past and done.  So then she kissed me, and patted me on the head, and dropped into a kind of a brown study; and pretty soon jumps up, and says:

"Why, lawsamercy, it's most night, and Sid not come yet!  What HAS become of that boy?"

I see my chance; so I skips up and says:

"I'll run right up to town and get him," I says.

"No you won't," she says.  "You'll stay right wher' you are; ONE'S enough to be lost at a time.  If he ain't here to supper, your uncle 'll go."

Well, he warn't there to supper; so right after supper uncle went.

He come back about ten a little bit uneasy; hadn't run across Tom's track. Aunt Sally was a good DEAL uneasy; but Uncle Silas he said there warn't no occasion to be—boys will be boys, he said, and you'll see this one turn up in the morning all sound and right.  So she had to be satisfied.  But she said she'd set up for him a while anyway, and keep a light burning so he could see it.

And then when I went up to bed she come up with me and fetched her candle, and tucked me in, and mothered me so good I felt mean, and like I couldn't look her in the face; and she set down on the bed and talked with me a long time, and said what a splendid boy Sid was, and didn't seem to want to ever stop talking about him; and kept asking me every now and then if I reckoned he could a got lost, or hurt, or maybe drownded, and might be laying at this minute somewheres suffering or dead, and she not by him to help him, and so the tears would drip down silent, and I would tell her that Sid was all right, and would be home in the morning, sure; and she would squeeze my hand, or maybe kiss me, and tell me to say it again, and keep on saying it, because it done her good, and she was in so much trouble.  And when she was going away she looked down in my eyes so steady and gentle, and says:

"The door ain't going to be locked, Tom, and there's the window and the rod; but you'll be good, WON'T you?  And you won't go?  For MY sake."

Laws knows I WANTED to go bad enough to see about Tom, and was all intending to go; but after that I wouldn't a went, not for kingdoms.

But she was on my mind and Tom was on my mind, so I slept very restless. And twice I went down the rod away in the night, and slipped around front, and see her setting there by her candle in the window with her eyes towards the road and the tears in them; and I wished I could do something for her, but I couldn't, only to swear that I wouldn't never do nothing to grieve her any more.  And the third time I waked up at dawn, and slid down, and she was there yet, and her candle was most out, and her old gray head was resting on her hand, and she was asleep.

CHAPTER XLII.

THE old man was uptown again before breakfast, but couldn't get no track of Tom; and both of them set at the table thinking, and not saying nothing, and looking mournful, and their coffee getting cold, and not eating anything. And by and by the old man says:

"Did I give you the letter?"

"What letter?"

"The one I got yesterday out of the post-office."

"No, you didn't give me no letter."

"Well, I must a forgot it."

So he rummaged his pockets, and then went off somewheres where he had laid it down, and fetched it, and give it to her.  She says:

"Why, it's from St. Petersburg—it's from Sis."

I allowed another walk would do me good; but I couldn't stir.  But before she could break it open she dropped it and run—for she see something. And so did I. It was Tom Sawyer on a mattress; and that old doctor; and Jim, in HER calico dress, with his hands tied behind him; and a lot of people.  I hid the letter behind the first thing that come handy, and rushed.  She flung herself at Tom, crying, and says:

"Oh, he's dead, he's dead, I know he's dead!"

And Tom he turned his head a little, and muttered something or other, which showed he warn't in his right mind; then she flung up her hands, and says:

"He's alive, thank God!  And that's enough!" and she snatched a kiss of him, and flew for the house to get the bed ready, and scattering orders right and left at the niggers and everybody else, as fast as her tongue could go, every jump of the way.

I followed the men to see what they was going to do with Jim; and the old doctor and Uncle Silas followed after Tom into the house.  The men was very huffy, and some of them wanted to hang Jim for an example to all the other niggers around there, so they wouldn't be trying to run away like Jim done, and making such a raft of trouble, and keeping a whole family scared most to death for days and nights.  But the others said, don't do it, it wouldn't answer at all; he ain't our nigger, and his owner would turn up and make us pay for him, sure.  So that cooled them down a little, because the people that's always the most anxious for to hang a nigger that hain't done just right is always the very ones that ain't the most anxious to pay for him when they've got their satisfaction out of him.

They cussed Jim considerble, though, and give him a cuff or two side the head once in a while, but Jim never said nothing, and he never let on to know me, and they took him to the same cabin, and put his own clothes on him, and chained him again, and not to no bed-leg this time, but to a big staple drove into the bottom log, and chained his hands, too, and both legs, and said he warn't to have nothing but bread and water to eat after this till his owner come, or he was sold at auction because he didn't come in a certain length of time, and filled up our hole, and said a couple of farmers with guns must stand watch around about the cabin every night, and a bulldog tied to the door in the daytime; and about this time they was through with the job and was tapering off with a kind of generl good-bye cussing, and then the old doctor comes and takes a look, and says:

"Don't be no rougher on him than you're obleeged to, because he ain't a bad nigger.  When I got to where I found the boy I see I couldn't cut the bullet out without some help, and he warn't in no condition for me to leave to go and get help; and he got a little worse and a little worse, and after a long time he went out of his head, and wouldn't let me come a-nigh him any more, and said if I chalked his raft he'd kill me, and no end of wild foolishness like that, and I see I couldn't do anything at all with him; so I says, I got to have HELP somehow; and the minute I says it out crawls this nigger from somewheres and says he'll help, and he done it, too, and done it very well.  Of course I judged he must be a runaway nigger, and there I WAS! and there I had to stick right straight along all the rest of the day and all night.  It was a fix, I tell you! I had a couple of patients with the chills, and of course I'd of liked to run up to town and see them, but I dasn't, because the nigger might get away, and then I'd be to blame; and yet never a skiff come close enough for me to hail.  So there I had to stick plumb until daylight this morning; and I never see a nigger that was a better nuss or faithfuller, and yet he was risking his freedom to do it, and was all tired out, too, and I see plain enough he'd been worked main hard lately.  I liked the nigger for that; I tell you, gentlemen, a nigger like that is worth a thousand dollars—and kind treatment, too.  I had everything I needed, and the boy was doing as well there as he would a done at home—better, maybe, because it was so quiet; but there I WAS, with both of 'm on my hands, and there I had to stick till about dawn this morning; then some men in a skiff come by, and as good luck would have it the nigger was setting by the pallet with his head propped on his knees sound asleep; so I motioned them in quiet, and they slipped up on him and grabbed him and tied him before he knowed what he was about, and we never had no trouble. And the boy being in a kind of a flighty sleep, too, we muffled the oars and hitched the raft on, and towed her over very nice and quiet, and the nigger never made the least row nor said a word from the start.  He ain't no bad nigger, gentlemen; that's what I think about him."

Somebody says:

"Well, it sounds very good, doctor, I'm obleeged to say."

Then the others softened up a little, too, and I was mighty thankful to that old doctor for doing Jim that good turn; and I was glad it was according to my judgment of him, too; because I thought he had a good heart in him and was a good man the first time I see him.  Then they all agreed that Jim had acted very well, and was deserving to have some notice took of it, and reward.  So every one of them promised, right out and hearty, that they wouldn't cuss him no more.

Then they come out and locked him up.  I hoped they was going to say he could have one or two of the chains took off, because they was rotten heavy, or could have meat and greens with his bread and water; but they didn't think of it, and I reckoned it warn't best for me to mix in, but I judged I'd get the doctor's yarn to Aunt Sally somehow or other as soon as I'd got through the breakers that was laying just ahead of me—explanations, I mean, of how I forgot to mention about Sid being shot when I was telling how him and me put in that dratted night paddling around hunting the runaway nigger.

But I had plenty time.  Aunt Sally she stuck to the sick-room all day and all night, and every time I see Uncle Silas mooning around I dodged him.

Next morning I heard Tom was a good deal better, and they said Aunt Sally was gone to get a nap.  So I slips to the sick-room, and if I found him awake I reckoned we could put up a yarn for the family that would wash. But he was sleeping, and sleeping very peaceful, too; and pale, not fire- faced the way he was when he come.  So I set down and laid for him to wake.  In about half an hour Aunt Sally comes gliding in, and there I was, up a stump again!  She motioned me to be still, and set down by me, and begun to whisper, and said we could all be joyful now, because all the symptoms was first-rate, and he'd been sleeping like that for ever so long, and looking better and peacefuller all the time, and ten to one he'd wake up in his right mind.

So we set there watching, and by and by he stirs a bit, and opened his eyes very natural, and takes a look, and says:

"Hello!—why, I'm at HOME!  How's that?  Where's the raft?"

"It's all right," I says.

"And JIM?"

"The same," I says, but couldn't say it pretty brash.  But he never noticed, but says:

"Good!  Splendid!  NOW we're all right and safe! Did you tell Aunty?"

I was going to say yes; but she chipped in and says:  "About what, Sid?"

"Why, about the way the whole thing was done."

"What whole thing?"

"Why, THE whole thing.  There ain't but one; how we set the runaway nigger free—me and Tom."

"Good land!  Set the run—What IS the child talking about!  Dear, dear, out of his head again!"

"NO, I ain't out of my HEAD; I know all what I'm talking about.  We DID set him free—me and Tom.  We laid out to do it, and we DONE it.  And we done it elegant, too."  He'd got a start, and she never checked him up, just set and stared and stared, and let him clip along, and I see it warn't no use for ME to put in.  "Why, Aunty, it cost us a power of work—weeks of it—hours and hours, every night, whilst you was all asleep. And we had to steal candles, and the sheet, and the shirt, and your dress, and spoons, and tin plates, and case-knives, and the warming-pan, and the grindstone, and flour, and just no end of things, and you can't think what work it was to make the saws, and pens, and inscriptions, and one thing or another, and you can't think HALF the fun it was.  And we had to make up the pictures of coffins and things, and nonnamous letters from the robbers, and get up and down the lightning-rod, and dig the hole into the cabin, and made the rope ladder and send it in cooked up in a pie, and send in spoons and things to work with in your apron pocket—"

"Mercy sakes!"

"—and load up the cabin with rats and snakes and so on, for company for Jim; and then you kept Tom here so long with the butter in his hat that you come near spiling the whole business, because the men come before we was out of the cabin, and we had to rush, and they heard us and let drive at us, and I got my share, and we dodged out of the path and let them go by, and when the dogs come they warn't interested in us, but went for the most noise, and we got our canoe, and made for the raft, and was all safe, and Jim was a free man, and we done it all by ourselves, and WASN'T it bully, Aunty!"

"Well, I never heard the likes of it in all my born days!  So it was YOU, you little rapscallions, that's been making all this trouble, and turned everybody's wits clean inside out and scared us all most to death.  I've as good a notion as ever I had in my life to take it out o' you this very minute.  To think, here I've been, night after night, a—YOU just get well once, you young scamp, and I lay I'll tan the Old Harry out o' both o' ye!"

But Tom, he WAS so proud and joyful, he just COULDN'T hold in, and his tongue just WENT it—she a-chipping in, and spitting fire all along, and both of them going it at once, like a cat convention; and she says:

"WELL, you get all the enjoyment you can out of it NOW, for mind I tell you if I catch you meddling with him again—"

"Meddling with WHO?"  Tom says, dropping his smile and looking surprised.

"With WHO?  Why, the runaway nigger, of course.  Who'd you reckon?"

Tom looks at me very grave, and says:

"Tom, didn't you just tell me he was all right?  Hasn't he got away?"

"HIM?" says Aunt Sally; "the runaway nigger?  'Deed he hasn't.  They've got him back, safe and sound, and he's in that cabin again, on bread and water, and loaded down with chains, till he's claimed or sold!"

Tom rose square up in bed, with his eye hot, and his nostrils opening and shutting like gills, and sings out to me:

"They hain't no RIGHT to shut him up!  SHOVE!—and don't you lose a minute.  Turn him loose! he ain't no slave; he's as free as any cretur that walks this earth!"

"What DOES the child mean?"

"I mean every word I SAY, Aunt Sally, and if somebody don't go, I'LL go. I've knowed him all his life, and so has Tom, there.  Old Miss Watson died two months ago, and she was ashamed she ever was going to sell him down the river, and SAID so; and she set him free in her will."

"Then what on earth did YOU want to set him free for, seeing he was already free?"

"Well, that IS a question, I must say; and just like women!  Why, I wanted the ADVENTURE of it; and I'd a waded neck-deep in blood to—goodness alive, AUNT POLLY!"

If she warn't standing right there, just inside the door, looking as sweet and contented as an angel half full of pie, I wish I may never!

Aunt Sally jumped for her, and most hugged the head off of her, and cried over her, and I found a good enough place for me under the bed, for it was getting pretty sultry for us, seemed to me.  And I peeped out, and in a little while Tom's Aunt Polly shook herself loose and stood there looking across at Tom over her spectacles—kind of grinding him into the earth, you know.  And then she says:

"Yes, you BETTER turn y'r head away—I would if I was you, Tom."

"Oh, deary me!" says Aunt Sally; "IS he changed so?  Why, that ain't TOM, it's Sid; Tom's—Tom's—why, where is Tom?  He was here a minute ago."

"You mean where's Huck FINN—that's what you mean!  I reckon I hain't raised such a scamp as my Tom all these years not to know him when I SEE him.  That WOULD be a pretty howdy-do.  Come out from under that bed, Huck Finn."

So I done it.  But not feeling brash.

Aunt Sally she was one of the mixed-upest-looking persons I ever see—except one, and that was Uncle Silas, when he come in and they told it all to him.  It kind of made him drunk, as you may say, and he didn't know nothing at all the rest of the day, and preached a prayer-meeting sermon that night that gave him a rattling ruputation, because the oldest man in the world couldn't a understood it.  So Tom's Aunt Polly, she told all about who I was, and what; and I had to up and tell how I was in such a tight place that when Mrs. Phelps took me for Tom Sawyer—she chipped in and says, "Oh, go on and call me Aunt Sally, I'm used to it now, and 'tain't no need to change"—that when Aunt Sally took me for Tom Sawyer I had to stand it—there warn't no other way, and I knowed he wouldn't mind, because it would be nuts for him, being a mystery, and he'd make an adventure out of it, and be perfectly satisfied.  And so it turned out, and he let on to be Sid, and made things as soft as he could for me.

And his Aunt Polly she said Tom was right about old Miss Watson setting Jim free in her will; and so, sure enough, Tom Sawyer had gone and took all that trouble and bother to set a free nigger free! and I couldn't ever understand before, until that minute and that talk, how he COULD help a body set a nigger free with his bringing-up.

Well, Aunt Polly she said that when Aunt Sally wrote to her that Tom and SID had come all right and safe, she says to herself:

"Look at that, now!  I might have expected it, letting him go off that way without anybody to watch him.  So now I got to go and trapse all the way down the river, eleven hundred mile, and find out what that creetur's up to THIS time, as long as I couldn't seem to get any answer out of you about it."

"Why, I never heard nothing from you," says Aunt Sally.

"Well, I wonder!  Why, I wrote you twice to ask you what you could mean by Sid being here."

"Well, I never got 'em, Sis."

Aunt Polly she turns around slow and severe, and says:

"You, Tom!"

"Well—WHAT?" he says, kind of pettish.

"Don t you what ME, you impudent thing—hand out them letters."

"What letters?"

"THEM letters.  I be bound, if I have to take a-holt of you I'll—"

"They're in the trunk.  There, now.  And they're just the same as they was when I got them out of the office.  I hain't looked into them, I hain't touched them.  But I knowed they'd make trouble, and I thought if you warn't in no hurry, I'd—"

"Well, you DO need skinning, there ain't no mistake about it.  And I wrote another one to tell you I was coming; and I s'pose he—"

"No, it come yesterday; I hain't read it yet, but IT'S all right, I've got that one."

I wanted to offer to bet two dollars she hadn't, but I reckoned maybe it was just as safe to not to.  So I never said nothing.

CHAPTER THE LAST

THE first time I catched Tom private I asked him what was his idea, time of the evasion?—what it was he'd planned to do if the evasion worked all right and he managed to set a nigger free that was already free before? And he said, what he had planned in his head from the start, if we got Jim out all safe, was for us to run him down the river on the raft, and have adventures plumb to the mouth of the river, and then tell him about his being free, and take him back up home on a steamboat, in style, and pay him for his lost time, and write word ahead and get out all the niggers around, and have them waltz him into town with a torchlight procession and a brass-band, and then he would be a hero, and so would we.  But I reckoned it was about as well the way it was.

We had Jim out of the chains in no time, and when Aunt Polly and Uncle Silas and Aunt Sally found out how good he helped the doctor nurse Tom, they made a heap of fuss over him, and fixed him up prime, and give him all he wanted to eat, and a good time, and nothing to do.  And we had him up to the sick-room, and had a high talk; and Tom give Jim forty dollars for being prisoner for us so patient, and doing it up so good, and Jim was pleased most to death, and busted out, and says:

"DAH, now, Huck, what I tell you?—what I tell you up dah on Jackson islan'?  I TOLE you I got a hairy breas', en what's de sign un it; en I TOLE you I ben rich wunst, en gwineter to be rich AGIN; en it's come true; en heah she is!  DAH, now! doan' talk to ME—signs is SIGNS, mine I tell you; en I knowed jis' 's well 'at I 'uz gwineter be rich agin as I's a-stannin' heah dis minute!"

And then Tom he talked along and talked along, and says, le's all three slide out of here one of these nights and get an outfit, and go for howling adventures amongst the Injuns, over in the Territory, for a couple of weeks or two; and I says, all right, that suits me, but I ain't got no money for to buy the outfit, and I reckon I couldn't get none from home, because it's likely pap's been back before now, and got it all away from Judge Thatcher and drunk it up.

"No, he hain't," Tom says; "it's all there yet—six thousand dollars and more; and your pap hain't ever been back since.  Hadn't when I come away, anyhow."

Jim says, kind of solemn:

"He ain't a-comin' back no mo', Huck."

I says:

"Why, Jim?"

"Nemmine why, Huck—but he ain't comin' back no mo."

But I kept at him; so at last he says:

"Doan' you 'member de house dat was float'n down de river, en dey wuz a man in dah, kivered up, en I went in en unkivered him and didn' let you come in?  Well, den, you kin git yo' money when you wants it, kase dat wuz him."

Tom's most well now, and got his bullet around his neck on a watch-guard for a watch, and is always seeing what time it is, and so there ain't nothing more to write about, and I am rotten glad of it, because if I'd a knowed what a trouble it was to make a book I wouldn't a tackled it, and ain't a-going to no more.  But I reckon I got to light out for the Territory ahead of the rest, because Aunt Sally she's going to adopt me and sivilize me, and I can't stand it.  I been there before.

End of the Project Gutenberg EBook of Adventures of Huckleberry Finn, Part 8
by Mark Twain (Samuel Clemens)

*** END OF THIS PROJECT GUTENBERG EBOOK HUCKLEBERRY FINN, PART 8. ***

***** This file should be named 7107-h.htm or 7107-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/7/1/0/7107/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.